The History of NWA/WCW Starrcade (1987)

I know most people don't think this show has aged well, but I still love Starrcade '87....

Starrcade '87 - UIC Pavilion - 11.26.87

The 1987 edition was the first-ever PPV broadcast by Jim Crockett Promotions.  Crockett was expanding rapidly with designs on competing with the WWF, and moved into the non-traditional locale of Chicago for his flagship show.  Unfortunately Vince McMahon had designs on squashing the NWA's PPV hopes and ran the inaugural Survivor Series against it.  Not only that but he issued an ultimatum to the cable companies: Run Starrcade and you can't have WrestleMania IV.  The ploy worked, and only a handful of cable providers kept Starrcade, which meant it got destroyed by Survivor Series (which to be fair was an awesome PPV).

Starrcade '87 holds a special place for me, as it was the first one I ever watched all the way through.  I mail-ordered the VHS tape in 1988 after reading glowing reviews in Wrestling's Main Event magazine, and upon viewing it for the first time I was blown away.  The action was athletic, physical and intense, and at the time I loved that the NWA did so many gimmick matches (When you're 12 years old nothing is as cool as a Steel Cage match, except maybe a Scaffold Match).  Amazingly this show ran under 2.5 hours but it doesn't at all feel incomplete.

SC'87 was built around Ric Flair's quest to regain the NWA Title.  The Board of Directors wanted Flair to drop the belt to someone a few months earlier and win it back at Starrcade, I guess hoping to recreate the magic of SC'83.  The problem was, no one wanted to be a two-month lame duck Champion, and the only babyface who agreed to it was perennial midcarder Ronnie Garvin (who was a fine worker but no credible World Champion).  Garvin won the Title in a cage match that September and then announced he wouldn't be defending it until Starrcade.  Not much of a story for a PPV main event, but the match itself was pretty goddamn good.  Flair and Garvin beat the bejeezus out of each other, engaging in a war of chops and Figure Fours, and frequently using the cage as a weapon.  After 17 minutes Flair caught Garvin off the ropes and hotshotted him into the cage (in one of the least painful looking spots ever), and cradled him for the win and his fifth NWA Title.  Lame ending aside this was a pretty great match.

Garvin slaps on the Figure Four

The rest of the show was nothing to sneeze at either.

Three of the undercard bouts involved recently-acquired UWF talent, as Crockett had bought the former Mid-South territory from Bill Watts and staged a UWF Invasion.  Unfortunately he botched it completely by presenting most of the UWF wrestlers as far beneath his homegrown stars (a mistake Vince would repeat 14 years later after buying out WCW).

Still the invasion yielded some decent stuff on this show, starting with a pretty fun six-man opener pitting Larry Zbyzsko, Eddie Gilbert and Rick Steiner against Michael Hayes, Jimmy Garvin, and a young facepainted powerhouse named Sting.  This was nothing amazing but it was a nice way to warm up the crowd, and Sting was already hugely over.  The match inexplicably ended in a draw; Sting really should've pinned one of the heels given how quickly they pushed him.

Second was the only bad match on the show, as UWF Champion Steve Williams defended against Barry Windham.  On paper this sounds fantastic, but when they're only given six minutes and the match ends with a cradle out of nowhere, you can't expect much.  Since the show ran so short this should've gotten at least five more minutes.

The show got a huge boost in the third spot, as the Skywalkers gimmick match was brought out again.  This time though The Midnight Express would face their greatest rivals, The Rock n' Roll Express.  The scaffold match is one of those gimmicks that sounds cool but is very difficult to execute well, given how dangerous it is.  Fortunately the Midnights and RnR delivered an entertaining little fight twenty feet above the ring.  As a kid I thought this match was all kinds of awesome, and it was actually much better than the previous Skywalkers Match.

Movie Review: Anemone (2025)

Daniel Day-Lewis is back!  After an eight-year hiatus from acting, the master thespian has returned to the profession that won him three Oscars, in the psychological drama Anemone, directed by his son Ronan, and written by both Day-Lewises.  

Co-starring Sean Bean and Samantha Morton, Anemone is a sparse, gloomy piece about a pair of middle aged brothers, Ray and Jem Stoker, both ex-military men who served during The Troubles in Ireland.  Jem is a family man now living in a Northern England suburb, while Ray is a recluse who went into a self-imposed forest exile years ago.  The film doles out information about these two characters and Jem's family very slowly and sparingly, forcing us for most of the first act to piece together how Ray and Jem came to be estranged.  There is almost no dialogue in the opening fifteen minutes, and both actors convey palpable tension with uncomfortable glances and guarded body language.

We learn after a little while that Ray didn't just leave his brother behind, but that Jem's wife and son were originally Ray's family, and he abandoned them after being kicked out of the army in disgrace.  The incident leading to his discharge has oppressively weighed him down ever since, all but entombing him in shame.  Between that and years of physical and sexual abuse both brothers faced at the hands of their father and their Father (priest), Ray is, to borrow a phrase from Roger Ebert, "a cauldron of resentment."  But Jem has chosen to visit Ray in his forest hovel because Ray's son Brian, also a soldier, is in serious trouble with his superiors for nearly beating a fellow soldier to death in a fit of rage.  Brian has never met his biological father but he's been taunted his whole life over Ray's alleged misdeeds, and he's inherited his father's self-destructive anger.  The film is a rumination on the "sins of the father" trope, dealing with damaged adult children of bad parental figures.  

The History of NWA/WCW Starrcade (1986)

Starrcade took to the sky in 1986.....

Starrcade '86 - Greensboro Coliseum/The Omni -
11.27.86

Starrcade '86 was the first one I was aware of as a wrestling fan.  On Saturday mornings I'd watch World Wide Wrestling and see ads for the VHS release.  I must say those commercials were GOLD.  Whoever put those together had me at "hello."  When I used to watch those Turner Home Entertainment tapes I looked forward to the previews as much as the event itself.

The 1986 edition suffered greatly from its main event plans being derailed only a month out.  Jim Crockett Promotions had intended a major World Title push for Magnum TA, which would've kicked off at Starrcade with a huge win over Ric Flair.  Who knows what would've happened, had that come to fruition.  Magnum was enormously popular, built like a brick shithouse, and had rugged good looks that appealed to a crossover audience.  The NWA could've had another Hulk Hogan on their hands, and may very well have been able to compete with Vince.  But unfortunately it was not to be, as Magnum suffered a career-ending car crash in October, and the promotion had to scramble to put together a new main event for its biggest show of the year.  The bookers cleverly turned Nikita Koloff babyface by having him show compassion and remorse over his longtime enemy's injury.  I like that choice a lot actually.  Thus Nikita took Magnum's place in the main event and became one of the NWA's top faces for the next two years.

The company also put the spotlight on one of the secondary main events, even naming the show after it.  Starrcade '86 was the television debut of the Scaffold Match - a horribly dangerous gimmick bout where the combatants are forced to fight twenty feet above the ring on a three-foot-wide platform.  They renamed it The Skywalkers Match (I wonder if George Lucas ever considered suing) and it took on a pretty mythic quality.  But before we get to the top-billed matches, let's take a look at the rest of the show.  For the second consecutive year Starrcade emanated from both The Omni and the Greensboro Coliseum.

Starrcade '86 opened with Tim Horner & Nelson Royal vs. Don & Rocky Kernodle, which sounds pretty nondescript on paper but featured surprisingly good action and a fast pace.

Next was Jimmy Garvin vs. Brad Armstrong in a very strong undercard bout.  These two had good chemistry and worked hard.  Brad Armstrong was a pretty underrated talent, always good for a solid opening match to rev up the crowd.  This went to a time limit draw which was probably a mistake given its spot on the card.  A blazing ten minute match with a decisive finish would've been more appropriate.  Still, this was good stuff.

The next two matches were throwaway tag bouts - Hector Guerrero & Baron von Raschke vs. Barbarian & Shaska Watley; and Ivan Koloff & Krusher Kruschev vs. The Kansas Jayhawks.  Both were quite forgettable and about the only intrigue came later during the evil Russians' promo on their former friend Nikita.  One thing that I found disturbing was the sound of the live crowd cheering when von Raschke did his goosestep bit.  That's not something a sane person would cheer.

The first of many gimmick matches was next, as Wahoo McDaniel faced Rick Rude in an Indian Strap Match.  While the concept of two enemies bound together is always intriguing, I hate the "touch all four corners" rule.  I find it silly and cumbersome and it really disrupts the flow of the match.  As expected this was mediocre, and I found it strange that both guys were bleeding from a piece of leather.  This would be the first of many blood-soaked bouts on this card.

The History of NWA/WCW Starrcade (1985)

Starrcade bounced back in 1985 with a now pretty legendary lineup....

Starrcade '85 - Greensboro Coliseum/The Omni - 11.28.85

Now this was more like it.  Starrcade '85 was broadcast from two venues again, but this time there were really only ten matches, thus the important bouts all felt long enough.  While not at the level of Starrcade '83, this edition had a handful of memorable bouts, one of which is still considered an all-time classic battle.

For this show Tony Schiavone replaced Gordon Solie on commentary, and right away I noticed two things: #1 Schiavone and Bob Caudle didn't talk much during the matches; there were long stretches of action with no commentary at all.  #2 Schiavone was asked to plug the upcoming Bunkhouse Stampede event (and others) way too many times, during actual matches.  This distractive shilling should've happened in between bouts.

The show opener was Krusher Kruschev vs. Sam Houston.  This was a decent little match, with a good speed vs. power dynamic.  Houston looked good and reminded me of early Shawn Michaels.  Kruschev won after escaping Houston's bulldog with a foot on the ropes and then hitting Houston with the Russian Sickle, after which the referee missed Houston's foot on the rope.

Next was Manny Fernandez vs. Abdullah the Butcher in a Sombrero on a Pole match.  What a ridiculous gimmick; what'd Vince Russo book this?  This was just ok - both guys bled within the first couple minutes, which became a pattern on this show.  That struck me as diffusing the tension very quickly.  After missing a top-rope headbutt Manny then just leapfrogged over Abdullah and climbed the ropes to get the hat, which was a strange ending.

What followed were two 2-part matches in a row.  The first was Black Bart vs. Ron Bass in a Bullrope match where if Bass won he got five minutes with JJ Dillon.  Storyline-wise this was awfully similar to the previous year's Bass vs. Dick Slater match, with two former partners fighting.  Again the blood flowed right at the beginning, and by the end both guys were covered in it.  The finish came out of nowhere (in a bad way) when Bass hit Bart with the cowbell off the second rope and abruptly covered him.  This match could've used more cowbell!  Sorry, had to do it.  Dillon then attacked Bass, starting their followup match.  Short and forgettable, Dillon won after a ref bump when Bart knocked Bass unconscious.

My god this was sadistic.

The other two-part event was an arm wrestling match, followed by a wrestling-wrestling match.  Billy Graham vs. Barbarian was the third match in a row with blood, again right at the beginning.  Graham won the arm wrestling match and Barbarian attacked him, leading to a five-minute throwaway.

Refreshingly we got a gimmick-free bout next: Buddy Landell vs. Terry Taylor.  This was a well-worked wrestling match, though it was like watching Ric Flair's stunt double wrestle his son.  It's so odd that JJ Dillon managed the fake Ric Flair only months before he traded up for the real one.  The ending was clever - Taylor went for a superplex but Dillon quickly swept his leg out from under him and both wrestlers fell to the mat hard with Landell on top for the pin.  Definitely the highlight of the show so far.

The second half picked up pretty well, with multiple Championship matches, starting with Ole & Arn Anderson vs. Wahoo McDaniel & Billy Jack Haynes.  Decent enough little match that started out fast-paced before the Andersons took over on offense.  Sadly this had a pretty silly ending with Arn pinning Billy after a simple forearm strike with Ole holding his leg down.

The most memorable bout on the show was unquestionably Tully Blanchard vs. Magnum TA for the US Title.  A classic I Quit Steel Cage match that was gritty, realistic and brutal.  This was just a slugfest with lots of vicious ground & pound, great selling, and buckets of blood.  The closing moments with the two fighting over a piece of broken chair are iconic.  Nothing fancy, but a helluva fight.

The I Quit match was tough to follow, and this next match didn't really bother.  The Midnight Express faced Jimmy Valiant & Miss Atlanta Lively in what was a very wild brawl, but the babyface team was impossible to take seriously, particularly with Ronnie Garvin dressed in drag.  Also, three of the participants were bleeding within the first minute, which was unnecessary coming after such a great gorefest.  Not much of a match.

The semi-main slot went to Ivan & Nikita Koloff vs. The Rock n' Roll Express for the Tag Team Titles.  This was a very enjoyable Steel Cage tag match.  Morton & Gibson were expert underdog babyfaces and at the time probably the most consistently good team in the company.  This fine bout built to a cleverly executed finish, as Morton blind-tagged Gibson, bounced off the opposite ropes, and rolled up Ivan for the pin.  Then all hell broke loose as the Russians beat the piss out of the good guys.  One of the best matches on the show.

Flair's hair looks dented; no wonder he's upset.

In a rematch from Starrcade '84, the main event was Ric Flair vs. Dusty Rhodes for the World Title.  This was light years better than its predecessor, but rather unremarkable overall.  The action was a little slow, and I always thought Flair and Dusty had better chemistry as characters than in the ring.  Flair bladed pretty unnecessarily, bringing the total number of matches with blood to eight (if you include the tacked-on Bass vs. Dillon match).  That's pretty excessive; when the majority of matches on a given show feature blood it becomes numbing and it takes away some impact from matches that need it, like the brutal Tully-Magnum bout.  Since Flair's bleeding didn't play into this match at all, it was just gratuitous.  The end came after a ref bump.  Arn and Ole interfered unsuccessfully and then Dusty rolled Flair up into a small package (which Flair visibly assisted with) while the secondary ref counted the pin.  Dusty appeared to win the Title but a week later it was overturned when Tommy Young retroactively disqualified Flair for outside interference.  Rather questionable if you ask me - why reward Flair after the fact for the Andersons' illegal conduct?  Anyway, this match was decent but not great.

Starrcade '85 holds up thirty-plus years later as a pretty good show featuring one bona fide classic, four or five decent bouts, and nothing I'd call truly bad.  The NWA definitely relied much too heavily on blading to ramp up the drama, when less of that would've made it much more meaningful and dramatic.  But this show had a lot to like, so it gets an easy passing grade.

Best Match: Tully Blanchard vs. Magnum TA
Worst Match: Billy Graham vs. The Barbarian
What I'd Change: Tone down the blood so it means something when it's needed.  The I Quit match was brutal but would've come off much more strongly had it not followed four other bloodbaths.  Sometimes less is more.  Also I generally hate the Dusty Finish.
Most Disappointing Match: The Andersons vs. Wahoo & Haynes
Most Pleasant Surprise: Terry Taylor vs. Buddy Landell
Overall Rating: 7/10


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1984

1986

The History of NWA/WCW Starrcade (1984)

The classic inaugural Starrcade was followed in 1984 by a.....not so classic one....

Starrcade '84 - Greensboro Coliseum - 11.22.84

The NWA's sophomore Starrcade effort was rather a far cry from the original, with eleven matches crammed into a three-hour format, and precious few of them memorable.  On paper the top-billed bouts looked solid but unfortunately nothing was given enough time, and some of the booking was questionable at best.

I'm just gonna get this out there: I know Gordon Solie is right up there with Jim Ross as the most respected wrestling announcer ever, but I've always found his style pretty bland.  He never seemed emotionally invested in the matches, and he drastically overused the phrase "There's no question about it."  Legit, on this PPV he says that phrase 3-5 times per match.  If there's no question about anything, why even bring it up?

The opening match, Mike Davis vs. Denny Brown had decent enough wrestling but it was too short, and the finish with Mike Brown pinning himself after a back suplex was so confusing even the ring announcer and Gordon Solie called it wrong.  Next up was Brian Adidas vs. Mr. Ito (Mystery Toe?), which had promising action but only went four minutes.

The first standout of the show was Jesse Barr vs. Mike Graham.  This was easily the best thing so far, and possibly the best match on the card.  Really strong mat wrestling and reversals, and Barr had some great heel moments like quick hair pulls and stepping on the ropes momentarily to gain leverage.  Barr won with a schoolboy while hooking the tights.

How was this not a four-star classic?

Top Ten Things: Beatles Albums, RANKED

Welcome to another Top Ten Things!  Today I'll be talking about one of the most celebrated, universally beloved bands of all time, The Beatles!

The Beatles were possibly the first music group I was ever introduced to as a kid.  My parents played me some of Sgt. Pepper and I was hooked instantly.  By sixth grade I began making mix tapes of their tunes (Yes, this was when mix tapes were still a thing), and thanks to the Compleat Beatles documentary I became an expert very quickly.  In 1987 my parents bought a CD player (I felt so ahead of the curve), and The Beatles' entire catalog was one of the first available in that format.  I devoured their music like crazy and for a couple years they were one of very few bands I listened to (until I discovered metal that is).  Their story is the subject of countless documentaries, some of which I feel compelled to watch every so often; I never get tired of hearing this saga.

Today, along with Metallica, The Beatles are my favorite band in the universe, and when I fire up one of their albums it's a ceremonious moment.  I tend to listen to their whole catalog front to back, over a period of several days.  Yeah I'm a dork.  Shut up.

Anyway, here are the albums of The Beatles, ranked.  I've limited this to the twelve full-length studio albums they recorded (original UK versions only), so no Yellow Submarine soundtrack (there are only a few unique tunes on side one, and side two consists of the film score), and none of the bastardized Capitol Records versions released in the US.

12. With the Beatles

Let me preface this by saying a) none of these albums are bad, and b) I absolutely love the cover art for this one - truly an iconic photo.  As an album however I consider With the Beatles the weakest entry.  The band was still developing their sound at this point, and unlike on Please Please Me they didn't include any of their big singles here.  You have to remember that in the early 60s the radio single was king, and when a band released an album it usually consisted of the "other" stuff that wasn't "good enough" to be a hit.  Thus With the Beatles plays more like a collection of lesser material mixed with a slew of cover songs.  No "She Loves You" or "From Me to You" or "I Want to Hold Your Hand."  Still you can't argue with standouts like "It Won't Be Long," "All My Loving," and Paul McCartney's saccharine cover of "Til There Was You." 

11. Please Please Me

One of the greatest debut albums of all time, Please Please Me would place pretty high in the catalog of a lesser band, but in the legendary pantheon of The Beatles it has to compete with so many groundbreaking works it only finishes eleventh for me.  Nonetheless, the band's inaugural opus took the UK by storm as a follow-up to their number one hit, the title track.  Recorded in an astonishing twelve hours or so, Please Please Me was essentially just a series of live performances captured on tape, designed to quickly capitalize on The Beatles' sudden success.  The track list also included their first single "Love Me Do," plus a bevy of great supporting originals and covers (the best and most famous of which is of course their iconic rendition of "Twist and Shout.").   Please Please Me was a watershed moment in rock n' roll history, the first major statement by a young band poised to take over the world. 

10. A Hard Day's Night

In 1964 The Beatles had conquered both the UK and the US, becoming such pop culture icons they were tapped to star in a feature film.  Directed by Richard Lester, A Hard Day's Night starred the Fab Four as themselves, in a "day in the life" kind of story.  The band travels by train to an auditorium where they'll perform for a live TV special, and in tow is Paul's troublemaker grandfather who tries to turn everyone against each other.  The soundtrack album featured numerous classic early Beatles songs, like the energetic title track, the bittersweet "If I Fell," the instantly catchy "I Should've Known Better," the bluesy "You Can't Do That," and the morose "Things We Said Today."  A Hard Day's Night followed up The Beatles' first two pop albums with slightly more mature content and showed a band beginning to temper their signature sound.

9. Magical Mystery Tour

The final album from The Beatles' psychedelic period, Magical Mystery Tour originated as the soundtrack to a television special, where the band gathered with friends for a wacky bus tour across the country.  The script was loosely constructed and they hoped an interesting story would emerge.  But it didn't; Magical Mystery Tour was an awkward, ponderous film consisting of several uninteresting episodes and skits interspersed with music videos.  Still the accompanying EP contained some fine songs, and the US version tacked on five excellent singles as the B-side.  The result was kind of a less compelling Sgt. Pepper sibling.  The main standout song from the film was of course John's surrealistic "I Am the Walrus," the lyrics of which are infamously peculiar and showcase his penchant for bizarre word combinations.  Side B contains the classic double-single "Strawberry Fields Forever" (another Lennon "word-imagery" song) and "Penny Lane," Paul's ode to his childhood.  The album closes with Lennon's anthemic "All You Need is Love," which remains as poignant today as it was in 1967.  Overall, while not as strong as its two predecessors, Magical Mystery Tour caps off a magnificent trilogy of psychedelic rock albums from the band who pioneered the genre.

8. Beatles for Sale

Beatles for Sale was the first album on which the Fab Four showed hints of cynicism.  The album's mood was much darker than on their first three records; from the jealousy-driven "No Reply" to the self-pitying "I'm a Loser," to the defeatist "Baby's in Black," the first few songs set a pretty gloomy tone.  This album was the first not to focus on themes of youthful romance and rock n' roll anthems, and aside from an excellent cover of Chuck Berry's "Rock and Roll Music," the lyrics are far more sardonic and self-reflective than anything they'd written previously.  Beatles for Sale in many ways foreshadowed the disillusionment the band would soon feel about playing live concerts and feeding the BeatleMania craze, and I consider it the best of their early records.

7. Help!

After the huge success of A Hard Day's Night, a second Beatles film was inevitable.  This time it would be a big-budget James Bond-inspired screwball comedy about a Far-East cult hunting down the band in the hopes of recovering a sacrificial ring mailed to Ringo.  The movie featured numerous action-comedy set pieces, plus seven brand new Beatles tunes.  Their music here showed a bit more depth and some instrument variation, and the album boasted the band's first major departure - a somber guitar ballad of Paul's called "Yesterday."  Paul was the only Beatle on the recording and would be accompanied by a string quartet, a first for the band.  Other highlights included the mellow waltz of "You've Got to Hide Your Love Away," the urgent "The Night Before," and the anxiously bouncy "I've Just Seen a Face."  Help! showed the band continuing to expand their musical range on their way to arguably the most creative period in their career.

6. Let It Be

Originally intended as a live concert film entitled Get Back, Let It Be eventually morphed into an album/documentary that showed The Beatles coming apart at the seams.  Their interpersonal relationships were in shambles and the live recording sessions were filled with palpable tension.  So unpleasant was the experience that the band opted to shelve the album and move on to Abbey Road, as a way to end their career on a high note.  As the band dissolved, producer Phil Spector was hired to sort through the dozens of songs and takes and whittle everything down to a concise record.  The result was a solid-if-inconsistent album that would serve as the band's denouement.  Side 1 is full of good-to-great songs, like John's strangely lyriced "Dig a Pony" and his existential ballad "Across the Universe," and Paul's iconic piano-driven title track.  Inexplicably Spector also included a one-minute snippet of "Dig It," a ponderous go-nowhere jam, and their brief take on the traditional ditty "Maggie Mae."  Side two's highlights were both contributions from Paul; the optimistic "I've Got a Feeling," and the energetic "Get Back."  Despite Spector's orchestral embellishments on songs like "The Long and Winding Road," Let It Be features a stripped-down, intimately live snapshot of The Beatles at their lowest point.  Yet even as the band crumbled they managed to churn out some undeniably great songs and cement their legacy as a transcendent rock group.

The History of NWA/WCW Starrcade (1983)

Hey there everyone.  Welcome to Enuffa.com, your home for pro wrestling, movies, music, and other life-altering forms of pop culture.  I know what you're thinking.  You're thinking, "Hey Justin, it's been a while since you posted the complete history of a beloved wrestling supercard.  Can ya help us out?"  You my friends are in luck, because without further ado, I'd like to present.....

The Enuffa.com Complete History of NWA/WCW Starrcade!!!

That's right, it's time to hop into the ol' DeLorean and travel back to 1983, when Jim Crockett Promotions envisioned a wrestling event so magnanimous it couldn't be just for the live crowd in attendance.  It had to be broadcast on closed-circuit television throughout the South!  Big wrestling events on Thanksgiving night had long been a tradition in the region, and Crockett correctly surmised that a supercard held on that date would draw big business.  Starrcade '83 is the real Granddaddy of Them All - the first wrestling event broadcast on closed-circuit, and the prototype for the modern PPV event.  The show was a tremendous success, famously causing massive traffic jams in downtown Greensboro, and JCP made Starrcade an annual tradition.  Quickly it became the promotion's flagship event, and by 1987 it was also carried on pay-per-view.  When Ted Turner bought out Jim Crockett in 1988 he kept the Starrcade brand but moved it to December to avoid having to compete with the WWF's Survivor Series, and that's where it stayed until WCW folded in 2001.

So let's look at the highs, lows and everything in between, of Starrcade!

Starrcade '83 - Greensboro Coliseum - 11.24.83

The inaugural Starrcade was by today's standards a very barebones production which featured quite a few obscure names from the early part of the decade.  It was a very uneven show with a pretty forgettable first half.  But it's the final three matches that make Starrcade '83, and they're all first-rate classics of the era. 

The NWA event lineups back then were different from the WWF approach, in that they stuck all the undercard bouts early on the card and saved the important ones for the second half - quite often the last four matches would all be for championships.  By contrast Vince would spread the big matches around to give each show peaks and valleys, often inserting "buffer matches" between some of the headliners.  There are pros and cons to both philosopies of course.

After three matches that could be considered throwaways (The Assassins vs. Rufus Jones & Bugsy McGraw; Kevin Sullivan & Mark Lewin vs. Scott McGhee & Johnny Weaver; and a brief Abdullah the Butcher-Carlos Colon showdown), the show began for real with a solid tag match: Bob Orton (Randy's dad) teamed with Dick Slater against Mark Youngblood and Wahoo McDaniel.  This was no five-star classic, but it was easily the best match thus far.

Next was a TV Title vs. Mask match between The Great Kabuki and Charlie Brown (actually the "suspended" Jimmy Valiant under a mask).  I've never been much of a Valiant fan, so for me there wasn't much to this, but it does stand as the first-ever championship match on a Starrcade show.
From here on out the show was pure gold.

I'd have tapped out right here.

The History of WWE Survivor Series (2024)

WWE Survivor Series: Watered Down WarGames III was basically exactly what I expected, a mediocre show with two overlong gimmick matches, and I do mean overlong.  The two WarGames bouts totaled eighty, EIGHTY minutes, most of which was pretty skippable.  I'll keep saying it till they listen: WWE WarGames needs to either go away or be a once-in-a-great-while event.  Both of the top-billed matches would've been infinitely better as elimination bouts.  If you're not gonna either reintroduce blood or create some truly unforgettable moments, don't try to recreate the magic of Dusty's brainchild.  There was some decent wrestling on this show but nothing worth going out of your way to see except maybe the Intercontinental Title match.

The opening match, the Women's WarGames, didn't officially start until 15 minutes into the show.  Bayley and Nia Jax, yes, the cosmically inept Nia Jax, started the match.  Nia and Bayley exchanged awkward sequences for a while until Bayley removed a leather sleeve she was wearing and started whipping Nia.  Nia took it away and whipped her right back.  Naomi entered to the rescue, bringing in a kendo stick and a toilet seat.  Sorry, why is a toilet seat under the ring?  Event security needs to be way more diligent leading up to showtime apparently.  Naomi beat Nia down with the stick and the babyfaces double-teamed Nia until Candice LaRae came in for the save, bringing in two chairs.  Nia grabbed one and clumsily whacked both faces with it.  The heels took out both of them.  Bianca entered next and brought in a trash can, a fire extinguisher, a table and a chair.  Does every entrant need to bring in multiple weapons?  And doesn't it undermine the urgency of saving your friends when you spend a minute and a half searching for shit under the ring?  Tiffany Stratton was next for the heels, and she brought in a trash can.  Tiffany cleaned house and then did some bad-looking tandem moves with Nia.  Iyo Sky was next and had to run to the opposite side of the ring to find a weapon, in this case a custom trash can with a rope attached so she could do her top-of-the-cage dive (if the implication is that Iyo placed that under the ring, why did she put it as far away from the entrance as possible?).  Candice cut her off and they set up a sunset flip bomb but Iyo lost her grip and they had to settle for a top rope dropkick.  Iyo beat everyone up with a chair until Nia knocked her down.  Raquel Rodriguez entered next and, you guessed it, stopped to find stuff to bring in with her, in this case a table, which she didn't even bring in.  She looked for something else but couldn't find it.  If you're gonna have everyone bring in a weapon shouldn't you also have them memorize where to look for it so they don't come off like idiots?  Nia and Raquel beat everyone up.  Rhea Ripley was the final entrant for her team and brought in the table Raquel pulled out, but got triple teamed.  But the babyfaces ran wild and Rhea whacked everyone with the toilet seat.  Liv Morgan was last, and hesitated because Rhea was the only woman standing.  Liv brought in a baseball bat.  Rhea removed the mask she was wearing to protect her injured orbital bone but the heels ganged up on her.  Liv beat her down with the bat.  Everyone took turns hitting moves on each other.  Iyo and Tiffany each climbed opposite corners so everyone else could get into position - uhh, shouldn't the climb be AFTER everyone's in position?  Did all the participants read the script?  Iyo hit her trademark trashcan moonsault on one side while Tiffany hit a swanton.  Tiffany pulled her Money in the Bank briefcase out of a trashcan and teased a cash-in but Iyo sprayed everyone with the fire extinguisher while Rhea handcuffed Raquel to the ropes.  Nia put Bianca on a table and teased a Vader Bomb but Bianca and Naomi powerbombed her through it.  Liv hit Oblivion on Bayley but Rhea made the save and the two rivals fought.  Liv went for Oblivion off the top rope but Rhea countered into a Riptide through the table for the win.  The last few minutes of this were entertaining but as usual this was sanitized, weapons-heavy and mostly devoid of a story.  It was about Rhea and Liv, who didn't enter until the end of the match.  And in what universe do you put Nia in for the whole thing??  

The History of WWE Survivor Series (2023)

WWE Survivor Series 2023 was....a show.  Neither bad, nor particularly good.  It was a series of competently worked matches that, like so many McDonald's meals, goes in one orifice and out another, without much joy or artistry.  The most memorable thing about this show was of course the return of CM Punk, but even that was just "famous guy comes out and stands there, crowd cheers."  And the followup to it two days later consisted of Punk cutting probably the least memorable promo of his entire career, as he stood in a WWE ring for the first time in a decade (a decade during which he repeatedly and vociferously attacked WWE and its product), and declared "I'm home."  Oh and "I missed you fans (even though I actually came back to wrestling two years ago and have spent plenty of time in your presence since then)."  Throughout the following year Punk would prove that his schtick doesn't at all work in Triple H's WWE, for the simple reason that WWE's audience LOVES Triple H's WWE, therefore there's nothing for Punk to rebel against.  And without that, Punk has no reason to exist as a character.  If Phil Brooks were more creative he'd find a way to reinvent himself for this era.  By going back to WWE in 2023, CM Punk discarded whatever was left of his cool factor.  He’s now totally on board with, as he put it when insulting The Miz in 2021, “sucking a blood money covered dick in Saudi Arabia.”  Voice of the Voiceless is dead and buried, Corporate Man Punk is a colossal bore.

But back to Survivor Series, WWE WarGames matches really do nothing for me.  They're a spectacle without any real substance.  Wrestlers take turns getting into the cage, some stuff happens, most of it involving kendo sticks (Can someone explain to me why this random Asian weapon has become WWE's favorite, and why there would ever be a slew of these damn things under the ring all the time?), and then someone gets pinned, so much tamer than one team torturing an opponent until they surrender, as was the original rule.  WarGames simply doesn't need to be an annual event, just like Hell in a Cell doesn't.  Both should be reserved for when a feud between two parties is so heated and bloodthirsty it can only be settled in this foreboding structure.  And there needs to be blood.  Sorry, that's just the reality of the situation.  If you want me to believe in the savagery of the WarGames gimmick, the participants need to look like they've been through a war.  AEW's Blood and Guts conveys this every time, because the matches are a bloody, violent car wreck.  When it's over I buy into the idea that these folks risked life and limb to settle a score.  After a WarGames match is over it's just business as usual.  The mat is pristine and everyone looks like they just finished a game of touch football.  You can't expect me to believe I've just witnessed the ultimate in pro wrestling barbarism.  I've said it before, but traditional elimination matches would suit this company and this event so much better than their feeble attempts at brutality.

The History of WWE Survivor Series (2022)

In 2022 under Triple H's creative direction, WWE decided to abandon the Survivor Series concept once again, this time in favor of WarGames, which on paper sounded much more fun than it turned out to be.....

This was another example of a WWE event that was pretty widely praised but just didn't do a lot for me.  WWE's version of WarGames is just so sterilized and substitutes fluff violence for the actual violence of WarGames past (and AEW's present).  Somehow seeing the same old table spots and kendo stick floggings doesn't make this match stand out, regardless of the fact that they're in a caged double ring.  Couple that with the company's need to make every WarGames match 35 minutes or more, and it just becomes a slog for me.  Also the pinfall rule is kinda weak for this match, it should be submission-only.  Leading up to November 2022 I was very excited to see what Triple H would do with the Survivor Series concept.  Turned out he didn't do anything with it.

Both WarGames matches on this show were fine.  They were well executed, the men's match furthered the Bloodline story, but I didn't find anything that happened in either of them particularly memorable and I would've enjoyed both more as Survivor Series elimination matches.

The undercard featured two good matches and one bad one.

The show started with the women's WarGames bout, pitting Damage CTRL, Rhea Ripley and Nikki Cross against Bianca Belair, Asuka, Alexa Bliss, Mia Yim, and the last-minute addition of a just-returned Becky Lynch.  The heels had the man advantage and a bunch of stuff happened as the whole match built up to the long-awaited Becky vs. Bayley.  The most memorable spot of the match was a breathtaking Iyo Sky moonsault off the top of the cage.  But Becky ended up winning the match for her team, legdropping Iyo and Dakota through a table.  Like I said, this was fine, but there were better women's WarGames matches in NXT.

The History of WWE Survivor Series (2021)

The final RAW vs. Smackdown installment of WWE Survivor Series was....a show.  Watchable.  Not much more.

This was yet another example of a WWE PPV where one experiences neither highs nor lows, and that went for the live audience too.  Comparing AEW's Full Gear 2021 crowd to this one a week later was jarring.  The former was molten for most of the show, so beyond excited to be there, while this crowd was like "Eh, we paid for the tickets already, we may as well watch it."  Nothing on this show beyond the opening match really stood out, it was just competently presented, homogenized pro wrestling.  

I was pretty pissed to see Shinsuke Nakamura vs. Damien Priest get bumped to the pre-show, particularly considering just how much time was wasted on video packages, commercials, entrances, etc.  There is no excuse whatsoever for a match of any importance being relegated to the Kickoff while the company pisses away airtime on a video package for Drew McIntyre or Bobby Lashley.  Or how about Vince McMahon and the stupid gold egg?  Yes, as a movie tie-in, this company seriously built an entire episode of RAW around "Rich Old Guy's Expensive Trinket Missing?"  Imagine thinking your wrestling audience wants to see your obscenely wealthy 76-year-old ass whining about how someone stole your new toy.  Anyway, Nak vs. Priest was pretty good while it lasted, with lots of nearfalls and counterwrestling.  Until Priest let go of a submission hold because Nakamura's guitar player friend distracted him with his guitar playing.  Welcome to WWE, where a legit badass with MMA experience gets turned into a comedy character.  Priest went after Rick Boogs, took his guitar away, broke it over his knee, and bludgeoned both Boogs and Nakamura with it, drawing a disqualification.  So Damien Priest, who had been undefeated for months since debuting on RAW, loses by DQ on a Kickoff show.  Makes sense....  Like I said, this was good until the finish.

The proper PPV opener easily stole the show, as Becky Lynch and Charlotte Flair had a very intense, aggressive fight.  To WWE's credit they resisted the temptation to make it look like a shoot or have some wacky Montreal-esque ending, considering the real-life animosity between them.  There were a ton of nearfalls, both women used each other's finishers (Becky didn't quite lock in the Figure Four properly and had to kinda turn it into a heel hook), and it built to Flair attempting to steal a win with a rope-assisted roll-up, only for Lynch to reverse it and use the ropes more surreptitiously so the ref didn't see it.  Lynch got the pin and gloated over her archenemy.  This was a very good match with a few sloppy moments, like Charlotte's top rope moonsault that more or less missed Becky.  Still this was unquestionably the best thing on the show. 

WWE Survivor Series: WarGames 2025 Preview & Predictions

This Saturday marks the 39th annual WWE Survivor Series, a show that once featured super fun 5-on-5 elimination matches and has since 2022 been repurposed as WWE WarGames, where the company trots out the exact same sterilized, trash can/kendo stick double cage matches every year.

Man, these WarGames matches are damn near indistinguishable from each other.  I say it every year but the old elimination format would make for exponentially more combinations and outcomes.  WarGames is inherently a repetitious gimmick match thanks to its convoluted rules.  Even AEW's version Blood and Guts (though infinitely superior to this PG-rated shite) has reached a point where it doesn't need to be an annual event.  The match layout is simply too limiting.  I dunno why WWE even keeps the Survivor Series name; it's got literally nothing to do with what this event has become.

Anyway, this lineup looks like another pretty skippable one (which is good since I ain't paying thirty bucks to see it), with the men's babyface WarGames team being exactly the same as last year except for Cody replacing Sami Zayn.  Boy, that OG Bloodline reunion last year did nothing for Sami, did it?  The heel team has some new blood at least, though you know Brock Lesnar's gonna be the last man in so he doesn't have to work more than ten minutes.  On the women's side they're once again going with Nia Jax for some reason; is she gonna work the whole match again?  Elsewhere on the card we have two singles title matches, one of which involves John Cena in his final PPV bout, the other involves Nikki Bella because WWE inexplicably thinks its audience is nostalgic for the early 2010s.  I'm really interested to see what WWE's ticket sales look like when John's no longer there.....

Let's take a closer look....

Women's World Championship: Stephanie Vaquer vs. Nikki Bella

Seriously guys, 2013 wasn't a good creative period for WWE, why are we bringing back names and matches from that era instead of looking forward?  Stephanie is great, Nikki has never been great, so this match should be.....fine?  Steph ain't losing the title yet.

Pick: Stephanie retains

The History of WWE Survivor Series (2020)

Survivor Series 2020, or as I like to call it, The COVID One, was yet another mixed affair, with a couple of standout matches and a bunch of badly booked fluff from a company that can't seem to avoid bad booking.  Of the six bouts on the show, three were worth a look, three were really not, and the whole card took a backseat to yet another Undertaker nostalgia-wank.

Orlando, FL - 11.22.20

The show opened with the men's elimination match, not really ever a good sign.  Team RAW included AJ Styles, Braun Strowman, Keith Lee, Sheamus and Matt Riddle, while Smackdown's squad was comprised of Seth Rollins, Kevin Owens, Jey Uso, Baron Corbin and Otis.  Gee, which of these teams looks stronger?  Seth was doing his stupid cult leader gimmick at the time and sacrificed himself to a Sheamus Brogue Kick to be the first one out.  Lovely.  The idea was that his elimination was for "the greater good," but I'm still trying to figure out what good came out of it.  Kevin Owens ran wild with a series of Stunners on people but of course got taken out by AJ's forearm - why is the whole "run wild and then get pinned" deal the only way WWE knows how to eliminate someone?  By this point it was very obvious who was winning this, as Smackdown was left with Jey Uso and a couple dorks.  Baron Corbin got eliminated by Riddle, while Strowman powerslammed Otis to take him out.  This left Jey in a five-on-one, and after a flurry of superkicks he was pinned with a Keith Lee spirit bomb.  A clean sweep for RAW.  Anyone who's read this series knows how much I hate clean sweeps.  This match felt pointless.

Next up was a mild improvement, as The New Day faced Street Profits in a battle of tag team champions.  The match was pretty fast-paced, with New Day controlling the early minutes and taunting their would-be successors.  Dawkins and Ford rallied though, and after some exciting, crowd-pleasing nearfalls the Profits took the duke with a Doomsday Blockbuster finish, upsetting the vaunted New Day.  This was fine.

AEW Full Gear 2025 Review: Samoa Joe Steals the Title

Well that was certainly a shakeup.  Maybe TOO MUCH of a shakeup.

AEW's Full Gear 2025 is in the books, and it was a long but very good night of graps.  While it was missing the one must-see match most AEW PPVs come equipped with, there was nary a bad match in sight, almost everything on the show exceeded four stars, and it was quite eventful.  I have mixed feelings about how things ended, which I'll get into, but hopefully there's a plan in place to make this all work.  The New Jersey crowd was not the best, honestly, only responding to big things like WWE's audience tends to do.  This lends further credence to the idea that all AEW PPVs should start in the afternoon.  Make it happen, TK....

Things kicked off with a pre-show match already in progress, the second time they've done this.  I hope this doesn't become the norm; it's fine once in a while but if you do it too much it'll get old fast.  This was for the CMLL Trios titles, pitting the champions Mistico, Mascara Dorada and Neon against Kazuchika Okada, Konosuke Takeshita, and Hechicero. On the pre-show portion the heels had attacked Mistico backstage, and also Okada was running late to the arena, so the bout started as two on two.  Finally Okada made his entrance, much to Takeshita's shagrin, and eventually Mistico joined the match, much to Don Callis's.  In spite of the unorthodox start, this match turned into a lot of fun, with the main story being of course the continued degradation of Okada and Takeshita's alliance.  Okada again "accidentally" hit Takeshita with a Rainmaker with Dorada ducked.  Mistico then took Hechicero down with a spinning armbar for the quick submission.  Okada-Takeshita is gonna fucking rule when it finally happens (and it seems a mortal lock to be the Continental Classic final at Worlds End, based on the block lineups).  ***3/4

The History of WWE Survivor Series (2019)

The 2019 addition featured NXT being added to the brand vs. brand format, and Triple H's upstart brand shone bright....

Welp, you could say many things about the 2019 Survivor Series, but one thing you can't say is that they didn't do their damndest to get NXT over.  Triple H's upstart crew took four of the seven head-to-head-to-head matchups and it was clear from the crowd reactions that NXT is the show WWE fans were into at that point.  Going into this show I wasn't sure what to expect as far as mixing Triple H's booking philosophy with Vince's usual approach.  There were things that didn't make sense to be sure, and choices that were baffling and annoying, but for the most part this show worked really well for me.  For the fourth year in a row the Survivor Series mostly delivered, at times in spite of itself.  Say what you will about the idiocy of brand vs. brand, but this annual tradition has brought us some very good Survivor Series PPVs in recent years.  Yes, the triple threat approach was unwieldy and got old by the end, particularly in the main event, but I'll take a show like this over just about anything the main roster churns out right now.  So let's take the deep dive....

The show opened with the women's elimination match, with Charlotte Flair leading the RAW team against Sasha Banks's Smackdown squad and Rhea Ripley's NXT faction.  First off, let me applaud WWE for bringing the elimination match teams out all at once instead of giving all fifteen participants their own entrances.  I actually read a review complaining about this, and to that I say "Would you rather they spent 20 minutes on entrances for these two matches?"  Anyway, I think these matches would've been better if only two people were allowed in the ring at a time, but for some reason it was triple threat rules.  Still, most of the participants got a bit of time to shine.  Io Shirai and Kairi Sane had some good early exchanges, Carmella had an amusing moment where she kept trying to cover two downed opponents and screamed every time they kicked out, Charlotte and Bianca Belair got a nice battle of the super-athletic women, and Rhea Ripley came off like a fucking superstar.  The first two eliminations came, bafflingly, after a series of outside the ring dives, which apparently left Io and Candace LaRae "injured."  They were helped to the back, leaving NXT at a two-woman disadvantage.  No idea why they did this, as both of them showed up again at the end and were fine.  This was handled badly, but it's my only real complaint about this match.  NXT eventually evened the odds and more, not losing another member until RAW and Smackdown were down to one woman each.  Charlotte and Asuka got into a shoving match, after which Asuka sprayed mist at Charlotte and walked out, Bad News Brown-style.  Sasha and Natalya eliminated Toni Storm with a double-submission and then hit a Hart Attack on Belair to get it down to one-on-one-on-one.  Sasha then turned on Nattie and pinned her, and we were down to Sasha vs. Ripley, who had some nice exchanges.  Suddenly Io and Candace showed up to interfere and help Ripley put away Sasha.  Io hit a springboard dropkick and Ripley nailed the Riptide for the win.  I assume Ripley was the sole survivor but they didn't make it clear if Io and Candace were actually eliminated or not.  Regardless, I enjoyed this match a lot and the right team won.  Ripley went on to dethrone Shayna for the NXT Title and then her big push was all but derailed for a while at WrestleMania with a nonsensical, infuriating loss to Charlotte.

The History of WWE Survivor Series (2018)

Amazingly the 2018 edition was a neo-classic Survivor Series PPV, and ended up the best main roster show of the year...

Well I'll be goddammned.  In 2018 WWE actually pulled off a really great Survivor Series PPV that for me even exceeded the miraculously good show from 2016.  Including the pre-show match (which has to be one of the two or three best pre-show matches of all time), this had three very good elimination matches, four excellent singles bouts and only one throwaway tag match.  In 2018 this was about as good a main roster WWE show as you could ever hope for.  Let's get into it.

I pretty much always skip the pre-shows for these PPVs but since this particular pre-show included my beloved 10-team elimination match I made it a point to watch, and I was glad I did.  While this was obviously no Powers of Pain-Demolition epic from 1988, these ten teams worked their asses off to do something memorable.  The first half felt a bit rushed as teams were getting eliminated pretty quickly, but once it boiled down to New Day & Usos vs. Revival & Gable/Roode, this kicked into high gear.  Loads of crazy offense and dives over/off the top rope (including an absolutely nuts spot where Jimmy Uso German suplexed Gable off the top, onto the pile of guys on the floor).  It boiled down to The Usos vs. The Revival - nice to see Dash & Dawson make it to the end - and Jimmy & Jey hit their superkicks followed by a top-rope splash to win the whole thing.  Just a damn fun opener that won the crowd over (WWE should hold every PPV at the Staples Center, by the way; this crowd was awesome).

The proper PPV opened with the women's elimination match, and this was roughly on par with the 2016 edition.  Some last minute changes improved the match, as Nattie and Ruby Riott were subbed out after a locker room fight in favor of Sasha and Bayley (nothing against Nattie and Ruby, but you can't omit Sasha and Bayley in one of these things).  Mandy Rose disappointingly ended up being the mystery partner for Smackdown, but she at least earned her keep in this match.  Of course the match started with two "shocking" quick eliminations.  WWE has to stop doing this - both main card elimination matches had them and they never get the desired reaction.  They seemingly set up dissension between Rose and Sonya Deville, as Rose stole a pin on Mickie James after Deville leveled her with a sliding knee.  Sasha tapped out Mandy with a Bank Statement and Bayley and Sonya got double counted out.  This paved the way for a super engaging exchange between Sasha and Asuka that lasted a good four minutes.  Sasha gained the upper hand and climbed to the top rope only for Nia Jax to push her off into a waiting Asuka, who slapped on the Asuka Lock for the tap out.  Nia then pounced on Asuka with three legdrops, followed by a Samoan Drop for the win.  Nia had nuclear heel heat coming off her injury of Becky Lynch and came off like a total asshole here.  Very enjoyable match to open the main card.

Next up was a top contender for Match of the Night, as Seth Rollins faced Shinsuke Nakamura.  I daresay this was Nak's best main roster match to date.  He looked a lot like his old NJPW self here, pulling out every move in his arsenal and played the antagonist to the hilt.  The first half of the match was a little slow in spots and they struggled to keep the crowd into it, but in the second half everything picked up tremendously.  They built to a furious pace by the end, trading finisher attempts and counters, and finally Nak went for a Kinshasa but missed, allowing Seth to hit the Curb Stomp for the win after 22 minutes.  I was very happy to see this get the time it deserved and even happier to see Nakamura look really motivated again.  This was pretty excellent.

The History of WWE Survivor Series (2017)

Here was a very good Survivor Series show with an absolutely wretched main event....

Toyota Center - 11.19.17

Well, just like the 2016 Survivor Series, this was a very good PPV that had a mindnumbingly stupid main event.  The problem is, unlike 2016's main event which only took up 90 seconds of my time, this one took 33 minutes.  Brock Lesnar went from the worst match of the night in 2016 to the best match in 2017, while the men's elimination match took the opposite path.

The show opened, smartly, with the six-man tag between two very over squads, The Shield and The New Day.  The crowd was into this and loved both teams (except Roman who got a smattering of "you still suck" chants).  Both trios worked hard and aside from a couple miscues (which seemed oddly prevalent on this show), threw together a very enjoyable 21-minute match which loads of false finishes and an actual ending that was a callback to an earlier spot - after being thwarted earlier in the match, The Shield put it away with their signature triple powerbomb, but delivered it from the second rope.  If anything this match could've been maybe three minutes shorter, and it wasn't at the same level of the Shield's amazing 2014 matches with The Wyatts and Evolution.  But it was a hot opener with a big-fight feel and established The New Day as very worthy opponents for the dominant Shield.

If you didn't pick these guys to win, I dunno what to tell ya.

The women's elimination match was next, after a baffling backstage pep talk from Stephanie McMahon to her RAW team that once again made the actual women wrestlers look subservient to the boss's daughter.  I don't want to see McMahons on my TV screen anymore.  I'm sick to goddamn death of this family.  Anyway, the match itself got over 18 minutes and didn't feel like a sprint, but still felt a bit rushed.  Too many eliminations were too sudden, like Becky Lynch's unceremonious exit two minutes in (This was of course before they knew what they had with Becky).  From there we got a battle of the bulls, as Nia Jax and Tamina faced off.  Tamina won this round by repeatedly attacking Nia outside the ring and hitting her dad's Superfly splash on the floor, getting Nia counted out.  Bayley also fell to Tamina's splash, while Alicia Fox was the victim of a horrendous fast count by the ref.  Naomi had rolled her up and she was clearly supposed to kick out before being locked in a submission hold, but the referee counted 1...2-3 and basically pushed her out of the ring.  Not sure who screwed up, but someone did.  It all boiled down to Nattie and Tamina vs. Asuka, allowing the Empress of Tomorrow to fully demonstrate her dominance by eliminating both opponents clean.  Not a great match but a good one that accomplished what it needed to.  Asuka was set up for a several-month run of dominance that included winning the first-ever Women's Royal Rumble.  Sadly Vince ruined her starting with her WrestleMania 34 loss to Charlotte, and for a while there she became just one of the girls.

Asuka's main roster push looked so promising until Creative started doing what they do.

The History of WWE Survivor Series (2016)

Minus a bafflingly abbreviated main event, WWE gave me a birthday present in 2016 by bringing back the real Survivor Series concept....

Survivor Series 2016 - Air Canada Centre - 11.20.16

For the 2016 edition WWE finally took the Survivor Series concept back to its roots (mostly), assembling three huge traditional elimination matches - one for the men, one for the women, and one for the tag team division.  All three delivered on some level, laying the foundation for what turned out the best main roster PPV of the year.  Additionally there were three singles matches, two of which also delivered, and one which just may be the most baffling thing of any kind, in any medium, in any universe, ever.  Advanced trigonometry makes more sense to me than did this main event.  But before I start complaining about a show that I frankly quite enjoyed overall, let's talk about the good stuff.

Brock's afraid of Grampa.

The show opened with the Women's elimination match pitting RAW Champ Charlotte, Sasha Banks, Bayley, Nia Jax, and Alicia Fox against Smackdown Champion Becky Lynch, Naomi, Alexa Bliss, Carmella, and Natalya, subbing for Nikki Bella who was attacked by a mystery person backstage (later revealed to be Nattie herself to get into this match).  This match was a lot of fun despite a slightly rushed pace.  The women got a solid 17 minutes to work with and multiple feuds played out a bit.  The RAW vs. Smackdown rivalry has never, and will never work as a believable feud, but at least in a few cases the babyfaces and heels were booked as very reluctant partners.  After Bayley won the match for her team, her co-survivor Charlotte beat the holy hell out of her, hammering home that the pleasantries were over.  Pretty much everyone in this match got time to make an impression, particularly Nia Jax who was booked like a monster, eliminating Naomi by countout after beeling her off the apron onto the floor.  This match easily ranked high on the list of best women's Survivor Series bouts, right up there with the Team Moolah vs. Team Sherri match from 1987.  A great way to open the PPV.

Next up was the Intercontinental Championship, as The Miz, fresh off regaining the strap the previous Tuesday defended against Dolph Ziggler's scheduled opponent, Sami Zayn.  I'm still not sure why Miz was booked to win back the Title at the last minute, as Zayn vs. Ziggler surely would've been the superior contest.  But this was quite alright too.  As I've said before, Zayn is nigh incapable of having a bad match, and The Miz was looking better than ever.  So this gelled nicely.  Miz eventually won in classic heel fashion.  Zayn had slapped on a figure four and Maryse rang the bell to distract both Zayn and the referee, allowing Miz to roll Zayn up for a cheap pinfall.  This was a cheap finish, but an appropriate one for Miz's character.