Friday, May 31, 2019

We Are At War: WWF Over The Edge 1998

A brief note. I put the Meltzer Ratings on my PPV throwbacks for a specific reason. I don't worship Meltzer's word as fact, no one should. His opinions are his own and should be taken merely as that, though very respected and widespread, as an opinion. I post the ratings along with my review to give an insight to what people thought of the product at the time, so that you the reader can understand how the standards of today differ to then. Now usually, I don't post the thumbs up/down parts or the best/worst match segments, but...well...

Fucking telling, isn't it?

Shamrock was nowhere on this show.
Over The Edge, May 30th 1998

Legion of Doom 2000 vs Skull and Eight Ball
I honestly didn't pay much attention to this match, but Sunny was hot as always. Hawk no sold a piledriver early, the only man who I'm okay with completely no selling it. But then the bikers got the heat on the LOD, and immediately no one cared. The tag team scene in '98 was historically terrible and it showed here. The Road Warriors should not be having anything other than a Road Warriors Squash. Twin Magic, but Animal says fuck your twin magic with a powerslam for the win.

Meltzer Rating: 1/2*
Did I mention Sunny was hot?

Thursday, May 30, 2019

NXT TakeOver: XXV Preview & Predictions

Another NXT TakeOver special is here, so let's take a look at the card and make some predictions, shall we?

Hard to believe we've arrived at the 25th TakeOver.  NXT continues to be the one part of WWE programming that is always worth seeking out.  While the main roster product is flying apart due to an unsustainable creative infrastructure with zero long-term direction, Triple H and his NXT team keep churning out a simple (in a good way), easy-to-watch show featuring great matches and angles that leave everyone satisfied.  And somehow despite constantly having their talent raided by an increasingly desperate Vince McMahon, NXT always has more talent ready to step up.  TakeOver: New York was an absolutely stellar card that will almost certainly hold up by year's end as the best WWE-produced show of 2019.

But now let's get to current events.  The XXV card looks pretty great too, and will be the first NXT show since NXT London to not immediately precede a main roster PPV.  So for the first time in almost four years the black and gold brand will stand or fall totally on its own.

Matt Riddle vs. Roderick Strong

This match could end up stealing the show.  Matt Riddle finally sold me on his abilities with a fantastic New York showing against Velveteen Dream, and I expect an incredibly crisp, hard-hitting match with Roddy.  Coming off a major loss to Dream I have to think Riddle takes this one to rebuild his mojo and put him back into title contention.

Pick: Riddle

North American Championship: Velveteen Dream vs. Tyler Breeze

I'm very happy Breeze got sent back to NXT; he's too valuable a talent to be wasting away on a main roster that doesn't have anything for him to do.  I can think of several other misused stars who'd benefit from such a move (Gable, Harper, hell, even Banks), so hopefully Hunter is lobbying for them as well.  Dream on the other hand is a prodigy, already a stellar worker at 23 years old and loaded with charisma.  This should be a fine title match.

Pick: I'll go with Dream to retain

The History of WCW SuperBrawl (1994)

The final SuperBrawl before the Bischoff Era.  Was it any good?  Let's find out...

SuperBrawl IV - Albany Civic Center - 2.20.94

I went into this show expecting to like it pretty well.  But I didn't really.  WCW's booking under Flair felt very disorganized, like they were trying to adhere to the tropes that had worked for them in the past, but weren't fully committed to the idea.  So it became an awkward hybrid of 1991 WCW and 1991 WWF almost.  And neither company at that time was producing very good results.  Sadly this was the beginning of the end for WCW as we knew it; the roster would very soon resemble the late 80s WWF and the company would hit its creative nadir.

The show began with the introductions for the scheduled opener, Johnny B. Badd vs. Michael Hayes, only for Hayes to roll out in a wheelchair and claim he was too injured to compete.  Commissioner Nick Bockwinkel then announced that Jimmy Garvin would take Hayes' place, but not until later.  So they used up ten minutes on this foolishness.

The actual opener was Harlem Heat vs. Thunder & Lightning, in a pretty well-worked tag bout.  Both teams looked good here and it made me wonder what became of Thunder & Lightning after this (Just looked this up - Lightning was Jeff Farmer, or the future nWo Sting, while Thunder went on to own NWA Ohio).  The ending was a little weak, as Stevie Ray took advantage of a distracted referee to kick one of the babyfaces in the ear, which was somehow enough for the win.  But not a bad way to kick things off.

Next up was a laughably bad match between The Equalizer (later repackaged as Kevin Sullivan's simpleton brother Dave), and, get this, "Jungle" Jim Steele.  Jungle Jim.  Get it?  Jim was more or less a discount store Ultimate Warrior ripoff, with vaguely similar ring gear, a comparable build, and a few of the same mannerisms.  But yeah, this was terrible.  Tony Schiavone actually went on about the great opening matches we'd seen at previous SuperBrawls, as if to say, "...and now we get crap like this."

Jeezus, did Page EAT his future self?
Clearly DDP Yoga wasn't around yet.

Two rather dull matches followed, the first of which pitted a pretty portly Diamond Dallas Page against Terry Taylor.  This started out fairly strong, as Taylor was always a good worker and DDP seemed determined to prove he was more than just a gimmick.  But the bout dragged on several minutes longer than it probably should have.  Taylor won with a quick rollup after nearly 12 minutes.  Heenan's commentary kept this entertaining....

...And saved this next match, Johnny B. Badd vs. Jimmy Garvin.  Badd looked, well, good here, using some solid grappling moves.  Garvin had returned after a two-year layoff and looked like someone's dad in wrestling tights.  This match was a glorified squash that lasted 10:48.  Garvin hardly showed any offense until after the match when he attacked Badd and hit him with the 9-1-1, or as it would later be known, the Stone Cold Stunner.  Not much to this one.

The TV Title was on the line next, as Lord Steven Regal defended against the returning Arn Anderson (who'd missed a few months after the hotel stabbing incident with Sid Vicious) in a special 30-minute time limit match.  Yeah, that time extension was a mistake; this match was incredibly dull for nearly the entire duration.  Neither guy seemed to know what to do to fill thirty minutes (29:54 to be exact), nor was there any urgency to anything they did do.  Aside from a few near-falls toward the end it didn't feel like Anderson was really trying to win the match; at one point with less than a minute to go he broke out a side headlock before remembering this was supposed to be the climax.  What a disappointment.  How much better would a fast-paced fifteen-minute bout have been here?

Ladies and gentlemen, the first fifteen minutes....

The surprise hit of the night was a chaotic Tag Team Title match pitting The Nasty Boys against Cactus Jack & Maxx Payne.  Payne broke out several suplexes early on (and one botched belly-to-belly at the end that nearly crippled Brian Knobbs), and Cactus did his usual cringe-worthy spots, like taking a back bump off the apron to the unprotected concrete.  This certainly wasn't pretty but it also wasn't boring.  The finish stunk though - Saggs broke a guitar over Payne's head to draw a DQ.  But shockingly this was the best match on the show so far.

Wednesday, May 29, 2019

Brewery Reviewery: Battery Steele (Portland, ME)

Welcome to another Brewery Reviewery here at!

Our recent trip to Portland, ME yielded numerous brewery visits, and six of them are clustered in the same industrial park!  After hitting up our old favorite Allagash we noticed that across the street were four more breweries, three in one building.  This right here is God's country.

The first stop in this treasure trove of delicious beverages was Battery Steele, a modest operation producing audacious, complex flavors out of a mostly unfinished warehouse space, where you can smell the fresh wort being created (Just like my kitchen when I brew at home).

Battery Steele Brewing
1 Industrial Way
Units 12/14
Portland, ME 04103

But don't let the barebones appearance fool you, this place has some killer stuff on tap!  We tried all six pours and there was nary a miss to be found.  Check it out, kids...

Flume (Double IPA, 8.0%):  A blend of traditional English malts combined with loads of wheat and oats give this double IPA a soft, clean malt profile. We hop this beer intensely, imparting huge notes of tropical fruit, citrus and pine.

JB: My favorite of Battery Steele's IPAs, this was super juicy and boasted a hint of that smooth weed-esque dankness.  Pretty great stuff.

Onsight #7 (Experimental IPA Series, 7.2%):  This beer combines a simple grain bill of 2-row, oats and wheat with some of our favorite hops. The blend of yeasts creates a pillowy soft, saturated mouthfeel that carries notes of melon, stone fruit, berries and gives way to a resinous, deep citrus finish.

JB: Similar to the Flume but slightly more bitter on the finish.  Quite nice.

Tuesday, May 28, 2019

AEW Double or Nothing: The War is On!

By any metric, All Elite Wrestling's inaugural show has to be considered a success.  Double or Nothing featured three pretty great main event-caliber bouts, an entertaining, easy-to-watch undercard, a massive surprise debut, and a simple, no-nonsense, sports-like presentation in front of an eager sold-out crowd.  And it scored on PPV as well, potentially garnering as many as 100,000 buys, as well as 200,000 Google searches.  AEW is the real deal, folks, and it's just getting warmed up.

The main card kicked off with a fast-paced six-man tag, pitting SoCal Uncensored against OWE's Strong Hearts stable.  The action was quick and furious, and all six men got time to be showcased.  The match built to lots of high spots including a Frankie Kazarian hurricanrana from the apron to the floor and a Scorpio Sky dive over the ropes.  Kazarian and Daniels finally ended the match with a Best Meltzer Ever on El Lindaman.  A very enjoyable hot opening match to rev up the crowd.  ***1/4

The second match included a surprise addition, as Awesome Kong made her long-awaited return to the ring, turning the Britt Baker-Kylie Rae-Nyla Rose triple threat into a fatal 4-way.  Kong and Rose had several power clashes during the match, while Baker and Rae provided most of the faster action.  They broke out a Tower of Doom spot late in the match, as Baker and Rae went to superplex Rose but all three were powerbombed by Kong.  The match boiled down to Baker and Rae, who traded strikes and suplexes, and finally Baker scored a superkick and running knee to win the match.  Solid stuff.  **3/4

Two up-and-coming tag teams were showcased next as Best Friends faced Jack Evans and Angelico in a wildly athletic encounter.  Both teams broke out loads of innovative combination moves and the pace kept increasing as they went on, culminating in Best Friends hitting their finisher on Evans for the win.  Post-match both teams were attacked by the debuting Super Smash Brothers (who legally have to change their name) and an entourage of masked henchmen.  This match/segment nicely established AEW's midcard teams.  ***

Top Ten Things: Mastodon Songs

Welcome to another Top Ten Things, here at!

With the recent release of Mastodon's seventh LP Emperor of Sand (a hella good record, my review of which is HERE) I thought I'd look back on their remarkable career and pick their top ten songs.  Every album is represented here except one - sadly nothing from their 2002 debut Remission made the cut for me.  In terms of standout tracks I found that Mastodon's more recent albums put more focus on individual song composition rather than presenting the album as a whole (understandable given that three of their earlier records were concept albums), so this list may seem skewed to their later output.  But feel free to discuss in the Comments section.  Here we go.....

10. Bladecatcher

This instrumental track from Blood Mountain is frenetic and bizarre, and captures perfectly the band's offbeat take on the metal genre.  From the start-stop intro to the blast-beat "verse" to the elastic "hook" guitar riffs, this song is a great introduction for anyone who needs a demonstration of how original and strange Mastodon is.

9. The Sparrow

This somber closer to The Hunter is probably the biggest departure yet from Mastodon's sludge-metal roots, featuring delicate arpeggiated guitars and only one harmonized vocal line that repeats throughout the song.  Inspired by a quote from the recently deceased wife of the band's accountant, the lyrics consist of a single phrase - "Pursue happiness with diligence."  On a stripped-down, song-oriented album like The Hunter, this ballad makes a fitting, poignant conclusion.

8. Octopus Has No Friends

Another standout from The Hunter (an album with numerous standout songs) is this unusual, upbeat tune featuring impossibly intricate guitar riffs and very simple lyrics literally exploring Brann Dailor's observation that whenever he sees an octopus at an aquarium, it's alone in the tank.  Pretty out-there thing to write a song about, but this is a fantastic track with some of Mastodon's most impressive syncopated playing.

Friday, May 24, 2019

Pro Wrestling: A Mark's History, part 3 (Earl Screwed Hogan)

By the summer of 1987 I became an avid reader of the WWF Magazine.  There was a grocery store in my town called Iandoli's, and it was the only place I could consistently find said periodical.  Every single month I made sure to accompany my mom on a grocery trip just so I could pick up the newest issue.  The first one I ever bought was the Feb/March '87 issue with Randy Savage on the cover, proudly holding the Intercontinental title.  That Christmas my sister gave me a year's subscription to the magazine, which I renewed every year until 1998.  I still have a massive twelve-year stack of them at my parents' house.

The cover of the first WWF Magazine I ever bought.

My first house show took place on August 1, 1987.  By this time I was very familiar with the local promos they aired on Superstars every week at the end of each segment, advertising the upcoming house show cards.  The Worcester Centrum was the closest arena to me, so I always paid close attention to what matches were coming up in my neck of the woods.  I'm not really sure why I asked my parents to take me to this particular house show, as it was a pretty weak C-show lineup.  Maybe it was just a case of "I've waited long enough to check this out, so let's do this!" My stepfather somewhat reluctantly took me to the show (He had watched wrestling as a kid but unlike me he actually outgrew it.).

Thursday, May 23, 2019

AEW Double or Nothing Preview & Predictions

Hey kids!  It's the first-ever All Elite Wrestling predictions column, here at!

Landon and I are back to discuss and dissect the fledgling promotion's debut PPV (All In wasn't under the AEW banner).  This Saturday is the first official offering from Cody & company's upstart wrestling troupe, and they'll need to hit a homerun to really generate a buzz leading into their TNT series this fall.  I'd hoped to see the AEW championships decided here, but I guess this is more of a showcase to introduce everyone to the various players before determining the hierarchy.  Still this should feature some spectacular matches and hopefully get everyone talking about All Elite Wrestling.  I'm really rooting for this company to succeed and challenge WWE on their creative and business practices; this industry desperately needs a shakeup.

Let's get to it....

Pre-Show Match: Kip Sabian vs. Sammy Guevara

I know nothing about either of these guys, other than Guevara is a former AAA Cruiserweight Champion.  I have to think this match goes on first to warm everyone up and will be a fast-paced, high flying affair.

Justin: I'll go with Sammy G since he's got a cache already
Landon: Guevara

Pre-Show 21-Man Casino Battle Royal

Unlike WWE's Battle Royals there's actually something at stake here, and that's a title shot.  It was announced this week that the winner of this match will face the winner of Omega-Jericho to become the inaugural AEW World Champion.  Kind of an odd way to crown a first champ, but okay.  The rules of this are, the participants will enter in groups of five at set time intervals, based on luck of the draw, with one super-lucky winner getting the final 21st spot.  Thus far none of the announced participants has a snowball's chance in hell of winning this, based on the stakes.  So one of the yet-to-be-announced names has to be takin' this one down.  Adam Page's match with PAC is off, so if they don't give him a substitute opponent he could easily be one of the four.  Other possibilities include Jon Moxley (I gotta think it's a lock he at least appears on this show if nothing else), CM Punk (who is currently booked to announce an MMA show in California that night), and Joey Ryan (who is booked elsewhere as well).  I'm hoping against hope that Punk is the man here but that seems like a longshot.

Justin: I'll go with Jon Moxley to make his surprise AEW debut a la Lex Luger on the first Nitro episode and win the battle royal.
Landon: Jon Moxley

Wednesday, May 22, 2019

The History of NJPW Dominion (2013)

We've entered the Bullet Club era!

BodyMaker Colosseum - 6.22.13

New Japan was firing on all cylinders in 2013, with an incredible slew of big PPVs plus an awesome G1 tournament, and Dominion was no exception.  The company had found its second Ace in Kazuchika Okada, who now enjoyed a lengthy second IWGP Title reign, but a brand new stable was creating a huge buzz and would take the puroresu world by storm.  Jr. Heavyweight babyface Prince Devitt had turned on his Apollo 55 partner Taguchi and formed Bullet Club, a foursome consisting of gaijin wrestlers that also included Bad Luck Fale, Tama Tonga and Karl Anderson (by year's end The Young Bucks and Doc Gallows would be added to the group).  Bullet Club usurped Chaos as the most notorious heel stable and would assert their dominance over the next several years.  But the first top for Devitt was NJPW's Ace, Hiroshi Tanahashi!

But first the undercard...

The opener featured the burgeoning Jr. Tag division, as Forever Hooligans defended the championship against Time Splitters.  Alex Kozlov began the proceedings by singing the Russian anthem, and all I have to say is Kozlov is no Nikolai Volkoff.  The match started with Alex Shelley putting on a grappling clinic against Kozlov, making use of European style wrestling to control the action.  Soon Kushida and Romero tagged in and provided the wild, fast-paced Jr. moves.  After a skirmish on the outside involving the railing, the heels took over and worked Shelley while Kushida was down, repeatedly cutting off the tag attempts.  Finally Kushida got the hot tag in and cleaned house.  Romero blocked a Time Splitter attempt and nearly won with a small package, then Kozlov came back in and the Hooligans hit their Demolition-style finisher on Kushida for a nearfall.  Time Splitters hit their signature sequence of chain moves, but the Hooligans nailed Kushida with a Torture Rack/flying knee combination to retain the belts.  This was a very fun Jr. tag bout that would soon become the standard match type for New Japan PPV openers.  ***1/2

The next available match on NJPW World (they're missing the Bullet Club-Nagata/Honma/Captin NJ six-man for some reason) is a triple threat IWGP Heavyweight Tag Title match, with champions Tencozy vs. Toru Yano & Iizuka vs. Killer Elite Squad.  KES attacked Tencozy at the bell and dominated both teams during the opening stretch, but Chaos took the fight outside, taping Archer and Davey to the railing and going to work on Tencozy.  After a few minutes KES broke free and had back and forth exchanges with Tencozy.  KES hit their double powerbomb on Yano but the referee had been bumped and there was no pin.  Tencozy hit their Tencozy Cutter on Archer for a nearfall before Kojima lariated the crap out of him to get the pin.  This was mildly fun and chaotic, but a bit tedious at times.  **1/2

Next up was the NWA Championship, with Manabu Nakanishi challenging Rob Conway.  This match was fun after a few minutes when Nakanishi made a comeback, but pretty dull when Conway was in control.  After hitting a dive to the outside, Nakanishi leveled Conway with a lariat and a spear, and slapped on the Torture Rack, but Conway escaped.  Nakanishi went to the top rope but Bruce Tharpe distracted him, allowing Conway to use his Ego Trip neckbreaker for the win.  This was mediocre.  **

Tuesday, May 21, 2019

Brewery Reviewery: Allagash Brewing Company (Portland, ME)

Welcome to another edition of Brewery Reviewery, here at, where I visit a fine beer-brewing establishment and taste as much of their wares as I can while still remaining upright.

Last weekend the wife and I made a trip to Portland, ME, home of basically every brewery on the planet, and took in a slew of these wonderful places.  My goal is to write about all of them, so here goes....

Our first stop was a venue we've visited before, one of our favorites, Allagash!

Allagash Brewing Company
50 Industrial Way
Portland, ME 04103

Most folks who have heard of this lovely institution (which recently overtook Shipyard as Maine's top-selling brewery) know them for their Belgian White flagship beer, a masterpiece of the genre that has for years held a slot in my all-time top five.  The combination of citrus, cloves and that wonderful banana-esque Belgian yeast is always welcome in my gullet.  I've been a fan of their Tripel, Saison, and Black for a long time as well, but Allagash has branched out quite a bit over the years, always experimenting with new flavors and brewing techniques.  My mission this visit was to try some of their limited and obscure releases.

Coolship La Mure: This blend of spontaneously fermented beer is aged on blackberries. We begin brewing Coolship la Mûre with Pilsner malt, 40% raw wheat, and aged whole-leaf hops. The unfermented wort is then transferred to a large shallow pan called a coolship, which allows the hot wort to mingle with wild yeast and souring microbiota in the Maine air. After fermenting and aging in French oak wine barrels for over two years, we add blackberries and let it rest for an additional five months. The finished beer’s aroma exhibits hints of lime zest and an herbal, berry-like quality. The tart flavor evokes multiple facets of blackberry, including just-ripened fruit and rich, juicy berry.

JB: This unusual brew is very tart with prominent blackberry flavor, similar to a Lambic.  I'm not a big sour beer guy but this was a bold, flavorful example of it.

Darling Ruby: Darling Ruby is a refreshing farmhouse ale with a twist: grapefruit juice and zest. The beer’s specific style is a grisette, a light and refreshing cousin of the modern saison. The combination of a grisette and citrus whirls tangy notes together with tropical aromas—all before landing on a beautifully dry finish. A lively ride from beginning to end.

JB: Ruby is dry and grapefruity, with a slighty bitter finish.  A nice, crisp saison substitute.

The History of WCW SuperBrawl (1993)

Welcome to the third, and most disappointing installment of WCW SuperBrawl!

SuperBrawl III - Asheville Civic Center - 2.21.93

WCW circa early 1993 still fell under the Bill Watts regime, when the product was stripped-down and gritty.  This made for a nice focus on the in-ring product but also made the bigger shows feel very plain.  I've never been huge on pomp & circumstance, but a touch of it is nice on the big PPVs.  Anyway, the company had come off a creatively pretty successful 1992 and had built up a solid roster of older stars and solid young workers, and their biggest-ever star would make his return on this show.

Steve Austin & Brian Pillman vs. Marcus Bagwell & Erik Watts was a very fun opener.  The future Hollywood Blonds already had great chemistry and used old-school diversionary heel tactics, while Bagwell was once a capable babyface and Watts, despite not at all being over, could work a decent match.  This went probably five minutes longer than it needed to but it was quite good for its place on the card.

Chris Benoit vs. 2 Cold Scorpio was an excellent mix of grappling, counterwrestling, and aerial moves.  These guys meshed really well and despite some slow points in the third act this was easily watchable all the way through.  The finish came when they traded rollups with only seconds left in the time limit, and Scorpio caught Benoit with a pin at 19:59.  Nice timing to get the decision just before the clock reached zero.  Helluva good match, though I wish it had been a few minutes shorter.  By the end it felt like they were filling time to get to the final second.

Wait, I thought top rope moves were banned at this point....

Davey Boy Smith had recently debuted in WCW (a surreal sight if there ever was one), and the third match on this show was a glorified squash to showcase his remarkable skills.  His opponent was the doughy Bill Irwin, who was given very little offense.  The match was passable just because Davey's moveset was entertaining.  But otherwise a throwaway.

Next up was a helluva wild brawl, as Cactus Jack took on Paul Orndorff (freakishly shriveled right arm and all) in a Falls Count Anywhere match.  While tame by today's standards (hell, even by 1996 standards), this was highly engaging and featured several unique Mick Foley spots, like when he got suplexed across the security railing; in 1993 that must've made people cringe.  Orndorff dominated much of the action but Jack secured the win by bashing him over the head with a shovel.  Fun stuff.

How graceful...

Another fun match was next as The Rock n' Roll Express faced The Heavenly Bodies.  This match would oddly take place nine months later on a WWF PPV, which I believe makes it the only match to happen in both companies during the same year.  The only difference was the presence of Stan Lane, who would retire shortly after this and be replaced by Jimmy Del Ray.  This was your basic 80s style RnR Express match, where they control the first half and Jim Cornette's team play the buffoons for a while, then take over on offense after an underhanded spot.  The finish was overbooked and pretty clumsy, like no one was sure how to end it.  Bobby Eaton unsuccessfully ran in, and after several bad-looking near-falls, Robert Gibson won with the worst-executed splash ever.  Decent match overall though.

Monday, May 20, 2019

WWE Money in the Bank 2019: Seth and AJ Save the Day

Well that show went from a big bag of suckage to a pretty good PPV by the end.  Money in the Bank 2019 often felt like a WCW show, with not much organization, baffling booking choices and a slew of really short matches.  And then all of a sudden it settled into a really good piece of work (with another baffling choice at the end).  What was made clear here is that a) the WWE roster is too big to fit everyone on a PPV, b) there are way too many championships (and another one on the way apparently), and c) Vince is still grasping at straws to make his product hot again.

The show kicked off with the women's Money in the Bank match, and while pretty short, this was a good bit of fun with everyone working hard.  There were a few messy spots and everything came off very rehearsed, but the action was entertaining and sometimes innovative.  Naomi got a few fun spots, like when ladders were coming at her from both sides and she ducked into a split, leaving everyone to crash into each other.  Ember Moon got the biggest pop (aside from the finish) with a spectacular Eclipse from an outside ladder into the ring.  Toward the end, with everyone selling injuries, Mandy Rose's pal Sonya Deville actually picked her up in a fireman's carry and climbed the ladder with Mandy on her shoulders (no small feat).  And just when it looked like Mandy was about to steal the win, Bayley came out of nowhere, glared at both of them, and shoved them off before grabbing the briefcase.  This felt like a big moment and it was great to see them finally throw Bayley a frickin' bone.  And she wasn't even done yet.  This was fun.  ***1/4

Next up was the match that pissed me off again, Samoa Joe vs. Rey Mysterio.  For the second straight PPV these guys got no time at all, though apparently this wasn't planned that way.  Rey hit Joe with a senton that broke Joe's nose (and it was gushing like a broken water main), so they went right to the finish, with Rey countering a powerbomb into a hurricanrana/cradle combination.  Problem was Joe's shoulder was way up after the one-count but the ref counted anyway, clearly to leave Joe with an out.  It was the first of three terrible officiating calls on this show, and I don't know why they're making all the refs look incompetent.  How is this possibly going to pay off in any satisfying way, Shane fires all the referees?  Joe then beat Rey down in front of his kid.  I assume we'll eventually get Joe vs. Dominic?  Is Dom any good?  This match stunk because it was only 90 seconds.  *

Match #3 stunk too, as The Miz and Shane lumbered through an awkward cage match that saw the referee call for a rope break despite cage matches supposedly not allowing rope breaks (I feel like I've seen cage match pin attempts halted by them before).  Miz hit Shane with a Skull Crushing Finale but Shane got his foot on the rope and the announcers claimed it was because the referee was afraid to count the pin on his boss.  But then, why did he count all the other pin attempts?  Both guys ended up on top of the cage, with Shane trying to slide off but Miz going for a superplex.  Shane ended up slipping out of his shirt and falling to the floor to win.  Seriously?  Shane is 2-0 in this feud now?  And we're gonna have to see this match AGAIN?  Fuck this.  This was overly long and boring.  *1/2

Following this shite, we got the Cruiserweight Title match, and as it turned out this absolutely SHOULD have been on the pre-show.  The audience didn't care about it at all, Ariya Daivari looked sloppy, and the match didn't come together until the closing moments.  Tony Nese hit a 450 splash and finished him with a running knee.  They could've left this off the main card to save time.  I will never understand the mentality behind putting a match on a show just to serve as a buffer.  Shouldn't every match feel like it belongs there?  **

Thursday, May 16, 2019

WWE Money in the Bank 2019 Preview & Predictions

Welcome to another edition of WWE Predictions, here at!

This Sunday, after an unusual six-week lag between PPVs, WWE is back with Money in the Bank!  I'm not sure why the de facto fifth Big Five show was moved directly after WrestleMania, but whatever, this show actually looks solid on paper.  There's some filler to be sure, but most of the big matches should deliver.  And boy does WWE need to hit a homerun right now.  The ratings have been in the toilet and their creative moves to reinvigorate the fans have reeked of desperation.  Wild Card rule?  Get the fuck outta here with this.

I've been saying it for years, but stop doing scripted promos and let these characters emerge organically, and 90% of your problems would go away.  Oh well, All Elite Wrestling's weekly show on TNT starts in October, and they've already announced that their promos will be genuine.  Man, that's gonna be great.

Anyway, let's get to this overloaded card....

Pre-Show Smackdown Tag Team Championship: Daniel Bryan & Erick Rowan vs. The Usos

Look, I know Bryan's status was up in the air when they put this lineup together, but in what world does it make sense for him to be on the pre-show?  Bump something else to make room, or leave this off the card, no?  If given time this should be quite good, though it makes zero sense for the Usos, who just got moved to RAW, to get this match.  This brand split needs to just end.  Merge the belts and feature the big stars more or less on both shows.  You can have certain guys be on one show more than the other, but the split roster thing isn't working anymore.

Pick: Bryan & Rowan just won these belts so they're not losing 'em yet.

Pre-Show Cruiserweight Championship: Tony Nese vs. Ariya Daivari

Another cruiserweight match that should be good but I'm not invested in it.  Nese is very talented though, and his 'Mania Pre-Show match with Buddy was quite solid.

Pick: Nese retains

Steel Cage Match: The Miz vs. Shane McMahon

Fuckin' hell.  Why is this feud still going?  Why has Shane been featured on every PPV this year?  Why should I believe a cage match will actually keep the action in the ring?  This is one of two matches in which I have zero expectation for anything of quality.  Piss break.

Pick: Miz gets his win back from 'Mania

The History of NJPW Dominion (2012)

In 2012 Dominion begins to feel like the company's second-biggest show of the year.....
Osaka BodyMaker Colosseum - 6.16.12

The 2012 Dominion show was a very solid PPV headlined by the company's big new drawing card, the Hiroshi Tanahashi-Kazuchika Okada feud.  Tanahashi had carried the company on his back for five years already, dragging them out of their financial doldrums, but up until this point he hadn't yet faced a definitive opponent, the Rock to his Steve Austin.  That opponent finally arrived in 2012, in the personage of Okada, a prodigiously gifted 24-year-old who had shockingly dethroned Tana at that year's New Beginning and announced himself as New Japan's future centerpiece.  This edition of Dominion would center around the highly anticipated rematch, while the rest of the card would showcase the company's growing roster of supporting characters.

The opening six-man tag featured an insane amount of talent, as the DDT promotion's hottest stars crashed the party.  Kota Ibushi, Kenny Omega and Daisuka Sasaki faced Prince Devitt, Bushi and Kushida.  Ibushi and Devitt kicked off this incredibly athletic contest with mat-based grappling before tagging in Sasuke and Kushida, who demonstrated their impossibly quick Jr. style, and then Omega and Bushi paired off to hit the big crowd-pleasing moves.  This match got plenty of time for an opener and built to some spectacular moves and counters.  It boiled down to Ibushi and Bushi; the latter hit a top rope Spanish Fly but fell victim to Ibushi's Last Ride for the pin.  This was a super-fun opener with tons of Jr. Heavyweight action.  ***1/2

Another six-man tag followed, with a totally different style of wrestling, as Tomohiro Ishii led Chaos partners Yoshi-Hashi and Rocky Romero against Yuji Nagata, Wataru Inoue and Captain New Japan.  Ishii and Nagata began and largely closed this match, with awesome stiff back-and-forth fighting.  Inoue got a few moments to shine as well, at one pointing leveling Yoshi and Romero with a double rolling spear, but then Chaos got the advantage and Rocky and Yoshi had an amusing moment, arguing over taking turns with Rocky's signature corner clotheslines.  Finally Captain New Japan tagged in and controlled the match for a bit, but while holding Ishii for a Nagata lariat, Ishii ducked and Nagata nailed the Cap.  Ishii then hit his brain buster for the win.  Ishii and Nagata continued fighting after the bell and had to be separated.  Also a fun little match.  **3/4

Third up was Taichi & Taka Michinoku vs. Jushin Thunder Liger and Tiger Mask IV.  This started out with mucho stalling from the heels, who spent the first half cheating and double-teaming both masked opponents.  Taichi tried on numerous occasions to unmask Liger, and after a ref bump Taichi used a chair and started tearing off pieces of Liger's headgear.  But Liger had prepped for this, revealing that his face was heavily painted beneath the mask, and red-misted both Taichi and Taka before powerbombing Taichi through a table.  Tiger Mask then hit the tiger suplex for the win and presented Liger with a new mask after the bell.  This was chaotic but entertaining.  **1/2

Wednesday, May 15, 2019

The History of NJPW Dominion (2011)

The Tanahashi Magic Train keeps rollin' on and this would be the final Dominion powered exclusively by The Ace.

Osaka Prefectural Gymnasium - 6.18.11

**NOTE: NJPW World is missing three matches from this show: Koji Kanemoto-Hiromu Takahashi, the Kendrick/Gedo/Jado-Liger/Kushida/Tiger Mask six-man, and the Tenza/Seigigun-Ishii/Tanaka/Iizuka six-man.  Their combined running time is a shade under 21 minutes though, so I get the feeling I wasn't missing anything essential.**

Dominion 2011 was for me kind of a middling show with a couple standouts.  There wasn't anything bad, but most of the card fell into the 2s and 3s for me.  NJPW was still running on high-octane Tanahashi fuel but the Jr. division also featured some of the best talent in the company.  One thing I found odd about these first three Dominions is that Chaos was the top heel stable but wasn't being featured much in title matches.  And strangely absent from this show altogether was Chaos's leader, Shinsuke Nakamura.  This show could've used his presence for sure.

The first match available on New Japan World was Ryusuke Taguchi vs Mascara Dorada for the CMLL Welterweight Title.  This bout started off somewhat methodically with some initial feeling out but both guys pretty quickly brought out the top rope dives.  Dorada nearly killed himself on a botched second-rope springboard, when his foot caught the top rope causing him to under-rotate; the back of his head hit the apron on the way down and it looked like he hyperextended his knee on the floor.  Miraculously he was able to continue, attempting the same move moments later and nailing it, much to the crowd's delight.  The second half of the match had some good lucha-style exchanges, leading to a series of traded victory rolls with Dorada holding one long enough for the three-count.  This match was solid but too short to be much more.  **3/4

Skipping ahead to the fifth match of the night, former No Limit tag partners Tetsuya Naito and Yujiro Takahashi locked horns in a match that started out very heated but settled into an oddly slow pace for a grudge match.  Naito top-rope dropkicked Takahashi at the bell and followed it up outside with a running dropkick on the ramp.  Back in the ring Takahashi took over for a long stretch that was fine but a bit tedious at times.  One thing was evident from this match though - Tetsuya Naito has seemingly always had a recklessness about landing on his head.  Three times during this match he would do a running dive or a flipping bump and just barely avoid breaking his neck.  Late in the match he also took a high-angle Olympic slam that looked crippling.  After about eleven minutes Takahashi won with a Dominator.  This was decent but I expected more given the nature of their feud.  From this match it's clear why Naito became a huge star and Takahashi did not.  *** 

Tuesday, May 14, 2019

Awesomely Shitty Movies: Back to the Future, Parts 2 & 3

Welcome one and all to another installment of Awesomely Shitty Movies, here at!

Today it's a double-feature, as we dissect the beloved sequels to the 80s adventure/sci-fi/comedy masterpiece Back to the Future.  Yup, I'm probably gonna ruin these two movies for you.  Don't misunderstand me though, I LOVE the Back to the Future trilogy.  It's a classic series that still holds up as a tremendously enjoyable triumvirate of films, and the first one especially is required viewing for anyone who likes fun.  However, when you reaaaaally sit down and think about the second and third movies, they're full of plot holes, tacked-on character motivations, genre cliches, and time-travel paradoxes (given how much dialogue is devoted to this subject, these are kinda hard to forgive completely).

So join me and dip your toes into the pool of overanalysis.  Really, the water's fine!

The Awesome

The Story

Picking up right where the first movie left off, Doc Brown has just returned from the year 2015 (Christ, that's already in the past now!) and urgently needs Marty and Jennifer to go back with him to stop their kids from royally screwing up the McFlys' entire future.  While in 2015 Marty (with the help of the villain Biff Tannen) inadvertently creates a rift that alters the last sixty years in horrible ways.  What follows is a complex adventure that sees our heroes jumping to different eras in the hopes of repairing the damaged timeline.  In the process Doc is accidentally displaced to 1885, and the third film (set in the Old West) sees Marty follow him back in the hopes of preventing his murder at the hands of Biff's ancestor Buford Tannen, so they can both get back to 1985 where they belong.

Wow, that paragraph made these movies sound damn near impossible to follow, but in actuality they're loads of fun and whenever I watch the first movie I have to watch Parts 2 & 3 to complete the experience.  Time travel in general is a fascinating concept around which to build a story, and if you can avoid the obvious loopholes inherent in the genre it usually results in an interesting-at-worst kinda movie.

The Characters

By this point we've grown to love Marty McFly and Doc Brown as protagonists.  They have a wonderful father-son dynamic and are endlessly likable.  Michael J. Fox and Christopher Lloyd clearly had amazing chemistry together and regardless of any script shortcomings we automatically care about what happens to these two characters.

When are we getting these damn hoverboards???

On the flipside, Thomas F. Wilson is perfectly cast as Biff Tannen and his various relatives.  He's a fantastically loathsome bully the audience can enjoy hating, and we relish whatever misfortune happens to befall him.

Mr. Tannen is a Grade-A Douchebag.

The History of WCW SuperBrawl (1992)

Welcome back to The History of WCW SuperBrawl!

SuperBrawl II - Milwaukee Theater - 2.29.92

The second edition was a streamlined eight-match show that made great use of WCW's thinning roster and put the focus back on a strong in-ring product.  1992 was the year the company got back to basics and this show set the tone.  Flair's 1991 departure had left a huge hole in the roster and this was where that wound finally started healing over.  Jesse Ventura made his WCW debut on this show and it's great now to hear him and Jim Ross as a broadcast team.  Interestingly Ventura was the first to point out that if Ross wore a cowboy hat he'd look like JR from Dallas.  I think Vince owes Ventura credit for Ross's WWF marketability as Good Ol' JR.

Jushin Thunder Liger vs. Brian Pillman was a goddamn helluvan opening match, for the Light Heavyweight Title.  This match showcased all kinds of action North American fans weren't yet accustomed to and helped introduce Liger to a new audience.  There was a miscue or two but overall this was full of great false finishes and big high spots.  Pillman won with a bridging leg cradle after Liger missed a top-rope splash.

This was crazy goddamn stuff for 1992

Second was Terry Taylor, under the Ted Dibiase-esque "Taylor Made Man" persona, against Marcus Bagwell.  What really should've been a throwaway was actually pretty entertaining while it lasted.  The ending was totally flat and felt like a mistake (the wrestlers even kept going after the pin was counted), but otherwise not too bad.

Cactus Jack vs. Ron Simmons was next and these two beat the hell out of each other for six-and-a-half minutes.  Much like Pillman vs. Windham the year before, this was way better than its running time would suggest.  Damn good slugfest.

Mankind beats up Faarooq

The one match I was dreading was Van Hammer & Tom Zenk vs. Richard Morton & Vinnie Vegas, but actually this was not as bad as it looked on paper.  The action was fine when Zenk and/or Morton was in the ring but Kevin Nash was pretty bad in 1992.  I'm not sure why they thought turning Morton heel was ever a good idea.  This went longer than it should've but it was still watchable.

Monday, May 13, 2019

Music Review: Babymetal - Metal Resistance

Japanese "idol group" Babymetal is a band whose music should be nowhere near as skillfully crafted or sonically rewarding as it is.  Considering the group was a producer-assembled offshoot of a J-Pop vocal group comprised of 12-year-olds, I was almost ready to dismiss them as a disingenuous corporate creation.  But then I listened to their new album Metal Resistance.  Dammit, this thing's good.

The band's music pays homage to numerous metal bands and subgenres, notably Dream Theater (For backing instrumentalists to play recreate such a complex style is no small feat, incidentally), Sevendust, Slipknot, power metal bands like Helloween, and even some dubstep here and there.  Atop this molten barrage of guitars and drums are the hooky, saccharine melodies of three teenage girls.  These two elements should not mix well at all, but somehow they do.  The album's twelve tracks fly by, containing enough radio-friendly choruses for a Bieber record but enough machine-gun speed metal destruction for the Rockstar Mayhem Festival.  Almost all the lyrics are in Japanese, but don't let that deter you.  The melodies will be stuck in your head for days regardless.

The opener "Road of Resistance" is one of the most driving tracks on the album, assaulting the listener with blast-beats and background death vocals before lead singer Su-Metal jumps in with that sweet melody.  The Helloween influence is felt most strongly on this track.

One of the standouts is the second song "Karate," which features a snaky midtempo nu-metal groove I could easily hear on a Sevendust record.  The chorus is one of the strongest on the album and one of most instantly memorable hooks I've heard in a long time; this is some professional songwriting.

Track 3, "Adawama Fever," is equally hooky but in a more simplistic way.  The vocals dance over a syncopated beat before settling into a goofy but undeniably fun chorus having something to do with bubble gum.  This song is super high-energy.

One major stylistic departure is the piano ballad "No Rain, No Rainbow," which shows off Su-Metal's increasingly self-assured vocals.  For an 18-year-old she can really belt out these tunes and I look forward to hearing what she can do as she matures.  Evidently this one was written a while back but Su-Metal didn't feel comfortable recording it until after she'd extensively performed it live and could emotionally get inside of the song.  The wait paid off; she sings this one like she means it.

The Dream Theater influence is front and center on the late-album song "Tales of the Destinies," a track full of odd meters, start-stop riffs, and numerous time changes.  But then the chorus explodes right out of a Helloween album, the band pounding out impossibly fast riffs while Su-Metal's uplifting chorus melody soars.

My favorite track is the album closer, "The One," which is the only song delivered totally in English.  The lyrics seem crudely written (probably due in part to the translation), but this is an anthemic prog-metal masterpiece that would serve very well as the grand finale to a rock opera.  It's got one of those rare choruses you can hear on a loop and never tire of, and when it eventually fades out to close the album you can't wait to start over again.

Metal Resistance has a little something for everyone who likes loud, energetic music.  It's slickly produced, expertly played heavy metal with some of the most hauntingly catchy hooks you're likely to hear.  The impetus behind this band may have been one of commercialism, but when it comes to creating a deceptively challenging hard rock album with strong re-listen value, Babymetal is the real deal.  This is one of the best albums so far this year.

I give the album **** out of *****

Thanks for reading - follow us on Twitter, MeWe, Facebook and YouTube!

The History of WCW SuperBrawl (1991)

Welcome to another PPV History series!  Today we'll be talking about WCW's secondary tentpole show, SuperBrawl!

Introduced in 1991, SuperBrawl was obviously meant as a flagship show on par with Starrcade.  The first edition was in May of that year before it was moved to February going forward.  In many cases SuperBrawl featured rematches from the previous Starrcade, and in some cases, particularly when Starrcade had a non-traditional format, SuperBrawl felt like the bigger show.

But let's take a look at the full history of this PPV series.....

SuperBrawl - Bayfront Arena - 5.19.91

The inaugural show was built around an international rematch from the WCW/NJPW Supershow, where Tatsumi Fujinami defeated Ric Flair for the NWA World Title, but not the WCW World Title.  This was during the messy NWA-to-WCW transition period, where the lineage of the two championships was muddy at best (New Japan only recognized the NWA Title in the first match).  So a rematch was signed to reunify the belts, but in the US only the WCW Title was acknowledged for some reason.  The PPV was loaded up with 12 matches, several of which could've easily been trimmed, but still had some worthy bouts, particularly toward the end.

The show opened with The Fabulous Freebirds vs. the Young Pistols in a decent little tag bout for the vacant US Tag belts.  Pistols got screwed thanks to outside interference.  Nothing compared to the Pistols' match with the Midnight Express, but solid enough.

Dan Spivey vs. Ricky Morton was a shockingly entertaining squash, and what's more shocking is how agile Spivey used to be.  If only that Dan Spivey had played Waylon Mercy, he'd have been a great upper midcard heel in the WWF.

Nikita Koloff vs. Tommy Rich was another glorified squash to get Koloff over again as a monster heel.  Rich's career high took place when he won the NWA Title at 21.  He never got pushed hard again.

Dustin Rhodes vs. Terrence Taylor was pretty good.  Dustin looked more jacked than I ever remember seeing him.  He'd just returned to WCW and got an undefeated streak, which continued here after failed outside interference from Mr. Hughes.  I definitely underrated Dustin for many years, as even in a minor undercard match he could go.

Two pointless squashes followed, taking valuable time away from the real bouts.  Big Josh (soon to be Doink the Clown) beat Black Bart, and Oz (soon to be Vinnie Vegas, later to be Diesel, later to be Kevin Nash, later to be Mr. Quad Tear) killed Tim Parker.  Why anyone thought these were PPV-worthy I don't know.

Lotta blood

A shockingly good Taped Fist match was next (what a dumb stipulation) as Barry Windham beat the piss out of Brian Pillman.  Both guys bled early and this had some pretty violent action, particularly a spot where Windham pulled Pillman off the entrance ramp and carried him down head-first on the security railing.  Looked great.  For only six minutes this was pretty damn good.

Friday, May 10, 2019

Pro Wrestling: A Mark's History, part 2 (WrestleMania III Rocks My World)

Welcome back!  Now presenting Part 2 of A Mark's History....

As I said, the first feud in which I had an emotional stake was Savage vs. Steamboat, to the point that watching a Randy Savage promo made me physically angry.  Now I knew from the beginning that wrestling was "fake."  I knew the results were predetermined and that the guys weren't really trying to hurt each other.  However, I bought into Steamboat's throat injury completely.  I thought Savage had actually crushed Steamboat's larynx, and in my eleven-year-old mind the vignettes they showed of Steamboat going through therapy to regain his voice were indisputable proof.

The next angle that really got my blood boiling was when referee Danny Davis screwed the British Bulldogs out of the Tag Team Championship.  Very shortly after I started watching in the fall of '86, the Bulldogs became my favorite team.  One Saturday in January of '87 the Bulldogs were scheduled to wrestle the Hart Foundation - a heel team but one I had started to enjoy, mostly due to Bret Hart's quite obvious wrestling ability (I didn't know much at that age but on some level I recognized a good worker when I saw one.).  My reluctant fondness for the Harts evaporated very quickly however when Davis's atrocious officiating caused the Bulldogs to lose the straps.  I remember thinking, "There's no way this decision can stand."  Sadly this was the first time I encountered the old "referee's-decision-is-final" bit, and I was highly pissed.  The following week, WWF President Jack Tunney (who I thought was legitimately the head of the company - it wasn't until about a year later that I learned play-by-play commentator Vince McMahon was the real owner, which blew my mind) angrily announced that Davis was "suspended for life."  I actually stood up and cheered at this.  True, swift justice!

You sir, are pure scum!

Tuesday, May 7, 2019

Pro Wrestling: A Mark's History, Part 1 (How I Became a Wrestling Nerd)

Howdy!  Welcome to the first chapter of Pro Wrestling: A Mark's History!   Over the weeks and months (or however long I end up doing this) I’ll be publishing an ongoing memoir of my nearly three decades of wrestling fandom.

For this entry I’ll start by talking about how and why I became hooked on this bizarre phenomenon involving grown-ass men putting on tights and pretending to beat each other up.

Yup, I blame this stupid cartoon

It was just before my 11th birthday in 1986 that I officially became a wrestling fan.  All it took was one 60-minute episode of the syndicated Saturday morning WWF show to suck me in beyond all reason.  However it took me about four years to arrive there. 

I guess my first exposure to wrestling would've been going to see Rocky III, which of course featured Hulk Hogan in the famous "wrestler vs. boxer" scene.  Being only seven at the time, I found this sequence rather strange and confusing.  My stepfather, with whom I saw the film, explained to me that pro wrestling was nothing but simulated combat.  As is the case for many non-fans my first reaction was, "Well who'd want to watch fake fighting?"

Skip ahead a few years and Hulk Hogan popped up again, this time on his Saturday morning cartoon show, Hulk Hogan's Rock & Wrestling.  A terrible show to be sure, but 9-year-old me became enthralled with the characters of Hogan, Superfly Snuka, Roddy Piper, etc.  I still hadn't seen a single wrestling match, as the cartoon really had nothing to do with the in-ring product.  But it was the comic booky characters that drew me in.  Couple this with the release of the LJN line of WWF Wrestling Superstars toys, and it was the coolest thing since He-Man.

Top Ten Things: 80s Wrestling Matches

Welcome to another edition of Top Ten Things, here at!  Pretty self-explanatory - ten things at the top of what-have-you.

Today it's the top ten matches from that beloved bygone decade known as the 1980s!  I hopped on the pro wrestling bandwagon in the latter part of the decade and therefore this list skews heavily during that time.  I've seen plenty of the early 80s stuff, but I think most would agree the overall wrestling product in North America was stronger from '86-'89 than it was from '80-'85.  Cases in point are my ten picks.  Granted, my own personal nostalgia for those formative years may have played a part, but what the hell d'ya want from me?

Here we go....

10. Ricky Steamboat vs. Bret Hart - Boston Garden - 3.8.86

This forgotten gem was preserved for us all when Bret Hart included it on his DVD set in 2005, but I'd seen it before then.  Initially this match was to be the prototype for a WrestleMania 2 rematch, before Vince changed his mind and threw Bret and Neidhart in the WWF vs. NFL Battle Royal, and put the rising babyface Steamboat against the larger Hercules.  But this match upstaged literally everything at 'Mania 2, as these two technicians put on a veritable clinic.  This is one of the earliest WWF examples of just how good Bret was as a singles wrestler, and despite the lack of company followup it's easy to see why Bret looks back on this bout fondly.

9. Ric Flair & Barry Windham vs. Midnight Express - Clash of the Champions IV - 12.7.88

The Christmas-themed Season's Beatings edition of Clash of the Champions was headlined by a huge tag match, as NWA Champion Flair and US Champ Windham (the only remaining Four Horsemen after Anderson & Blanchard left for Stamford) faced former NWA Tag Champs the Midnight Express, who'd recently turned babyface before being mauled by the heel Road Warriors for the straps.  This Clash special was mostly centered around hype for the upcoming Starrcade '88 PPV, and all four participants here were pretty well-protected.  Bobby Eaton & Stan Lane dominated much of this fast-paced bout before getting screwed at the last minute when Flair waffled Bobby with JJ Dillon's shoe.  Another forgotten classic, this is easily one of my favorite Clash bouts of all time.

8. Team Demolition vs. Team Powers of Pain - Survivor Series - 11.24.88

Speaking of favorites, this entry is my favorite Survivor Series elimination match, which happens to be from my favorite Survivor Series PPV.  The late 80s tag division in the WWF was the stuff of legend, and this match assembled all nine of the company's regular teams (plus The Conquistadors) for an epic 40-minute war.  WWF newcomers The Powers of Pain captained an absolutely stacked team of the Hart Foundation, British Bulldogs, Rockers, and Young Stallions, against Demolition's squad of Anderson & Blanchard, The Rougeaus, The Bolsheviks, and the aforementioned masked jobbers.  The action in this match was non-stop for almost the entire duration, until late in the bout Demolition's manager Mr. Fuji turned on them and helped the Powers of Pain take the match.  This was in my experience the first-ever double-turn, and it broke my 13-year-old brain.

Monday, May 6, 2019

Top Five Films of the Year: 2007

Hell of a film year, 2007.  A lot of good-to-great films scattered about the whole calendar year, and Oscar season was one of the strongest in recent memory with some truly original stuff.

5. Juno

Jason Reitman scored big with his sophomore effort, about a brainy teenage girl who finds herself pregnant and decides to give the baby up for adoption.  Ellen Page put herself on the map with her performance as Juno, delivering screenwriter Diablo Cody's quirky nerdspeak convincingly and naturally.  Not many actresses would be able to make this dialogue work, but Page weaves it right into the character so we're able to identify with her.  The film is full of wonderful and engaging supporting performances, such as J.K. Simmons and Allison Janney as Juno's father and stepmother.  Both characters are gruff and brutally frank but still supportive and loving, and it's refreshing to see such realistic parent characters in a film.  Their relationship with Juno is just as you'd expect a healthy one to be under the circumstances.  The other two major characters are the intended adoptive parents, played by Jason Bateman and Jennifer Garner.  Garner's character is played as slightly neurotic and uptight, while Bateman's cool charisma and affinity for alternative rock naturally draws Juno to him.  As the film wears on the dynamic between her and the adoptive parents changes very unexpectedly.  Juno is a splendid mix of quirky comedy and light drama - a real triumph for Reitman and co.