Awesomely Shitty Movies: The Running Man

Welcome to another edition of Awesomely Shitty Movies, here at Enuffa.com!

Today we'll dissect and discuss what is possibly The Mother of Awesomely Shitty Movies (or at least a well-respected Aunt), The Running Man!  Based to the loosest possible degree on the novel by Richard Bachman (or Stephen King as he's known to everyone), The Running Man tells the story of a dystopian future where the global economy has collapsed and the country is a police-state.  The masses are controlled by a military-industrial complex that keeps them placated with violent television and a steady stream of disinformation (Oddly still topical....).  The most popular TV show is called The Running Man, where convicted felons are hunted down by cartoonish gladiator-types called Stalkers.  The host/creator of the show is the slimy but immensely charismatic Damon Killian, who has become a beloved cultural icon.

The protagonist of the film, Ben Richards (Arnold Schwarzenegger), is a former SWAT cop who, after refusing to kill dozens of food rioters, is framed for their deaths and wrongfully imprisoned.  He and two fellow prisoners (members of an underground resistance whose mission is to expose the corrupt establishment and restore democracy) escape, only to end up as Running Man contestants.

What ensues is a fantastically awful amalgam of pro wrestling and numerous side-scrolling video games, as the Runners have to evade a series of Stalkers in order to get to the next stage.

This film is absolute tripe, but holy lord it's entertaining.  And here's why....

The Awesome

The Backdrop

This movie creates a richly detailed little universe for our characters to inhabit.  From the fake TV shows and commercials, to the neat technological advances, to the bit characters, the filmmakers have done a fine job of establishing the environment and making this seem like a real world that could actually exist.  To a certain extent it reminds me of the dystopia of Robocop.  There are some tangible aspects of this universe that make the story somewhat believable.


Reminds me a little of Blade Runner.  Just a little.



The History of WWE Survivor Series (2002)

This installment, if anything, proves that I should likely see a therapist about my wrestling-related issues.  But I'm not wrong.  Read with caution.....

Survivor Series 2002 - Madison Square Garden - 11/17/02

Sweet mother of God this show pissed me off.  Really, on so many levels this show made me want to smash lots of things with a steel girder.  Besides the obvious surface-level stupidity of this not at all being a proper Survivor Series lineup (Not one traditional SS match?  Really?), the booking was so incredibly nonsensical it actually hurt my face.  Some of the matches were fine, but the backstage political games that plagued WWE at the time undermined almost everything good that happened.  So strap on your hip boots, cuz we's about to wade through some shit.

The opening match was a six-man elimination Tables Match. Ooooh, so close to being an actual Survivor Series match, but nope.  During the brand split in early 2002, the company decided to split up not one, but two of their top tag teams, The Hardy Boyz and The Dudley Boyz, essentially gutting the entire division.  Oh, and they made the Tag belts exclusive to RAW so almost no teams even existed to fight over them.  Makes sense.  Anyway, this match saw Bubba Dudley, Spike Dudley and Jeff Hardy face Three Minute Warning and Rico.  It was fine for what it was, but I gave less than a poop.  There's one moment during the match where Jeff Hardy is brawling outside the ring and the participants have clearly been told to pick up the pace and get to the finish.  Rico gets up on the second rope and quite audibly yells, "Jeff! Get in here!"  Well done sir.  The one significant piece of this match was D-Von's run in at the end to help Bubba defeat Rico via a 3-D.  The Dudleys were reunited, correcting one of the two aforementioned tag splits.

Second was a Cruiserweight Title match between Billy Kidman and Jamie Noble.  This was fine.  Seven minutes was enough for them to make an impression at least.

The Women's Title match was next as Trish Stratus defended against her crazed, smitten stalker Victoria (another Trish feud played out in similar fashion a few years later with Mickie James).  Victoria was great as this psychotic character who seemed to harbor romantic feelings for Trish.  She also had Tatu's "All the Things She Said" as her entrance theme, which was fucking fantastic - probably the best entrance theme in the company at the time.  This match was passable and elevated Victoria as an excellent heel champ.

Okay, here's where things get stupid, folks.  The WWE Title match saw the company's newest main event star Brock Lesnar, fresh off cleanly defeating Rob Van Dam, The Rock and The Undertaker in PPV bouts (plus Hogan and Flair on free TV), defend against The Big Show, fresh off defeating almost no one on RAW for months.  Big Show had been floundering for the better part of two years and lost basically every feud he was involved in, only to be traded to Smackdown and immediately given a #1 Contender's spot.  Umm, what?  To make matters worse, the storyline was that Lesnar's manager Paul Heyman legitimately feared for Lesnar's well-being after Big Show attacked him, and was convinced Lesnar couldn't win the match.  Keep in mind Brock Lesnar was undefeated at this point while The Big Show just came off a horribly unsuccessful midcard run on RAW.  Got that?  So Lesnar's manager Paul Heyman didn't think the undefeated WWE Champion could beat his newest challenger who had just spent months losing most of his matches.  Did WWE think their viewers didn't watch both shows?  Also of note: Big Show's most recent PPV match prior to this was at May's Judgment Day, where he and Ric Flair lost a handicap match to Steve Austin.  Yeah there's a credible challenger.

Why is Big Bully Busick beating up Brock Lesnar?

Anyway, the match was a four-minute brawl where the big story was that Lesnar's ribs were injured (to be fair Lesnar was legit injured so he couldn't work a full match).  Lesnar dominated much of the match, lifted Big Show up for an F5 (incredible), and went for the pin, only for Heyman to turn on Lesnar and help The Big Show win the Title.  So let me make sure I'm clear on this.  We're supposed to believe that Paul Heyman was so convinced his guy couldn't beat this perennial midcarder that he "opportunistically" turned on Lesnar, despite Lesnar never having lost a match, and despite Lesnar having THIS match won.  Sorry, did anyone at WWE Creative bother to proofread this garbage before they greenlit it?  This is some of the worst storytelling I've ever been privy to.  None of this made sense, and it wasted the potentially HUGE moment of Brock Lesnar's first pinfall loss by giving it to someone who wouldn't benefit from it (oddly similar to WCW booking Kevin Nash to beat Goldberg).  Oh, and the match wasn't good.

The one really great match on this show was the WWE Tag Team Title match (the company realized that RAW had basically no tag teams left to challenge the champions Chuck & Billy, so rather than the logical option of having the champs wrestle on both shows they created a Smackdown-only set of Tag belts) - a Triple Threat Elimination bout between Champions Rey Mysterio & Edge, Kurt Angle & Chris Benoit, and Los Guerreros.  This three-way feud for the straps resulted in some spectacular television in the fall of 2002, or as it's known by most, The Smackdown Six Era.  The only problem was that the belts changed hands every couple weeks.  Angle and Benoit were the first champions, but two weeks later they lost the belts to Edge & Mysterio, who lost them here to Eddie & Chavo.  But this was a helluva good match (with a slightly anticlimactic third act after Angle & Benoit were ousted), and really the only bright spot on the show.

Yes, I mean that wholeheartedly.  The Tag Title match was far and away the best thing on this card, including the inaugural Elimination Chamber.

The History of WWE Survivor Series (2001)

The botched Invasion Angle ends with a premature whimper at Survivor Series 2001....

Survivor Series 2001 - Greensboro Coliseum - 11/18/01

The 2001 installment was the big blowoff to the most disappointing wrestling angle of all time, The Invasion.  The WWF had purchased WCW in March of 2001 and retained all their talent, except the guys everyone wanted to see fight the top WWF stars.  Hogan, Flair, Sting, Goldberg, Nash & Hall were all still under contract to Time Warner for another year and would've apparently cost too much money (for this billion dollar entertainment juggernaut).  So instead the top WCW guys Vince got were Booker T (fine wrestler but still unproven as a main eventer), Diamond Dallas Page (who got killed dead by The Undertaker in his first WWF program), and Buff Bagwell (No I'm serious, they thought he was gonna be a WCW cornerstone.  Unbelievable.).  To supplement the rather anemic WCW contingent Vince merged them with all the former ECW talent, calling them The Alliance, and made the WWF Champion Steve Austin their leader.  Because if anyone in the company would want to bring down Vince and the WWF, it's the guy who became a pop culture icon thanks to Vince and the WWF (this would be like Sting becoming the leader of the nWo in 1996).  For three months the non-WWF wrestlers were made to look like total chumps, with the exception of the white-hot Rob Van Dam who, despite being part of the heel anti-WWF faction, was the most popular guy in the company.  As a result this whole angle died a slow death, and Survivor Series 2001 was a way of putting it out of everyone's misery.

The main event was a traditional elimination match (for the first time in eight years), where the losing team would cease to exist as a wrestling organization, and its members would all be fired (unless they possessed championships or won the Immunity Battle Royal, or it just didn't make sense for them to be written off TV).

The first match was a throwaway featuring European Champion Christian (an Alliance guy) beating Al Snow (a jobber guy).  This was your standard RAW-quality match.

Next was a complete waste of time as turncoat William Regal (one of several WWF guys who joined The Alliance for seemingly no reason) handily defeated rising star Tajiri in under three minutes.  Hey, how 'bout instead Tajiri challenges Christian?  That would've been great.

Third was a unification match for both the WWF I-C Title and the WCW US Title.  The WWF's Edge fought The Alliance's Test in a pretty solid eleven-minute match.  Edge walked away with both belts, but we'd see more of Test on this show.

The first noteworthy match was next as the WWF and WCW Tag belts would be unified.  The Hardy Boyz faced The Dudley Boyz in a Steel Cage match.  This could've been a little better, but it was still very watchable and featured fine Hardyz-as-underdogs storytelling.  The Dudleyz won the match to ensure they'd still have jobs.

The History of WWE Survivor Series (2000)

In a year when the company was white-hot and creatively kicking ass, this show was a wasted opportunity....

Survivor Series 2000 - Ice Palace - 11/19/00

The 2000 edition was a very frustrating one for me.  I had really gotten fed up with the lack of emphasis on elimination matches and how chintzy they had become.  The roster in 2000 was so stacked they could've effortlessly put together a good old-school Survivor Series card, but instead they went with a slew of regular matches and only two rather short elimination bouts.

The opening match was a six-person tag that could've easily been turned into an intergender elimination match by adding a member to each team.  Steve Blackman, Crash Holly and Molly Holly faced T&A and Trish Stratus.  This went only five minutes and was a rather vexing inclusion to the lineup.

The first elimination match was next as The Radicalz (Chris Benoit, Eddie Guerrero, Dean Malenko and Perry Saturn) took on Road Dogg, K-Kwik, Billy Gunn and Chyna.  It was a fairly one-sided affair mostly designed to give the Radicalz something to do.  Benoit and Saturn won the match, but this wasn't great.  Benoit would regain some footing the following month by capturing the I-C Title from Billy Gunn.

Third was one of the few bright spots on the card as Kane and Chris Jericho had a very entertaining midcard match.  I say this a lot, but they probably should've just captained opposing teams.  Still this was a solid outing which was sadly followed by a lame Last Man Standing match the next month.

Another pointless match was next as William Regal defended the European Title against Bob Holly.  Since the opening match featured six people and this match featured two, and both matches sucked, why couldn't they have been combined into one elimination match, hmmm?

The midway point featured the first bout of the "triple main event," as The Rock faced turncoat/cousin Rikishi.  The background of this rather ill-conceived feud dates back to Survivor Series 1999.  Remember how Steve Austin was run down by a mystery driver to explain his year-long absence from TV as he received spinal fusion surgery?  Leading up to his return they finally revisited this angle to establish a payoff.  There was a two-episode RAW arc where Commissioner Mick Foley questioned everyone who was in the building the night of the incident, and it was established the driver of the car had blond hair.  Now it seemed like all signs were pointing to Shawn Michaels being the culprit, which had me all in a tizzy (I discounted Triple H since he was far too obvious a choice - more on that later).  But as it turned out, Rikishi was the mystery driver.  Incidentally, Rikishi had literally just debuted on television the day before Survivor Series '99.  So this guy who had just joined the WWF decided to run over the top star in the company, to help out his cousin The Rock, who was the company's number-two star?  I mean in a way it makes sense, but it was pretty effin' thin.  Plus, no one wanted to boo Rikishi.  He was an amusing babyface character who generally lightened the mood with dancing and occasional comedy spots, but could still hold his own in a good stiff match.  There was no business reason to turn him heel, and doing so undermined his whole persona.

So Rikishi fought a returning Steve Austin at No Mercy 2000 in a brief no-contest, then later in the night attacked The Rock, costing him the WWF Title.  Ummmm, wasn't your whole motivation supposed to be to HELP The Rock?  Shortly thereafter on RAW it was revealed that Rikishi was working for someone else, who paid him to run down Austin (the result of the company panicking when Rikishi's unwanted heel turn didn't light the world on fire).  That someone else?  Triple H.  The most obvious guy to want Austin out of the way in 1999.  Really?  Has no one in this company ever watched a murder mystery?  This was so poorly written it was actually comical.  So now Rock wanted revenge against Rikishi, and Austin wanted revenge against Hunter.

The History of WWE Survivor Series (1999)

We've reached a pretty dark time in the history of this great event.  Survivor Series 1999 is one of the worst wrestling shows I've ever seen....

Survivor Series 1999 - Joe Louis Arena - 11/14/99

I hated this show.  HATED it.  Survivor Series 1999 is very high on my all-time worst PPVs list.  It's just pure tripe almost from start to finish, and full of half-assed short-attention-span bouts.  Plus the much anticipated triple threat between the WWF's top three stars ended up not happening as planned due to one of them being unable to compete prior to the show, thus necessitating an incredibly stupid injury angle.

Shane and Steph are very concerned.  Imagine how Vince must've felt.

There were four traditional elimination matches, only one of which passed the ten-minute mark:
The Godfather, D-Lo Brown and The Headbangers faced The Dudley Boyz and the Acolytes.  Godfather and D-Lo won in a quick and forgettable nine-minute bout.

The History of WWE Survivor Series (1998)

One of the worst wrestling tournaments ever, that was super entertaining at the time....

Survivor Series 1998 - Kiel Center - 11/15/98

The 1998 edition almost defies critique as a wrestling event.  Almost.  As an angle played out over a three-hour running time it was rather genius.  As a professional wrestling show it was abysmal.  Once again nothing about this show earned it the title of Survivor Series.  The PPV was built around a WWF Title tournament after Steve Austin lost the belt under controversial circumstances and the belt was vacated.  As with WrestleMania IV, the company tried to cram far too much into one show, and this didn't even have the benefit of a fourth hour.  Fourteen matches in three hours.  Simply batshit insane.

There were two non-tournament matches, Sable vs. Jacqueline for the new Women's Title (this one stunk), and a Triple Threat for the Tag belts pitting The New Age Outlaws against The Headbangers and D-Lo Brown/Mark Henry (this one was mediocre).

The tournament itself was shabbily thrown together and had some baffling inclusions such as jobber Duane Gill, midcarder Al Snow, newcomer Steven Regal, who had only been in the company a few weeks, and two first-round matches featuring McMahon henchman the Big Bossman.  Now the storyline going into this was that Vince would do anything to keep Austin from regaining the Title, and had handpicked (rather reluctantly) Mankind to be the next Champion (Mankind had shaved off his beard and styled his hair for the occasion).  Mankind opened the show against pushover Duane Gill to allow him easy advancement.  Steve Austin's first round match was against Bossman, tasked specifically with injuring Austin and hindering him going forward (why not just use a crooked referee to take Austin out of the tournament right at the beginning?).  The Rock, who had been slowly turning babyface and had run afoul of Vince, was slated to face Triple H in the first round.  Triple H, despite being injured, was nonetheless billed to appear on this show in a rather shameless bait-and-switch.  Instead Rocky faced the Bossman (making his second first-round appearance) and quickly rolled him up in a four-second match.

The second round featured a shitty Undertaker-Kane rematch, a very good little Rock-Shamrock rematch (where Bossman's interference on Shamrock's behalf backfired), a Steve Austin bye into the semis, and an exceedingly brief Al Snow vs. Mankind bout.

The History of WWE Survivor Series (1997)

November 9th, 1997 - perhaps the most infamous day in wrestling history....

Survivor Series 1997 - Molson Centre - 11/9/97

Speaking of PPVs that are a complete fucking mess, the 1997 Survivor Series suffered from all kinds of problems.  I'm guessing that due to the turmoil and uncertainty surrounding WWF Champion Bret Hart's impending departure from the company (essentially forced by Vince, mind you), there wasn't much time or energy left to focus on the rest of the card.  Bret had initially agreed to stay through November '97 and drop the title before he left, Vince insisted it had to be to Shawn in Montreal, Bret refused, you know the rest.  Anyway there were seven matches on the card, most of which were mediocre or just too rushed and/or chaotic to be very good.

First up was (what a shock) an elimination match consisting of four tag teams.  The New Age Outlaws teamed with The Godwinns to face The Headbangers and The New Blackjacks.  This was watchable and helped get the Outlaws over as the hot new heel team, but otherwise not much going on.

Second was a totally pointless elimination match between Crush's DOA stable and an Apartheid-inspired heel stable, the Truth Commission.  Essentially the whole point of the Commission was to get over a new giant wrestler named Kurrgan, whose career fizzled very quickly but who can be seen in such blockbuster films as 300 and Sherlock Holmes.  Kurrgan basically won the whole 9-minute match by himself.  Welcome to ThrowawayLand.

The History of WWE Survivor Series (1996)

Here's a PPV that felt barely cobbled together but was still mostly enjoyable....

Survivor Series 1996 - Madison Square Garden - 11/17/96

Survivor Series '96 might be the best-ever PPV thrown together with seemingly no logic or common sense.  There are some good matches on this show, but really look at it - the lineup is a complete fucking mess.  Aside from one singles match there wasn't much of a reason for anything that happened here.  Four new wrestlers made their in-ring debuts on this show (FOUR!  That's way too many debuts all at once.), only one of the three elimination matches was assembled around a feud, one of the three singles matches was totally unnecessary at this point, and the WWF Title challenger had no business getting a title shot.  I really don't know what they were thinking putting this show together the way they did.

The opening match was entirely built around nothing.  Yet another two-teams vs. two-teams elimination bout, Tag Champions Owen Hart and Davey Boy Smith teamed with The New Rockers against The Godwinns and WWF newcomers Doug Furnas and Phil Lafon.  Furnas & Lafon were a celebrated team in Japan but American audiences were not familiar with them at all, and they made no RAW appearances before debuting at this show.  Yet immediately they were positioned as the #1 Tag Title contenders.  Aside from this match having a lot of good wrestling, there was no reason to care about any of it.

Match #2 was the fourth PPV meeting between The Undertaker and Mankind.  Now, let me preface this by saying the Taker-Mankind feud from 1996-1998 was and is one of the greatest feuds of all time.  But they had already wrestled each other on PPV in a regular singles match, a Boiler Room Brawl, and the first-ever Buried Alive match.  So to follow this up the company opted for.....another regular singles match??  This made no sense.  If the level of violence wasn't going to escalate, have Taker and Mankind each captain a Survivor Series team.  Ya know, since the show is called Survivor Series??  This match was fine, but totally anticlimactic after their three previous efforts, and was probably the weakest of this entire feud.

The one elimination match involving a real feud was next, as I-C Champion Hunter Hearst Helmsley led Crush, Goldust and Jerry Lawler against Marc Mero, Jake Roberts, "The Stalker" Barry Windham (what a laughable gimmick), and another debuting star, Rocky Maivia (at least with Rocky the WWF showed a bunch of vignettes leading up to this).  This match was just ok, but I did like that both captains were eliminated before the end.  Rocky overcame the odds to win the whole thing, much to the delight of.....no one really.  This was long before Maivia showed us all what a true star he could be, and I'll confess that until his 1997 heel turn I didn't see any real potential in him.

The History of WWE Survivor Series (1995)

Another return to form for Survivor Series as the November tradition moves to Sunday night...

Survivor Series 1995 - USAir Arena - 11/19/95

To paraphrase Bobby Heenan, comparing Survivor Series '94 to Survivor Series '95 is like comparing horse manure to ice cream.  The 1995 edition was such a monumental improvement it's hard to even consider them as the same type of event.  While the '94 edition felt disorganized and largely inconsequential aside from a few key moments, this show featured multiple strong elimination matches and a big marquee Title match.

1995 was not a very successful year for the company, as Diesel failed to draw as WWF Champion and fans instead preferred the athleticism of Bret Hart and hot new babyface star Shawn Michaels.  But several newcomers were added to the roster which freshened up the product, such as Hunter Hearst Helmsley, Ahmed Johnson, Hakushi and Goldust.

The first match featured mostly bottom-level talent but ended up being one of the best on the show.  The Bodydonnas - Skip, Rad Radford, Tom Prichard, and surprise member The 1-2-3 Kid took on The Underdogs - Marty Janetty, Bob Holly, Hakushi, and Barry Horowitz.  These eight guys wrestled like they had something to prove, as the match featured lots of aerial moves and spectacular high spots (for example Janetty's mindblowing top rope powerbomb on Skip).  The Kid stole a victory in the end after his new stablemate Sycho Sid interfered, and this seemed to be the beginning of a nice heel push for Sean Waltman.  However due to some drug issues his career stagnated and he left for WCW several months later.

Next up was a women's match reminiscent of the Team Sherri vs. Team Moolah bout from 1987, featuring several Japanese women wrestlers utilizing intricate, crowd-pleasing movesets previously not seen in the WWF.  The Women's Champion Alundra Blayze captained a team of Kyoko Inoue, Sakie Hasegawa and Chaparita Asari against Bertha Faye's team of Aja Kong, Tomoko Watanabe and Lioness Asuka.  This was a highly entertaining, action-heavy showcase of Japanese-style wrestling that seemed to signal the push of Aja Kong as a major women's star.  Unfortunately Alundra Blayze defected to WCW a month later and the planned Women's Title feud was off.  Still this is easily worth a watch.

The History of WWE Survivor Series (1994)

Back to sub-standard Survivor Series fare.....

Survivor Series 1994 - Freeman Coliseum - 11/23/94

Here's an ugly bit of business.  Survivor Series '94 saw the return of 5-on-5 elimination matches, which sounds like it'd be great.  Unfortunately the WWF didn't seem to care about making them seem at all important, so they came off as a jumbled mess.  The two main events on the show were singles matches (this began an infuriating trend of every major feud on a Survivor Series card being settled in a singles match while the elimination matches were treated as obligatory filler), neither of which really delivered.

Far too similar to the first match on the 1991 card, the opening match here had all the hallmarks of a classic.  The Bad Guys - Razor Ramon, 1-2-3 Kid, British Bulldog, and The Headshrinkers vs. The Teamsters - Shawn Michaels, Diesel, Owen Hart, Jim Neidhart, and Jeff Jarrett.  A bunch of good workers and a bunch of future main eventers.  What could go wrong?  Well, much like its 1991 counterpart, this match started out great, establishing Diesel as a killing machine, and then about twenty minutes in, ended with five - FIVE - men getting eliminated at the same time, with one guy left standing as the winner.  This was so unbelievably stupid.  It all happened after Shawn accidentally superkicked Diesel (the third time this had happened), leading to Diesel chasing Shawn out of the ring and back to the dressing room.  The rest of their team went with them to try and break up the impending melee, and the referee counted the whole team (yes, the WHOLE TEAM) out of the ring.  Umm, shouldn't only the legal man be counted out?  And then the next legal man would get counted out?  So like, shouldn't the referee have had to count to fifty to eliminate the entire team?

Hey look, it's the Kliq......and Davey Boy.

Look, dummies.  Here's what you do with this match.  The main objectives were obviously to break up Shawn and Diesel, turn Diesel face, and position Diesel as the next main event guy.  So instead of wasting everyone's time with a 20-minute match without a third act and a totally nonsensical ending, how 'bout you have Diesel run through Razor's whole team (like he did), tag Shawn in (like he did), hold Razor for the superkick (like he did), have Shawn miss and hit Diesel (like he did), and then have Razor roll Shawn up for the pin.  Then Diesel (now the legal man) realizes what happened and angrily chases Shawn back to the dressing room, thus getting counted out and making it a 3-on-1 match.  Razor gallantly battles Owen, Jarrett and Neidhart, eventually eliminating "The Anvil," befor Owen and Jarrett's heel tactics become too much and Jarrett covers Razor for the win (thus setting Jarrett up as the #1 I-C contender, which they were gonna do anyway!).  Would that have been so hard?  Then you'd have an epic, dramatic elimination match that elevated Diesel and Jarrett, set up the Shawn-Diesel feud, and painted Razor as a courageous fighter who never gave up despite the long odds.

Nope, let's just throw out another potentially awesome Survivor Series match.  Next?

The History of WWE Survivor Series (1993)

After three pretty bad editions of the Thanksgiving Night/Eve Spectacular, the show returned to its roots in 1993...

Survivor Series 1993 - Boston Garden - 11/24/93

Well that's more like it.  The '93 Series PPV was something of a return to form after the format had been watered down and then abandoned completely over the three previous years.  This show marks the first time a wrestling PPV had ever been held in Boston, so it has some sentimental value for me.  I was tempted to buy a ticket, but since it was Thanksgiving Eve and I'd have to travel home to the 'burbs anyway, I opted to watch on the tube.

This show not only put the focus back on the elimination matches, but for the first time since 1990 the main event was one of them.  The company made the most of a terribly depleted roster and put on a pretty damn good show, all things considered.  This would sadly be Bobby Heenan's final WWF PPV, as he would soon leave the company and wind up in WCW.

The History of WWE Survivor Series (1992)

Oh look, a non-Survivor Series show.....

Survivor Series 1992 - Richfield Coliseum - 11/25/92

Survivor Series '92, or as I like to call it, Generic Wrestling Show '92, returned to the place where it all started, the Richfield Coliseum.  This was the first Survivor Series after Hulk Hogan's departure and featured a host of brand new main event stars.  The WWF had moved away from the superhuman power wrestlers due to mounting steroid allegations, and focused on smaller grapplers and more athletic action.

Sadly they also moved away from a Survivor Series format for this installment and it became just another PPV event.

The show opened with the newly-signed Headshrinkers (or Samoan Swat Team as they had been called in WCW) vs. High Energy (Owen Hart and Koko B. Ware, who for some reason both wore Jim Neidhart's old MC Hammer-style pants).  This was a serviceable kickoff tag bout but little more than a showcase for the Wild Samoans: NextGen team.

Next up was The Big Bossman facing Nailz (a "former convict" whom the former prison guard Big Bossman had allegedly mistreated in the clink) in a Nightstick on a Pole match.  Nailz was comically evil and had a digitally enhanced speaking voice to make him sound more monstrous.  This was his final televised WWF match, as he was later fired for physically assaulting Vince McMahon.  Probably not the smartest move to beat up your boss, but then again Steve Austin made a great living that way.

The History of WWE Survivor Series (1991)

Consider this ugly little number, which ended up a sleazy sales pitch for another PPV...

Survivor Series 1991 - Joe Louis Arena - 11/27/91

Wow.  Not only was Survivor Series 1991 not a good PPV, it was little more than a hype show for the newest WWF PPV offering six days later, This Tuesday in Texas.  This was such a cheap-ass bait and switch, and had I actually paid to see this show I'd have been LIVID.  In an odd way this PPV was ahead of its time in that it essentially accomplished the same thing as every PPV in the Vince Russo era - hook the paid viewers into watching an upcoming show.  Just mystifying.

The opener looked fantastic on paper.  Ric Flair, The Mountie, Ted Dibiase, and The Warlord vs. Roddy Piper, Bret Hart, Davey Boy Smith, and Virgil.  This was Ric Flair's first major feud in the WWF, and the heat between him and Piper was fantastic.  Piper had been an announcer for a while and got put on probation for getting physically involved with Flair, to the point that President Jack Tunney threatened suspension if it happened again.  Flair then took advantage, taunting Piper repeatedly and slapping his headset off, hoping to provoke a fight.  Piper snapped, was fired as an announcer and reinstated as a wrestler.

Anyway what a great lineup - Flair, Dibiase, Piper, Bret and Davey Boy all in the same match!  And for about 22 minutes this was a pretty damn good elimination match.  Took its time, didn't rush to get to the end, had all the markings of an epic harkening back to the '87 and '88 shows.  Aaaaaand then a wild brawl broke out where five guys all got disqualified at once, leaving Ric Flair as the sole survivor.  Get the fuck right outta here.  FIVE-MAN DISQUALIFICATION.  This had to be the cheapest and laziest booking of the decade.  There was no discernible reason they couldn't have gone the traditional route, made this a 27-minute match that came down to Flair vs. Piper, and had Flair win using a cheap rollup while hooking the tights.  Then this could've been one of the best WWF matches of the year.  But no.  Let's just toss the whole thing out.  Unbelievable.

What a promising match this was....

Next we had, for the second year in a row, a pointless match involving Sgt. Slaughter, as he led Jim Duggan, Kerry von Erich, and Tito Santana against Col. Mustafa, The Berzerker, Skinner, and Hercules.  Slaughter had finally lost his feud with Hulk Hogan and once again embraced America, turning on his Iraqi sidekicks.  So the guy around whom they had built most of 1991 as a traitorous, flag-burning terrorist-type was now begging the fans to take him back.  This is reason #387 why the US-Iraq angle was a terrible idea: once you have the villain publicly side with a murderous totalitarian with whom America was actually at war, it's a little tough to get the fans back on his side later on.  Not surprisingly this new Slaughter-Sheik feud didn't exactly light up the wrestling world.  Also they had the babyfaces sweep the heels here, immediately negating the novelty of 1990's Visionaries-Vipers sweep.

The History of WWE Survivor Series (1990)

Sadly the WWF followed up its first three good-to-excellent Survivor Series PPVs with a totally phoned-in edition...

Survivor Series 1990 - Hartford Civic Center - 11/22/90

Dear God this show sucked.  For the first time (and certainly not the last), the WWF took the amazing Survivor Series concept and diluted it beyond all recognition.  The 4-on-4 format was still in effect from 1989 but they added the wrinkle that the survivors of each match would meet at the end of the show for a "Grand Finale" match.  A very cool idea in theory, but a terrible one in execution.

For one thing it resulted in six elimination matches - far too many for a three-hour PPV.  For another, the company also added a Mystery Egg segment - the climax to a weeks-long series of teasers where at the TV tapings they would show this giant turkey egg in the arena and let everyone know it was due to hatch at the PPV (How did they pinpoint the exact date, might I ask?).  At the Series, the egg hatched, and it was a man in a turkey suit, known as the Gobbledy Gooker.  The Gooker ran down to the ring and danced with Mean Gene Okerlund, and that was it.  That's what this whole angle was built around.  Just a colossal waste of everyone's lives.

Anyway, the show opened (OPENED!!) with the match involving WWF Champion The Ultimate Warrior.  This was the match I was most looking forward to, mind you; the hyped main event, and it went on first.  Warrior captained a team of Kerry Von Erich and the Legion of Doom, against Mr. Perfect (with whom Warrior was NOT feuding at the time) and the three members of Demolition.  Nevermind that Warrior was actually feuding with Randy Savage (who I presume wasn't medically cleared to wrestle, being that the two never fought until the following March), the lineup still looked intriguing.  And then it only went fourteen minutes.  Wait.  Thus far the shortest-ever Survivor Series match was almost 18 minutes, while the others were well over 20.  The MAIN EVENT of this Survivor Series PPV lasted fourteen minutes??  Something ain't right here.  Warrior won, incidentally.

Hmm, which of these four guys doesn't belong?
Incidentally only one of these men is still living.

Next was the Dream Team of Dusty Rhodes, Koko B. Ware, and The Hart Foundation against the Million Dollar Team of Ted Dibiase, Honky Tonk Man, Greg Valentine, and mystery partner Kane the Undertaker (that's right, his first name was originally Kane).  This match was pretty good partly due to the intrigue of Taker's introduction, and partly because of the later stretches of the match when it came down to Bret vs. Dibiase.  Ted won the whole thing.

The History of WWE Survivor Series (1989)

Wait, it's not five-on-five anymore?  And the tag team match is gone??  WHAT THE DAMN HELL??

Survivor Series 1989 - Rosemont Horizon - 11/23/89

Here's a Survivor Series I went into just eager to hate the whole thing.  When I found out they had changed the format to 4-on-4 and done away with the 20-man tag team-based match I was livid.  This felt like it would totally water down the concept and ruin what had been one of my favorite gimmick matches.  Instead of putting all the tag teams in one supermatch, they paired two singles wrestlers with each tag team, and in the case of the Hart Foundation, actually split them into separate matches (something I still find baffling).

Fortunately though, Survivor Series 1989 was still a fun show to watch and featured some very good elimination bouts.  This was also the first Series where each team had a name - a silly touch, but it added a sense of officiality to the whole thing.

The opening match featured The Dream Team - Dusty Rhodes, Brutus Beefcake, Tito Santana, and The Red Rooster vs. The Enforcers - Big Bossman, Bad News Brown, Rick Martel and Honky Tonk Man.  On paper this looked like a yawner but it was actually pretty good.  Rhodes and Beefcake outlasted the Bossman team.

Second was the match I was initially looking the most forward to, as Randy Savage captained The King's Court, with Dino Bravo, Greg Valentine, and originally Barry Windham, who had jumped to the WWF as The Widowmaker.  I loved Windham at the time and had high hopes for his WWF run.  Unfortunately Windham only spent about six months in the company, for reasons I still don't understand, and was replaced by the WWF's newest monster heel Earthquake.  Savage's opponents were the 4x4s (a name that makes little sense since Jim Duggan carried a 2x4, not a 4x4): Jim Duggan, Bret Hart, Ronnie Garvin, and Hercules.  This match was solid and featured some rare televised Bret Hart vs. Randy Savage interaction (why they never had a major feud with each other I'll never know).  Savage's team was dominant thanks largely to Earthquake's involvement.

The History of WWE Survivor Series (1988)

Time to talk about my favorite Survivor Series....

Survivor Series 1988 - Richfield Coliseum - 11/24/88

Well somehow they did it.  The WWF managed to top the near-perfect 1987 Survivor Series with an EVEN BETTER show in 1988.  They crammed 50 wrestlers on the show (granted some were hardly A-listers but still) and presented 4 huge elimination matches once again.  Because of Hulk Hogan and Randy Savage being presented as co-faces of the company, each team this year had two captains instead of one.  Kinda silly but it's a minor nitpick.

The opening match was once again built around the Intercontinental Championship feud, as new champ The Ultimate Warrior and Brutus Beefcake captained a team including Sam Houston, The Blue Blazer, and former Killer Bee Jim Brunzell (subbing for Don Muraco), against The Honky Tonk Man & Outlaw Ron Bass, and their team of Greg Valentine, Bad News Brown, and Danny Davis.  This bout was nothing special but kicked off the show with a fast-paced match and a feel-good moment, as the Warrior overcame the odds to survive.

The second match on this show is my favorite elimination bout in Survivor Series history.  Once again five tag teams were partnered up on each side of the ring, and this might be the greatest assembly of tag teams in a single match.  Newcomers (and Road Warrior clones) The Powers of Pain captained a team of the Hart Foundation, the British Bulldogs, the Rockers, and the Young Stallions (that's an unbelievably stacked crew right there) against Tag Champs Demolition, the Brain Busters, the Rougeaus, the Bolsheviks, and jobber team The Conquistadors (okay so they probably didn't belong).  The match was an epic 42-minute war where all the teams got plenty of ring time and the action was more or less non-stop until the closing minutes.  Then a shocking double-turn occurred, as Mr. Fuji turned on Demolition, causing their elimination.  The Powers of Pain then made short work of the Conquistadors and adopted Fuji as their new manager.  Demolition went on to become one of the most beloved teams in WWF history and set a new record for the longest Tag Championship reign (which held until The New Day eclipsed it in 2016).  This match holds up as a classic example of elimination wrestling.  Spectacular stuff.

That there is an even BETTER tag team division.

The History of WWE Survivor Series (1987)

From the wrestling-dependent jackoff who brought you The Histories of WWE WrestleMania and SummerSlam comes the official Enuffa.com History of WWE Survivor Series.

Welcome to my retrospective about what has traditionally been one of my favorite wrestling concepts, the Survivor Series.  The PPV debuted in 1987 when the WWF's chief rival, the NWA, decided to venture into the PPV market with Starrcade '87.  Vince McMahon, in full-on predatory mode, created a new gimmick PPV to go head-to-head with Jim Crockett's flagship show, but also told the cable companies they would have to choose between Starrcade and Survivor Series, and if they chose the former they would not be permitted to carry the following year's WrestleMania event.  This unfortunately crippled Starrcade's distribution (a shame since Starrcade '87 was a helluva show) and essentially ruined Crockett's PPV hopes, leading to the promotion's sale to Ted Turner in 1988.

The Survivor Series was built around a simple but ultra-awesome concept, superteams of five wrestlers (with either one or two captains depending on the year) battling for supremacy in a sequence of elimination matches.  The last team (or portion thereof) left standing would be the winners.  I had seen six-man elimination tag matches but the idea of a 5-on-5 version blew my freakin' mind and I absolutely loved this plan.

For the first few editions the show was entirely comprised of these elimination matches, but as the years have worn on WWE has almost disowned them and made the card more like a regular old PPV with an occasional elimination bout thrown in.  The result has been a very watered-down version of a once epic annual tradition.  But let's take a look at the history of WWE's second-oldest PPV event.

Survivor Series 1987 - Richfield Coliseum - 11/26/87

The original Survivor Series was an absolutely colossal extravaganza.  The three-hour PPV consisted of only four matches, three of which pitted teams of five against each other.  The fourth (and this was fucking GENIUS) stacked five tag teams to a side, and when one man from a tag team was eliminated, both members were gone.  So for example if Dynamite Kid got pinned, his partner Davey Boy Smith had to leave the ring as well.  This match type was only featured in the first two Survivor Series' (and was brought back in 2016), but it was amazing.  It also demonstrated how incredibly deep the tag team division used to be.

That there is a tag team division.

The first event opened with the team of Randy Savage, Ricky Steamboat, Jake Roberts, Brutus Beefcake, and "Hacksaw" Jim Duggan facing the Honky Tonk Man, Hercules, "Outlaw" Ron Bass, Harley Race, and Danny Davis.  Savage and HTM were feuding over the Intercontinental Title, and the "Macho Man" had become the second-most popular babyface in the company.  Also consider how monumental it was that Savage and Steamboat were teaming up only months after their venomous blood feud.  This match was absolutely thrilling and kicked off this historic event in style.  Team Savage was dominant, winning the match with three survivors (Savage, Steamboat and Jake) after the hopelessly outnumbered Honky Tonk Man took a powder and got counted out.  Just twenty-four minutes of BOSS.

Awesomely Shitty Movies: A Nightmare on Elm Street 3 - Dream Warriors

Welcome to another Awesomely Shitty Movies column here at Enuffa.com, where I take another look at a childhood favorite and talk about why parts of it don't hold up and in some cases make me cringe.  Some of you will probably hate me...

It's Halloween season, so I'm watching a lot of horror movies, and today I'm revisiting a classic of the cheesy 80s horror genre, A Nightmare on Elm Street 3: Dream Warriors!  I came by this series just as this film was being released in early 1987; a friend in junior high school was a slasher film fanatic and used to bring in issues of Fangoria for me to read (Goddamn, that magazine ruled).  I'd heard of A Nightmare on Elm Street and its first sequel from my older siblings but knew zero about them until my schoolmate showed me pictures of the burnt guy with the finger-knives.  Immediately I was fascinated - what kind of an imagination came up with this creepo??  My friend also had a copy of the novelization The Nightmares on Elm Street, Parts 1, 2 and 3, as well as the Nightmare on Elm Street Companion coffee table book (which I still have).  I rushed out to buy both books, having never seen any of the films, and dove in head-first.  I soon rented the first movie and loved it, rented the second and just sorta liked it, and couldn't wait to see the third once it dropped on VHS (Being under 17 I didn't have a parent/guardian available/interested in accompanying me to the theater for this movie/film).  Another friend eventually bought the third movie, so I watched it at his house, and it blew my goddamn fuckin' mind.  The nightmare sequences were way more elaborate and fantastical, the teenagers now had dream powers, and Freddy was crackin' jokes the whole movie.  It was like a slasher movie crossed with a comic book, and at 12 years old it was one of the greatest things I had ever seen.

This book is the TITS.

Tangent time: That summer I fashioned a Freddy claw out of an old leather glove and some Tinker Toys (they didn't yet have the licensed Freddy glove), and my mom bought me an official Freddy mask to go with an old red-and-green-striped sweater my parents happened to have in the house.  I obviously went as Freddy for Halloween that year and was proud as fuck of my costume.  'Course looking back now it seems borderline inappropriate for a 12-year-old to dress up as a serial child murderer, but the 80s were a strange time.

Anyway, back to the movie.  Nightmare 3 was considered a more faithful sequel to the original (after a second installment was made against Wes Craven's stern objections, throwing out some of the rules established in the first, as well as lightening the tone and injecting a love story).  Nightmare 2 was quite successful at the box office, but critics and fans were disappointed with how far it strayed from Craven's original vision.  So for the third movie Craven was brought back in to shape the story, Nancy Thompson returned to the fold, and while still slightly comedic, the movie restored somewhat the original's darker tone.  Freddy was now dream-stalking a group of troubled, suicidal teenagers, but said teenagers had also learned to develop special skills to fight back.  Armed with a more robust budget, the filmmakers poured everything they had into the set pieces and effects, creating a crowd-pleasing horror entertainment that handily outgrossed its two predecessors.

Hey, nothing wrong with that, but watching it now there is some stuff that doesn't hold up for me.  Before we get to that though, let me heap some praise on this esteemed bit of slasher escapism...

Awesomely Shitty Movies: A Nightmare on Elm Street 2 - Freddy's Revenge

Welcome to yet another installment of Awesomely Shitty Movies, here at Enuffa.com, where I examine uneven films and try to separate the good from the bad.  Today I'm talking about A Nightmare on Elm Street 2: Freddy's Revenge!

Click HERE to read about Nightmare 3 and HERE for Nightmare 4...

In 1984 fledgling film studio New Line Cinemas scored an unexpected monster hit with Wes Craven's weird little movie about a burned-up guy who kills teenagers in their dreams.  The studio had literally mortgaged its future on the project, and when it turned up a tidy $22 million profit, they were eager to follow it up with something equally successful.  The only problem was, Wes Craven (who as a condition of New Line's agreeing to finance the first movie had signed it away as his intellectual property) had no interest in making Nightmare a franchise and declined to participate in a sequel.  Instead director Jack Sholder and screenwriter David Chaskin were brought in to helm the project.  Sholder later confessed he wasn't a fan of the first movie (odd choice to have him direct this one then) and wanted to take the material somewhere else, while Chaskin loaded up the sequel with unusual social subtext for an 80s popcorn movie.  One gross early miscalculation on the part of the filmmakers was the idea that they didn't need a proper actor to play Freddy - since Robert Englund demanded a raise from his Nightmare 1 salary to return, producer Robert Shaye attempted to keep the budget low by casting a stunt double in a Freddy mask.  They got as far as one scene before realizing he was terrible, and wisely agreed to Englund's terms.

Picking up five years after the events in Nightmare 1, this film centers around the new tenants of Nancy Thompson's former address, in particular a teenage boy named Jesse Walsh.  Jesse is haunted by nightmares about Freddy, who asks permission to use Jesse's body as a vehicle for murdering people in the real world.  What follows is a battle of wills, as Jesse struggles to squash the evil growing within him.  The premise is simple, but the thematic choices and execution are what's really intriguing about this often-maligned movie decades later.

So let's detach the good and the evil surrounding A Nightmare on Elm Street 2, shall we?



The Awesome


Performances

A few cheesy and awkward moments aside, the principle performances in this movie are strong, at times some of the most credible in the series.  Mark Patton brings a tortured sense of sexually confused teen angst to the role of Jesse, unsure what to do with both his budding physical maturity and his nocturnal hauntings.  Kim Myers is sweetly nurturing and warm as the beautiful girl-next-door Lisa.  Robert Rusler is the meathead jock you can't help but like as Ron Grady, who initially bullies Jesse but ends up becoming his friend and confidant.  Veteran actor Clu Gulager is cluelessly stern as Jesse's unsympathetic father, insensitive to the changes, both Freddy-related and otherwise, his son is going through.  And of course there's trusty Robert Englund as Freddy himself, who comes off possibly more malicious here than in any other film.  Freddy just seems especially hostile this time around, almost as though Englund resented not being asked back in the first place.  Or maybe I'm reading into things...




Freddy's Look

Original Nightmare makeup artist David Miller was unavailable to return for the second film, so 23-year-old Kevin Yagher was brought in for his first of three Nightmare films.  Yagher had nothing to go on in recreating Miller's makeup design except clips from the first film and a few photos, so he mostly started from scratch, making Freddy's prosthetics thinner, bonier and more witch-like, adding to his menacing look.  Another wonderful touch was giving Englund red contact lenses to further enhance his demonic appearance.  Yagher's makeup really established the exaggerated, shiny, "classic" Freddy look.  Of the entire series, this is my favorite execution of Freddy's makeup.

Movie Review: Frankenstein (2025)

Here's a film I've been rabidly anticipating for a long time.  Guillermo Del Toro's long-planned adaptation of Mary Shelley's iconic novel Frankenstein has hit theaters for a limited run before its Netflix debut on November 7th.  Starring Oscar Isaac, Jacob Elordi, and Mia Goth, the film is a stylish, tragic epic about ambition, ego, forgiveness, and accountability.  As expected it includes outlandish GDT visual hallmarks, big performances, and lavish production values, and like his 2022 Pinocchio adaptation it is closely inspired by the source material while also veering significantly from it.

Upon the first viewing I had very mixed feelings about this version.  As a decades-long devotee of Shelley's original novel (which I've read four or five times) I've been salivating at the prospect of a film version that faithfully brings her near-perfect story to life, and for some reason no film adaptation thus far has really done that.  Even the 1994 Kenneth Branagh-directed version took unnecessary narrative liberties that distracted from the story rather than enhancing it (not to mention that film is just a hot mess of an exercise in schlocky melodrama).  But when I first saw the trailers for this version it looked like GDT was going to hew very closely to the book.  And in some aspects he's done that, but in others he strayed so far I once again found myself asking "Now why'd he go and change that?" instead of being immersed in this new take on the story.

Awesomely Shitty Movies: Mary Shelley's Frankenstein

Welcome to yet another edition of Awesomely Shitty Movies, here at Enuffa.com!

Today's entry is for me one of the great disappointments in cinematic history.  In 1994 Francis Ford Coppola followed up his critically and commercially successful Dracula adaptation with a production of Frankenstein, directed by and starring Kenneth Branagh, with Robert De Niro as the creature.  Like Dracula, Mary Shelley's Frankenstein was an operatic, gritty, almost pulpy screen version of the novel that featured fairly graphic blood and gore, and appealed to the mid-90s culture of excess.  Unfortunately it wasn't nearly as well-received as its counterpart and flopped in the States, though it did pretty well overseas.

Being a huge fan of Coppola's Dracula, I was salivating at the prospect of a faithful Frankenstein adaptation, and for a solid five years I tried to convince myself that this film worked.  But it doesn't.

So what went wrong?  How did such a promising endeavor fail to connect with its audience?  Let's take a look....



The Awesome


Robert De Niro

In an odd bit of casting against type, Robert De Niro was tapped to play the reviled, misshapen creature, and even stranger, his character/performance is the most understated and relatable.  In a film where almost everyone has comically histrionic moments of distress and anguish, De Niro oddly provides an anchor, portraying the creature as a misunderstood brute who is pretty gentle by nature until pushed too far.  Despite having to act through heavy makeup, De Niro, like Boris Karloff in the 30s, was able to convey a wide range of emotions and make us care about him.

Looks like Leatherface almost

Helena Bonham Carter

She's asked to go a bit over-the-top occasionally (to go along with her absurdly large hairstyle), but overall Carter's performance as Victor's fiancee Elizabeth is tender and nuanced, making the romantic elements of the story ring true even as the rest veers into parody.  She comes across as a strong 90s cinematic love interest while staying true to the period setting.  

"The hair needs to be bigger on top!
It's gotta be a wall, a wall!"

AEW WrestleDream 2025: Moxley Quits Quickly

Hey everybody, sorry for the lateness of this review, but I was on vacation last week and didn't have my laptop with me.  I did however get to watch AEW WrestleDream 2025, and while it wasn't a blowaway show by AEW standards, it was nonetheless very enjoyable, particularly when it came to tag team wrestling.  This show was missing that one must-see match, and instead just had a slew of very good stuff.  It marks the first AEW PPV since World's End 2023 that for me didn't contain a five-star match.

The show opened unconventionally, with a pre-show match already in progress.  FTR vs. JetSpeed kicked off only a few minutes before the Tailgate Brawl ended, and thus the PPV jumped right into the rest of the bout.  And man was this crowd nuclear at the start of this show.  That would change about halfway through unfortunately, but St. Louis brought a ton of energy at the start.  This match, though incomplete if you only saw the PPV, was pretty great.  Super high energy, all action and loads of creativity.  FTR ended up winning when Stokely Hathaway did the Bobby Heenan-Ultimate Warrior spot, holding Mike Bailey's leg while Dax pinned him.  Great opener.  I wouldn't do this "match in progress" thing all the time but it was something different.  ****1/4

Awesomely Shitty Movies: The Curse of Frankenstein

Welcome to another installment of Awesomely Shitty Movies, here at Enuffa.com!

It's about that time - Halloween season is upon us and therefore it's time to watch some horror movies and pick them apart, even if they are cult classics.  Today I'll be discussing the Hammer Films adaptation of Mary Shelley's gothic horror milestone, entitled The Curse of Frankenstein.  Released in 1957 and shot on a very modest budget, TCOF more or less kicked off Hammer's successful series of horror films, leading to not only a slew of Frankenstein sequels but also a Dracula series and others.  Hammer was to 1950s horror cinema as Universal was to the 1930s, adapting many of the same properties but shooting them in color and in far more graphic detail, but in my opinion sacrificing the gothic atmosphere Universal had established.  The Curse of Frankenstein launched the film careers of both Peter Cushing as Victor Frankenstein and Christopher Lee as the monster (Hammer's makeup department had to work hard to differentiate their creature from Universal's so as to avoid legal action).  The film was a smash-hit (grossing $8 mil on a $250,000 budget) and of course spawned numerous follow-up installments while putting Hammer on the map as a preeminent horror film studio.

But is The Curse of Frankenstein any good?  This was my first time viewing it, and well, here's what I thought....

The Awesome

Peter Cushing

Now-legendary English thespian Cushing was primarily known as a TV actor prior to this film, and understandably became a big star due to its success.  Cushing enjoyed regular work as both Victor Frankenstein and Dr. Van Helsing over the next two decades and of course landed maybe his biggest role twenty years after this film, playing Grand Moff Tarkin in the original Star Wars.  His work here is quite capable, conveying Victor's wide-eyed enthusiasm-turned-sinister obsession with creating a man.  Cushing starts out dignified and optimistic and gradually descends into murderous madness, stopping at nothing to realize his ambition.  The script perhaps takes the latter a bit too far, as I'll get into in a bit, but as far as an acting performance, Cushing is very good.

Awesomely Shitty Movies: House of Dracula (1945)

Welcome to another installment of Awesomely Shitty Movies here at Enuffa.com, where I cut open a piece of Hollywood schlock and see if I can figure out what went wrong, or what they were thinking, or what the point of the movie was, or what have you.  Today's subject is the final film in Universal's Frankenstein series (before Abbott & Costello got involved that is), House of Dracula!

Released in 1945, House of Dracula was the third film in the series billed as a monster crossover.  After the success of Frankenstein Meets the Wolf Man and the "blow your wad" approach to House of Frankenstein, the studio assembled all its monsters for one last romp, this time in a story focused primarily on Dracula.    

This oddly crafted tale concerns Drac inexplicably seeking a cure for his vampirism and turning to unorthodox scientist Dr. Edelmann, who believes he can cure the Count with a series of blood transfusions.  On the side, Drac is also making romantic overtures to one of Edelmann's assistants Milizia, who he apparently knew years ago.  Separately Lawrence Talbot, better known as The Wolf Man, also seeks Edelmann's help to cure his lycanthropy, which Edelmann believes he can cure by reducing swelling in Talbot's brain (Edelmann theorizes that it's not the moon that causes the transformations, but rather Talbot's *belief* that the moon causes them).  Separately still, Edelmann promises his other assistant Nina that he can cure her hunchback with spores from a plant he's discovered.  And further separately Edelmann stumbles onto Frankenstein's monster, thought dead after sinking into quicksand in the last movie, and contemplates reviving him to full power (like every scientist who comes across this mute motherfucker).

Lotta threads happening in this movie, all of them involving monsters and freaks, and all of them tied to Edelmann and his research.  I had a lot of issues with this film, which I'll get to in a bit, but first let's talk about the positives....

Awesomely Shitty Movies: House of Frankenstein (1944)

Welcome to another Frankenstein-themed installment of Awesomely Shitty Movies, here at Enuffa.com!  If you haven't been following this series and want to catch up, make sure you start at the beginning with our take on the original Frankenstein!  Or jump in from our previous installment, Frankenstein Meets the Wolf Man!

Well we're six movies into the Universal Frankenstein series.  After two genuinely good films and one admirable near-miss, the studio morphed these films into cheap monster exploitation fare, culminating in the first-ever crossover movie with Frankenstein Meets The Wolf Man.  That movie was such a hit the studio decided that more = better, and they added Dracula to the mix for the followup, House of Frankenstein.  And to sweeten the deal they included a new hunchback character and a wacked-out scientist just so the posters could include five "monster" characters.  It was the 1940s equivalent of The Avengers or Justice League, with all the in-house freaks in one movie.

Set thirty years after Frankenstein Meets The Wolf Man, the story this time centers around Dr. Niemann, an evil scientist, and his hunchbacked assistant Daniel who escape from prison and decide to get revenge on all the men who put them there.  To that end Niemann steals and revives Dracula's corpse and then makes his way to Frankenstein's castle where he resurrects the Frankenstein monster and Larry Talbot, who were washed away at the end of FMTWM.  Niemann promises his assistant and Talbot that he'll transplant their brains into better bodies but all hell breaks loose as usual. 

But was it any good?  Ummmm, nope.  Still, on a stupid fun level there's some enjoyment to be had with House of Frankenstein.  So let's take a look, shall we?



The Awesome


Boris Karloff

Karloff made his return to the Universal Frankenstein films here, but instead of reprising the role that made him famous, he plays the main character of the mad scientist.  His presence lent the film a bit of much-needed credibility and it was fun to see him in such a different role from that of the monster.  If this movie has nothing else going for it (and it's close), at least it has Karloff.

Look it's Frankenstein and Dracula together....sort of.

Visuals

Like Frankenstein Meets the Wolf Man, House has some lovely black & white cinematography and well-designed expressionistic sets.  This entire series made great use of scenery, lightning and cinematography (Ghost of Frankenstein excepted - that movie looks like garbage), so even amidst the hammy acting and nonsensical plotting at least there's always something nice to look at.  One set I particularly loved was the ice cavern.

Super cool set