The History of NWA/WCW Starrcade (1996)

A surprisingly entertaining Starrcade thanks to a strong undercard....

Starrcade '96 - Nashville Auditorium - 12.29.96

By 1996 WCW was dominating the WWF in the ratings and had become the most popular wrestling promotion in the world, fueled by the ongoing nWo storyline and the influx of international talent most North American fans had never been exposed to.  Starrcade '96 was a pretty perfect cross-section of the overall WCW product.  Most of their in-ring strength was in the undercard, while the main event matches were storyline-driven and featured very little actual wrestling.  Having run roughshod over WCW, Hulk Hogan and the nWo were then challenged by Roddy Piper, returning after a 13-year WWF association.  True to form, WCW was still regurgitating 1980s WWF feuds, but now Hogan was the heel and Piper was the babyface.  It was a very odd hybrid product; the smaller names were doing their damnedest to steal the show, while the big names were lumbering around the ring like it was 1987 WWF and the crowds were eating it up.

The announce team once again consisted of Tony Shiavone, Bobby Heenan (hilarious as always), and Dusty Rhodes (A more long-winded, barely intelligible announcer I cannot recall).  Plus Mike Tenay sat in during the Cruiserweight matches and Lee Marshall during the Women's match.  Four men is way too many for a commentator team.

The opening match, for the Cruiserweight Title (plus 8 other belts) pitted Dean Malenko against  Ultimo Dragon.  This was great for its spot on the card; a very strong opener that amazingly got more time than any other match.  Nice crisp action from both guys, a little slow in the middle, but it ramped up again for the third act, capped off by a cool finishing sequence full of reversals.  Cruiserweight wrestling was one of the few things WCW did way better than the WWF at this point.

The second of three matches involving New Japan stars was next, as Madusa battled Akira Hokuto to crown the first WCW Women's Champion.  This was a good little women's match and I had forgotten how good Madusa could be.  Too bad the company did very little with her after this.  The WCW Women's Title was vacated after Hokuto left the US and WCW never resurrected it.  So in the end this match didn't mean anything, but it was still very watchable.

Probably the best match of the night was third, as Rey Mysterio faced Jushin Thunder Liger in a true Cruiserweight dream match.  Nice high-impact offense from both guys.  Liger had slowed down a little but Mysterio brought the movement and played the usual underdog role.  Pretty weird to see New Japan go 3-0 on a WCW PPV.  A hotter crowd would've elevated this to the next level.  This just needed some drama added to it.

Ka-BOOOM

The History of NWA/WCW Starrcade (1995)

We've arrived at the start of the Monday Night War!

Starrcade '95 - Nashville Auditorium - 12.27.95

Hulk Hogan's shadow was temporarily lifted from WCW in late 1995 due to a kayfabe suspension, so the focus for this show was on in-ring wrestling and several homegrown WCW stars.  WCW once again went back to a standalone tournament-type format for Starrcade - this time it was a WCW vs. New Japan series of matches with the winning team earning a World Cup trophy, which in the long run meant absolutely zero.  Despite WCW putting together a team of both babyfaces and heels, their guys were all greeted as heroes by the Nashville crowd.  Aside from the tourney there would also be a Triangle match to determine a number-one contender to Randy Savage's WCW World Title in the main event.  Two of those contenders and Savage himself were also in the New Japan series, which was just strange.  But unlike say Starrcade '91, this show at least had a handful of memorable bouts, even if the tourney concept was once again pointless in the grand scheme.

Bobby Heenan was great as usual on color commentary but unfortunately had to compete with Dusty Rhodes, who I've always found insufferable as an announcer.  He probably took up about half the talking time of the three-man team and most of his comments were incomprehensible.  So that was quite distracting.

The WCW-NJPW series kicked off with a pretty great on-paper match: Chris Benoit vs. Jushin Thunder Liger.  This did its job as an opener but was frankly a little underwhelming given the talent involved.  I imagine their matches in Japan blew this one out of the water.  Kevin Sullivan ran down to distract Benoit (thus ruining the ending) and Liger executed a really bad hurricanrana and hooked Benoit's legs for the pin.  Not nearly as good as you'd think.

On the flipside though, Alex Wright vs. Koji Kanemoto was a shockingly good followup; better than the opener and with a nice fluid feel to it.  They got almost twelve minutes and did a lot with them.  This match felt almost like a lighter, less stiff version of a New Japan match.

The first throwaway was next as Lex Luger wrestled Masahiro Chono.  Not much to this one but at least it was short.  Chono dominated most of the match, even slapping on his STF finisher, but Luger made it to the ropes and mounted the shortest comeback ever before applying the Torture Rack for the win.

The History of NWA/WCW Starrcade (1994)

This Starrcade......this is not my kinda Starrcade.....

Starrcade '94 - Nashville Auditorium - 12/27/94

1994 was the year WCW evolved....into the WWF of the 1980s.  Eric Bischoff had taken the reins the year before and urgently hoped to make the company profitable, and as fate would have it he was able to sign Hulk Hogan in the summer of '94.  This of course immediately brought WCW mainstream attention and lapsed fans from the 80s began watching wrestling again.  The unfortunate side effect of all this was the annihilation of the historic WCW culture.  Gone was the emphasis on athletic, scientific wrestling and simple angles.  In their place were the over-the-top characterizations, convoluted heel turns, and rudimentary brawling of the WWF circa 1988.  Hogan had so much pull he populated (polluted?) the roster with all his old WWF pals, and the in-ring product became a less entertaining version of everything Vince had more adeptly presented a decade earlier.  And you thought Black Saturday was bad.  On the bright side though, at least Bobby Heenan was on color commentary, even if he and Tony Schiavone had zero chemistry together.

The opening match for the US Title pitted Jim Duggan (who infamously defeated Steve Austin for the belt in under a minute - good call on that one Eric) against the man who by all rights should have main evented this show, Vader.  The match was actually better than I expected.  Probably the best Duggan match I've ever seen, which isn't saying much for him.  The first half or so was pretty hard-hitting, then it settled into a plodding second act before ramping back up toward the end.  They recycled the Starrcade '92 finish where Vader came off the top and got powerslammed to the mat, but this time Harley Race interfered to distract the official.  Vader then won with a wheelbarrow slam which Duggan took pretty poorly.

The unexpected standout of the night was Alex Wright vs. a young blueblood character named Jean-Paul Leveque.  From a mat wrestling standpoint this was quite good.  Sadly it went about five minutes longer than it needed to, and there wasn't really anything at stake.  It's so weird to see Triple H in a WCW ring.  This was technically a good match but little more than a showcase for two young dudes.

It's Triple H vs. Berlyn!!

The TV Title was on next, as Johnny B. Badd defended against Arn Anderson.  This wasn't too shabby; both guys could work and they gelled fairly well.  It's criminal that the only reason Arn got on this show was due to the original challenger, the Honky Tonk Man, being injured.  Hogan's spray-tanned fingerprints were all over the WCW product at this point and it was ugly.

The History of NWA/WCW Starrcade (1993)

Ric Flair's big homecoming resulted in a very good main event atop a mediocre Starrcade....

Starrcade '93 - Independence Arena - 12/27/93

The Bill Watts experiment ended in early 1993 and a young, ambitious fella named Eric Bischoff soon took the reigns of WCW.  Initially the product didn't change a whole lot except in cosmetic ways.  But a host of new and returning talent found themselves on WCW TV, such as Davey Boy Smith, Sid Vicious, and of course the company's former cornerstone, Ric Flair.  The "Nature Boy" was brought in as a babyface and immediately reformed the Horsemen with Arn and Ole, and a mystery partner, who was revealed as Paul Roma.......ummmmmm.....okay....

The WCW Title was kept in a stranglehold by the monstrous Vader, who was set to feud with Sid Vicous leading into Starrcade.  Then during an overseas trip Sid and Arn Anderson got into an absolutely insane real-life slugfest which escalated into a scissor stabbing contest.  Both men were hospitalized, and Sid was fired.  The company scrambled, but found a much more suitable challenger for Vader, taking Starrcade back to its roots.  Ric Flair would now vie for the WCW Title in his hometown, with his career on the line.  The top of the show included a vignette shot live at Flair's home as he kissed his family goodbye to leave for the arena.  The cameras followed Flair into his limo, where he discussed with Gene Okerlund the grave situation he was about to face.  This came off as quite melodramatic, but it made for a nice little bit of window-dressing.  Before we get into the Flair-Vader showdown, let's look at the rest of the card.

The show kicked off with a tag match, as Pretty Wonderful (Paul Orndorff and failed Horseman Paul Roma) faced Marcus Bagwell & 2 Cold Scorpio.  This was a fun little opening match, and I liked both combinations.  Bagwell was actually a decent wrestler before he got Buff, and Roma & Orndorff made a fine heel team.  Solid work by everyone involved.

Speaking of failures, The Shockmaster made his Starrcade debut next against Awesome Kong.  Everyone of course remembers The Shockmaster as "Tugboat" Fred Ottman, who was supposed to be Sting's big equalizer at that year's WarGames, against Vader and Sid's team.  Ole Anderson provided the easily-identifiable voice for this character, and the fools in charge stuck a glitter-bedecked Stormtrooper helmet on Ottman as a disguise.  Ottman was supposed to break through the wall of Ric Flair's talk show set and make a grand entrance, but unfortunately he tripped on the way through and fell on his face, losing the helmet in the process.  This was all broadcast on live television, so the gimmick was D.O.A., and Ottman became more of a comedy wrestler instead.  Anyway, this match went 94 seconds.

The History of NWA/WCW Starrcade (1992)

Now this felt like a Starrcade show....

Starrcade '92 - The Omni - 12/28/92

Well this was a whole lot better.  The previous Starrcade featured ten forgettable, awkward tag matches and a convoluted battle royal main event.  Yes, the Norfolk Scope was dressed up nicely, adding to the splendor of the event, but not one match from that show stood out or warranted a second viewing.  SC'92 on the other hand featured a handful of big matches (two of which were truly inspired) and even though half the card was still taken up by Battlebowl proceedings, the four mongrel tag bouts were concise, fast-paced, and moved along with a purpose.  I still had no interest in the tournament format but Starrcade '92 was a rare show with nary a bad match.  This PPV took place during the Bill Watts era, thus The Omni had a stripped-down, barebones look with gloomier lighting and minimal Starrcade decor.  The focus in 1992 WCW was almost entirely on the action in the ring, and the play-by-play was called by the dream commentary team of Jim Ross and Jesse Ventura.  While their chemistry wasn't as strong as say Jesse & Gorilla or JR & Lawler, I loved hearing these two work together; my favorite play-by-play announcer with my favorite color man.

Side note: I know Rick Rude was injured but where the hell were Steve Austin, Arn Anderson & Bobby Eaton??

The first four matches were all Lethal Lottery tag bouts, none of which overstayed their welcome, fortunately, and all of which were at least a little fun on some level.  Cactus Jack teamed with Johnny B. Badd vs. Van Hammer & Dan Spivey in a decent opener with some good wrestling from Team Cactus.  I'm not sure what they were thinking giving Hammer & Spivey the win though; what's the point of two obvious non-winners being in Battlebowl?  Next was Vader & Dustin Rhodes vs. The Barbarian & Kensuke Sasaki in a very entertaining slugfest reminiscent of a Japanese Strong Style match.  This didn't go long but felt urgent.  Vader beat the piss out of Rhodes after getting the win.  The standout of these tag matches was next - The Great Muta & Barry Windham vs. Brian Pillman & 2 Cold Scorpio.  I liked the Muta-Scorpio/Muta-Pillman exchanges a lot; Muta vs. Pillman should've been a major feud at some point.  Another brief match where they crammed in a lot of good action.  Finally we had Sting & Steve Williams vs. Jushin Liger & Erik Watts, which had good wrestling all around except for Watts, who was clearly not ready for prime time but was being pushed due to his father's position as head booker.  Still this was a fine match, particularly when it was Sting vs. Liger.

Lotta talent in that ring.

With the Lottery bouts out of the way the show settled into a more traditional format with four title matches.  First was The Great Muta challenging Masahiro Chono for the NWA World Title (now separated from the WCW version).  I liked this quite well actually.  Nothing about it was mindblowing, and at 12 minutes it couldn't be epic, but it was well-worked by both guys.  Muta unexpectedly submitted to Chono's STF.

The History of NWA/WCW Starrcade (1991)

Another Starrcade experiment thrown at the wall that didn't stick....

Starrcade '91 - Norfolk Scope - 12/29/91

I'm really not sure what the higher-ups at WCW were smoking when they invented the Battlebowl concept.  I'd like to think there was some variety of substance abuse going on, but who the hell knows?  Evidently having learned nothing from the box office disaster that was Starrcade '89, WCW went with another "tournament" format for the 1991 edition.  Only this time the card would consist entirely of mongrel tag teams decided at random, competing so both members could enter a main event two-ring battle royal.  The winner of that would get a future WCW Title shot.  What a convoluted way to establish a number-one contenter.  And what if Lex Luger had won this?  Ugh.  So of the eleven matches on this show, ten involved pairs of partners with no chemistry and in some cases little or no tag team expertise facing other such pairs.  Few of these matches had any kind of story to them either, except in rare cases when two enemies were forced to team together.  Wow, did this get monotonous fast.

The first four matches sorta blurred into each other and were varying degrees of lackluster.  Marcus Bagwell & Jimmy Garvin vs. Tracey Smothers & Michael Hayes was noteworthy only for the anticipation of seeing the Freebirds fight each other, which barely even happened.  Rick Rude & Steve Austin vs. Van Hammer & Big Josh was a case of two big stars on one side and two gimmick-saddled utility guys on the other.  Also, in what wrestling universe did the 5'10" 220-pound Matt Osborne qualify as "big?"  More like About Average Josh.  Dustin Rhodes & Richard Morton vs. Larry Zbyszko & El Gigante was pretty awful; anything involving the future Giant Gonzales is by definition a turd.  The story here was Gigante not being able to understand Zbyzsko's instructions and eventually getting fed up and attacking Larry.  Pretty bad stuff.  Things picked up a little in Match 4 as Jushin "Thunder" Liger & Bill Kazmaier faced Mike Graham & Diamond Dallas Page.  The Graham-Liger exchanges were intriguing but with no heat between them there wasn't anything to get invested in.

Ka-BLAMMO!

Finally in the middle of the show we got a few memorable bouts.  For starters, WCW Champ Lex Luger & Arn Anderson faced Terrence Taylor & Tom Zenk.  This is more like it.  The match was entertaining from start to finish and had some nice conflict with Taylor slowly turning babyface.  Ricky Steamboat & Todd Champion vs. Cactus Jack & Sgt. Buddy Lee Parker was fun just for the Steamboat-Cactus interactions (Did they ever have a singles match together?), but not much going on besides that.  Abdullah the Butcher attacked Parker during his entrance, which meant Cactus wrestled almost the entire match by himself.  The most unexpectedly good match was Sting & Abdullah vs. Bobby Eaton & Brian Pillman, a wild battle where Sting and Pillman worked together despite being on opposite teams, and Abdullah was just trying to kill Sting the whole time.  Chaotic but enjoyable.

The History of NWA/WCW Starrcade (1990)

Right here the Starrcade series drove temporarily off a cliff.....

Starrcade '90 - Kiel Auditorium - 12/16/90

I'm not sure what happened in 1990 that ruined the world, but both the WWF and especially the NWA spent that particular calendar year serving up a menu of dog crap a la mode.  Case in point, Starrcade 1990.  Man, what a difference a year makes.  While Starrcade '89 was no all-time classic, the NWA as a whole was at its apex in 1989, and suddenly with the new year they reset just about everything, crowned Sting their new top babyface (which made sense, he was super over), and had him feud with one of the stupidest mystery characters ever created in any medium, The Black Scorpion.  This nonsensical six-month angle climaxed at Starrcade '90 with a payoff in the same ballpark of stupid as the WWF's "Who Ran Over Steve Austin?" angle ten years later.

Look, the WCW logo is sinking.  Rather symbolic, don't you think?

On top of their flagship PPV being headlined by a World Title match involving an unknown challenger, the company decided to cram an entire seven-match tag team tournament onto this show as well, bringing the total number of matches to fourteen.  Fourteen matches on a three-hour PPV.  What was the object of said tournament?  A trophy.  Which teams would be competing?  The Steiners.....and seven other teams, mostly comprised of dudes no one's ever heard of.  Super.  I wonder who's gonna win.....

The show started out promisingly enough, with Bobby Eaton vs. Z-Man.  Pretty good little opening match with two guys who could work and had faced each other in tag matches numerous times.  Nothing mindblowing but this match did its job as the kickoff.

We then plunged into the tag tournament, with four mostly pointless, abbreviated matches that just cluttered up the card.  Konan & Rey Misterio Sr. vs. Chris Adams & Norman Smiley was the only standout of the opening round, but even that was too short and a little sloppy in spots.  The Russian team of Victor Zangiev and Salman Hashimikov had interesting amateur-style grappling moves but Zangiev's back hair was so long it was parted in the middle!  So all I could think of during his matches was "Jeezus, someone actually has to touch that furry creep??"  That match had an awkward ending, like the ref forgot he was supposed to count to three, so he hesitated and then counted anyway.  The other two first-round matches were either done in the blink of an eye or totally forgettable.  All of these teams were wrestling like they knew they only had 3-5 minutes.

Next up was a battle of former stablemates, as Michael Wallstreet faced Terry Taylor.  This felt like a free TV match on a WCW Saturday Night undercard.

For some reason, and despite Sid Vicious now being a Horseman, The Skyscrapers faced The Big Cat & Motor City Madman in a sloppy one-minute squash.  On the biggest PPV of the year which had thirteen other matches.

Moving right along, the Freebirds were next against Ricky Morton & Tommy Rich (subbing for an injured Robert Gibson).  Jeezus, this Freebirds-RNR feud lasted like eight months.  This match could've been decent had it gotten five more minutes.  I wonder if the wrestlers on this show were pissed that they had no time to do anything.

Wrestling Do-Overs: Starrcade '89

Welcome to another installment of Wrestling Do-Overs, here at Enuffa.com, where I'll take a famous wrestling event or angle and reimagine it the way I would've booked it.  Today I'll pick apart the 1989 edition of the NWA's flagship event, Starrcade! 

Starrcade '89 took place on December 13th (a Wednesday - what an odd night to do a PPV) at The Omni in Atlanta, GA.  The strategy to make this event stand apart from all other PPVs was to hold two simultaneous round-robin tournaments, one for singles wrestlers and one for tag teams.  The winners of each tournament would get.......bragging rights I guess?  There was never a tangible prize at stake, which right away raised a red flag.  Still the concept was intriguing and allowed us to see a handful of first-time matchups.

Before I get into my version of the lineup, let's take a quick look at what actually transpired and I'll explain why I don't think it worked.  The card was as follows:

Steiner Brothers vs. Doom - 12:24
Lex Luger vs. Sting - 11:31
Road Warriors vs. Doom - 08:31
Ric Flair vs. The Great Muta - 1:55
Steiner Brothers vs. Road Warriors - 7:27
Sting vs. The Great Muta - 8:41
The New Wild Samoans vs. Doom - 8:22
Lex Luger vs. Ric Flair - 17:15
The New Wild Samoans vs. Steiner Brothers - 14:05
Lex Luger vs. The Great Muta - 4:15
Road Warriors vs. The New Wild Samoans - 5:18
Sting vs. Ric Flair - 14:30

Sting won the singles tourney while the Road Warriors won the tag team round-robin.

On paper there are some top-flight matches here, to be sure.  Flair and Sting were the top two babyfaces at the time and their alliance added a new dynamic to this matchup.  Flair vs. Luger took place at the previous year's Starrcade but now their roles were reversed which made this bout different from the last.  Hawk & Animal vs. The Steiners was a major dream match as both teams were wildly popular and dominant.  Even Flair vs. Muta looked great in theory.

But here's why this card didn't really work for me.

The History of NWA/WCW Starrcade (1989)

This show was a cool idea in theory but in practice it wasn't totally successful....

Starrcade '89 - The Omni - 12/13/89

For Starrcade '89 the NWA inexplicably (for the first of four consecutive Starrcades) went with a non-traditional card format, in this case two round-robin tournaments, one singles and the other featuring tag teams.  I can only assume they got this idea from New Japan's G1 tournament and wanted to try their hand at such a gimmick.  I've already published my own revised version of the show HERE, but in short, there were three major things wrong with using the Iron Man/Team tournament concept at the company's flagship PPV.  1. They'd already given away the blowoff to the year's biggest feud (Ric Flair vs. Terry Funk) on free television a month earlier, so the singles tournament featured no hot rivalries at all.  2. They never made it clear what was at stake in these tournaments other than bragging rights, so the audience had no real reason to invest in the outcome.  3. Twelve matches is a lot for a three-hour PPV.  Oh, and 4. In both tournaments they totally buried someone unnecessarily.

Still this show had a lot to like about it.  Of the twelve matches about eight or nine were watchable or better, and this show marks one of only two times (I think) we ever got to see The Steiners vs. The Road Warriors.  In general the concept of a round-robin tournament is fun and presents some intriguing pairings you wouldn't normally see (just watch some of the recent NJPW G1 tournaments for evidence of that), but Starrcade was just the wrong show for this experiment.  The attendance numbers certainly reflect this; the 17000-seat Omni was only about a third filled, to the point that the house lights had to be dimmed midway through the show to cover up the vast areas of empty seats. 

The singles tourney featured the NWA's top four stars - World Champion Ric Flair, US Champion Lex Luger, and two former TV Champions, Sting and The Great Muta.  On paper every one of the six singles matches should've been gold.  Unfortunately the time contraints (fifteen-minute time limits for all twelve bouts), somewhat hindered the wrestlers' ability to deliver standout matches.  In some cases, mostly those involving Muta, the matches were criminally shortchanged; Flair vs. Muta theoretically could've been the main event of Starrcade had they built it up properly.  In actuality that match was given under two minutes and Muta looked like a chump after it was over.  The innovative, tremendously exciting young Japanese import was jobbed out three times and ended up leaving the company right after Starrcade.  Not the best way to treat one of your top heels of the year.  Flair's other two matches, against Luger and Sting respectively, were both headliner-worthy but not up to their 1988 efforts.  Luger was the only man to go undefeated, beating Sting and Muta and going to a draw with Flair.  But Sting scored a major upset in the final match, defeating his former rival and current mentor Flair with only thirty seconds left in the time limit.  This gave Sting enough points to win the whole tournament, and he was soon named the #1 Contender.  Flair and the Andersons made Sting an honorary Horsemen but soon turned heel on him once the reality of Sting's impending challenge set in.  Had the company made it clear beforehand that the winner of this tourney would receive an automatic title shot, that probably would've gotten people much more interested.  Sadly this wasn't the case, and all Sting officially won that night was a trophy.

It's Champion vs. Champion!

The History of NWA/WCW Starrcade (1988)

Arguably the greatest of all Starrcades, and ironically the first one not produced by Jim Crockett Promotions....

Starrcade '88 - Norfolk Scope - 12/26/88

The first Starrcade of the Turner Era was an unabashed classic.  Held the day after Christmas to avoid having to compete with Survivor Series, this show was the culmination of the year-long Ric Flair-Lex Luger feud, as well as the first Starrcade to not feature a single gimmick match (I was super pissed about this at the time; as a thirteen-year-old I thought gimmick matches ruled).

1988 saw a disturbing number of heel and face turns in the NWA.  It's pretty staggering when you think about it.  Lex Luger turned face, Barry Windham turned heel, Ronnie Garvin turned heel, The Midnight Express turned face, The Road Warriors turned heel, Ivan Koloff turned face, Rick Steiner turned face, Steve Williams turned heel.  That's gettin' to be a lot.  Anyway, the first match saw Williams team with his new manager Kevin Sullivan to challenge The Fantastics for the US Tag belts.  Tommy Rogers and Bobby Fulton had won a tournament for the vacant Titles due to The Midnight Express having given them up after winning the World Tag belts.  Sadly their World Tag Title reign was over well before new US Tag Champs were crowned.  What a gyp.  This opening contest was quite good, and the New Varsity Club captured the belts clean.

The second bout was one of my favorites, as The Midnight Express, Bobby Eaton and Stan Lane, faced The Original Midnight Express, Dennis Condrey and Randy Rose, managed by Paul E. Dangerously.  Prior to this feud I wasn't familiar with Dangerously, but I liked his heel manager antics right away.  These two teams gelled superbly and put on a tag team clinic, which Cornette's Midnight Express won with a Double Goozle after nearly 18 minutes.

The only throwaway match of the night was next, as Ivan Koloff teamed with NWA newcomer The Junkyard Dog, against former allies The Russian Assassins.  Not much going on in this one, and mercifully it was over in less than seven minutes, when one of the masked Assassins stuffed an object into his mask and headbutted Koloff.

The rest of this show was smooth sailin'.

The History of NWA/WCW Starrcade (1987)

I know most people don't think this show has aged well, but I still love Starrcade '87....

Starrcade '87 - UIC Pavilion - 11.26.87

The 1987 edition was the first-ever PPV broadcast by Jim Crockett Promotions.  Crockett was expanding rapidly with designs on competing with the WWF, and moved into the non-traditional locale of Chicago for his flagship show.  Unfortunately Vince McMahon had designs on squashing the NWA's PPV hopes and ran the inaugural Survivor Series against it.  Not only that but he issued an ultimatum to the cable companies: Run Starrcade and you can't have WrestleMania IV.  The ploy worked, and only a handful of cable providers kept Starrcade, which meant it got destroyed by Survivor Series (which to be fair was an awesome PPV).

Starrcade '87 holds a special place for me, as it was the first one I ever watched all the way through.  I mail-ordered the VHS tape in 1988 after reading glowing reviews in Wrestling's Main Event magazine, and upon viewing it for the first time I was blown away.  The action was athletic, physical and intense, and at the time I loved that the NWA did so many gimmick matches (When you're 12 years old nothing is as cool as a Steel Cage match, except maybe a Scaffold Match).  Amazingly this show ran under 2.5 hours but it doesn't at all feel incomplete.

SC'87 was built around Ric Flair's quest to regain the NWA Title.  The Board of Directors wanted Flair to drop the belt to someone a few months earlier and win it back at Starrcade, I guess hoping to recreate the magic of SC'83.  The problem was, no one wanted to be a two-month lame duck Champion, and the only babyface who agreed to it was perennial midcarder Ronnie Garvin (who was a fine worker but no credible World Champion).  Garvin won the Title in a cage match that September and then announced he wouldn't be defending it until Starrcade.  Not much of a story for a PPV main event, but the match itself was pretty goddamn good.  Flair and Garvin beat the bejeezus out of each other, engaging in a war of chops and Figure Fours, and frequently using the cage as a weapon.  After 17 minutes Flair caught Garvin off the ropes and hotshotted him into the cage (in one of the least painful looking spots ever), and cradled him for the win and his fifth NWA Title.  Lame ending aside this was a pretty great match.

Garvin slaps on the Figure Four

The rest of the show was nothing to sneeze at either.

Three of the undercard bouts involved recently-acquired UWF talent, as Crockett had bought the former Mid-South territory from Bill Watts and staged a UWF Invasion.  Unfortunately he botched it completely by presenting most of the UWF wrestlers as far beneath his homegrown stars (a mistake Vince would repeat 14 years later after buying out WCW).

Still the invasion yielded some decent stuff on this show, starting with a pretty fun six-man opener pitting Larry Zbyzsko, Eddie Gilbert and Rick Steiner against Michael Hayes, Jimmy Garvin, and a young facepainted powerhouse named Sting.  This was nothing amazing but it was a nice way to warm up the crowd, and Sting was already hugely over.  The match inexplicably ended in a draw; Sting really should've pinned one of the heels given how quickly they pushed him.

Second was the only bad match on the show, as UWF Champion Steve Williams defended against Barry Windham.  On paper this sounds fantastic, but when they're only given six minutes and the match ends with a cradle out of nowhere, you can't expect much.  Since the show ran so short this should've gotten at least five more minutes.

The show got a huge boost in the third spot, as the Skywalkers gimmick match was brought out again.  This time though The Midnight Express would face their greatest rivals, The Rock n' Roll Express.  The scaffold match is one of those gimmicks that sounds cool but is very difficult to execute well, given how dangerous it is.  Fortunately the Midnights and RnR delivered an entertaining little fight twenty feet above the ring.  As a kid I thought this match was all kinds of awesome, and it was actually much better than the previous Skywalkers Match.

Movie Review: Anemone (2025)

Daniel Day-Lewis is back!  After an eight-year hiatus from acting, the master thespian has returned to the profession that won him three Oscars, in the psychological drama Anemone, directed by his son Ronan, and written by both Day-Lewises.  

Co-starring Sean Bean and Samantha Morton, Anemone is a sparse, gloomy piece about a pair of middle aged brothers, Ray and Jem Stoker, both ex-military men who served during The Troubles in Ireland.  Jem is a family man now living in a Northern England suburb, while Ray is a recluse who went into a self-imposed forest exile years ago.  The film doles out information about these two characters and Jem's family very slowly and sparingly, forcing us for most of the first act to piece together how Ray and Jem came to be estranged.  There is almost no dialogue in the opening fifteen minutes, and both actors convey palpable tension with uncomfortable glances and guarded body language.

We learn after a little while that Ray didn't just leave his brother behind, but that Jem's wife and son were originally Ray's family, and he abandoned them after being kicked out of the army in disgrace.  The incident leading to his discharge has oppressively weighed him down ever since, all but entombing him in shame.  Between that and years of physical and sexual abuse both brothers faced at the hands of their father and their Father (priest), Ray is, to borrow a phrase from Roger Ebert, "a cauldron of resentment."  But Jem has chosen to visit Ray in his forest hovel because Ray's son Brian, also a soldier, is in serious trouble with his superiors for nearly beating a fellow soldier to death in a fit of rage.  Brian has never met his biological father but he's been taunted his whole life over Ray's alleged misdeeds, and he's inherited his father's self-destructive anger.  The film is a rumination on the "sins of the father" trope, dealing with damaged adult children of bad parental figures.  

The History of NWA/WCW Starrcade (1986)

Starrcade took to the sky in 1986.....

Starrcade '86 - Greensboro Coliseum/The Omni -
11.27.86

Starrcade '86 was the first one I was aware of as a wrestling fan.  On Saturday mornings I'd watch World Wide Wrestling and see ads for the VHS release.  I must say those commercials were GOLD.  Whoever put those together had me at "hello."  When I used to watch those Turner Home Entertainment tapes I looked forward to the previews as much as the event itself.

The 1986 edition suffered greatly from its main event plans being derailed only a month out.  Jim Crockett Promotions had intended a major World Title push for Magnum TA, which would've kicked off at Starrcade with a huge win over Ric Flair.  Who knows what would've happened, had that come to fruition.  Magnum was enormously popular, built like a brick shithouse, and had rugged good looks that appealed to a crossover audience.  The NWA could've had another Hulk Hogan on their hands, and may very well have been able to compete with Vince.  But unfortunately it was not to be, as Magnum suffered a career-ending car crash in October, and the promotion had to scramble to put together a new main event for its biggest show of the year.  The bookers cleverly turned Nikita Koloff babyface by having him show compassion and remorse over his longtime enemy's injury.  I like that choice a lot actually.  Thus Nikita took Magnum's place in the main event and became one of the NWA's top faces for the next two years.

The company also put the spotlight on one of the secondary main events, even naming the show after it.  Starrcade '86 was the television debut of the Scaffold Match - a horribly dangerous gimmick bout where the combatants are forced to fight twenty feet above the ring on a three-foot-wide platform.  They renamed it The Skywalkers Match (I wonder if George Lucas ever considered suing) and it took on a pretty mythic quality.  But before we get to the top-billed matches, let's take a look at the rest of the show.  For the second consecutive year Starrcade emanated from both The Omni and the Greensboro Coliseum.

Starrcade '86 opened with Tim Horner & Nelson Royal vs. Don & Rocky Kernodle, which sounds pretty nondescript on paper but featured surprisingly good action and a fast pace.

Next was Jimmy Garvin vs. Brad Armstrong in a very strong undercard bout.  These two had good chemistry and worked hard.  Brad Armstrong was a pretty underrated talent, always good for a solid opening match to rev up the crowd.  This went to a time limit draw which was probably a mistake given its spot on the card.  A blazing ten minute match with a decisive finish would've been more appropriate.  Still, this was good stuff.

The next two matches were throwaway tag bouts - Hector Guerrero & Baron von Raschke vs. Barbarian & Shaska Watley; and Ivan Koloff & Krusher Kruschev vs. The Kansas Jayhawks.  Both were quite forgettable and about the only intrigue came later during the evil Russians' promo on their former friend Nikita.  One thing that I found disturbing was the sound of the live crowd cheering when von Raschke did his goosestep bit.  That's not something a sane person would cheer.

The first of many gimmick matches was next, as Wahoo McDaniel faced Rick Rude in an Indian Strap Match.  While the concept of two enemies bound together is always intriguing, I hate the "touch all four corners" rule.  I find it silly and cumbersome and it really disrupts the flow of the match.  As expected this was mediocre, and I found it strange that both guys were bleeding from a piece of leather.  This would be the first of many blood-soaked bouts on this card.

The History of NWA/WCW Starrcade (1985)

Starrcade bounced back in 1985 with a now pretty legendary lineup....

Starrcade '85 - Greensboro Coliseum/The Omni - 11.28.85

Now this was more like it.  Starrcade '85 was broadcast from two venues again, but this time there were really only ten matches, thus the important bouts all felt long enough.  While not at the level of Starrcade '83, this edition had a handful of memorable bouts, one of which is still considered an all-time classic battle.

For this show Tony Schiavone replaced Gordon Solie on commentary, and right away I noticed two things: #1 Schiavone and Bob Caudle didn't talk much during the matches; there were long stretches of action with no commentary at all.  #2 Schiavone was asked to plug the upcoming Bunkhouse Stampede event (and others) way too many times, during actual matches.  This distractive shilling should've happened in between bouts.

The show opener was Krusher Kruschev vs. Sam Houston.  This was a decent little match, with a good speed vs. power dynamic.  Houston looked good and reminded me of early Shawn Michaels.  Kruschev won after escaping Houston's bulldog with a foot on the ropes and then hitting Houston with the Russian Sickle, after which the referee missed Houston's foot on the rope.

Next was Manny Fernandez vs. Abdullah the Butcher in a Sombrero on a Pole match.  What a ridiculous gimmick; what'd Vince Russo book this?  This was just ok - both guys bled within the first couple minutes, which became a pattern on this show.  That struck me as diffusing the tension very quickly.  After missing a top-rope headbutt Manny then just leapfrogged over Abdullah and climbed the ropes to get the hat, which was a strange ending.

What followed were two 2-part matches in a row.  The first was Black Bart vs. Ron Bass in a Bullrope match where if Bass won he got five minutes with JJ Dillon.  Storyline-wise this was awfully similar to the previous year's Bass vs. Dick Slater match, with two former partners fighting.  Again the blood flowed right at the beginning, and by the end both guys were covered in it.  The finish came out of nowhere (in a bad way) when Bass hit Bart with the cowbell off the second rope and abruptly covered him.  This match could've used more cowbell!  Sorry, had to do it.  Dillon then attacked Bass, starting their followup match.  Short and forgettable, Dillon won after a ref bump when Bart knocked Bass unconscious.

My god this was sadistic.

The other two-part event was an arm wrestling match, followed by a wrestling-wrestling match.  Billy Graham vs. Barbarian was the third match in a row with blood, again right at the beginning.  Graham won the arm wrestling match and Barbarian attacked him, leading to a five-minute throwaway.

Refreshingly we got a gimmick-free bout next: Buddy Landell vs. Terry Taylor.  This was a well-worked wrestling match, though it was like watching Ric Flair's stunt double wrestle his son.  It's so odd that JJ Dillon managed the fake Ric Flair only months before he traded up for the real one.  The ending was clever - Taylor went for a superplex but Dillon quickly swept his leg out from under him and both wrestlers fell to the mat hard with Landell on top for the pin.  Definitely the highlight of the show so far.

The second half picked up pretty well, with multiple Championship matches, starting with Ole & Arn Anderson vs. Wahoo McDaniel & Billy Jack Haynes.  Decent enough little match that started out fast-paced before the Andersons took over on offense.  Sadly this had a pretty silly ending with Arn pinning Billy after a simple forearm strike with Ole holding his leg down.

The most memorable bout on the show was unquestionably Tully Blanchard vs. Magnum TA for the US Title.  A classic I Quit Steel Cage match that was gritty, realistic and brutal.  This was just a slugfest with lots of vicious ground & pound, great selling, and buckets of blood.  The closing moments with the two fighting over a piece of broken chair are iconic.  Nothing fancy, but a helluva fight.

The I Quit match was tough to follow, and this next match didn't really bother.  The Midnight Express faced Jimmy Valiant & Miss Atlanta Lively in what was a very wild brawl, but the babyface team was impossible to take seriously, particularly with Ronnie Garvin dressed in drag.  Also, three of the participants were bleeding within the first minute, which was unnecessary coming after such a great gorefest.  Not much of a match.

The semi-main slot went to Ivan & Nikita Koloff vs. The Rock n' Roll Express for the Tag Team Titles.  This was a very enjoyable Steel Cage tag match.  Morton & Gibson were expert underdog babyfaces and at the time probably the most consistently good team in the company.  This fine bout built to a cleverly executed finish, as Morton blind-tagged Gibson, bounced off the opposite ropes, and rolled up Ivan for the pin.  Then all hell broke loose as the Russians beat the piss out of the good guys.  One of the best matches on the show.

Flair's hair looks dented; no wonder he's upset.

In a rematch from Starrcade '84, the main event was Ric Flair vs. Dusty Rhodes for the World Title.  This was light years better than its predecessor, but rather unremarkable overall.  The action was a little slow, and I always thought Flair and Dusty had better chemistry as characters than in the ring.  Flair bladed pretty unnecessarily, bringing the total number of matches with blood to eight (if you include the tacked-on Bass vs. Dillon match).  That's pretty excessive; when the majority of matches on a given show feature blood it becomes numbing and it takes away some impact from matches that need it, like the brutal Tully-Magnum bout.  Since Flair's bleeding didn't play into this match at all, it was just gratuitous.  The end came after a ref bump.  Arn and Ole interfered unsuccessfully and then Dusty rolled Flair up into a small package (which Flair visibly assisted with) while the secondary ref counted the pin.  Dusty appeared to win the Title but a week later it was overturned when Tommy Young retroactively disqualified Flair for outside interference.  Rather questionable if you ask me - why reward Flair after the fact for the Andersons' illegal conduct?  Anyway, this match was decent but not great.

Starrcade '85 holds up thirty-plus years later as a pretty good show featuring one bona fide classic, four or five decent bouts, and nothing I'd call truly bad.  The NWA definitely relied much too heavily on blading to ramp up the drama, when less of that would've made it much more meaningful and dramatic.  But this show had a lot to like, so it gets an easy passing grade.

Best Match: Tully Blanchard vs. Magnum TA
Worst Match: Billy Graham vs. The Barbarian
What I'd Change: Tone down the blood so it means something when it's needed.  The I Quit match was brutal but would've come off much more strongly had it not followed four other bloodbaths.  Sometimes less is more.  Also I generally hate the Dusty Finish.
Most Disappointing Match: The Andersons vs. Wahoo & Haynes
Most Pleasant Surprise: Terry Taylor vs. Buddy Landell
Overall Rating: 7/10


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1984

1986

The History of NWA/WCW Starrcade (1984)

The classic inaugural Starrcade was followed in 1984 by a.....not so classic one....

Starrcade '84 - Greensboro Coliseum - 11.22.84

The NWA's sophomore Starrcade effort was rather a far cry from the original, with eleven matches crammed into a three-hour format, and precious few of them memorable.  On paper the top-billed bouts looked solid but unfortunately nothing was given enough time, and some of the booking was questionable at best.

I'm just gonna get this out there: I know Gordon Solie is right up there with Jim Ross as the most respected wrestling announcer ever, but I've always found his style pretty bland.  He never seemed emotionally invested in the matches, and he drastically overused the phrase "There's no question about it."  Legit, on this PPV he says that phrase 3-5 times per match.  If there's no question about anything, why even bring it up?

The opening match, Mike Davis vs. Denny Brown had decent enough wrestling but it was too short, and the finish with Mike Brown pinning himself after a back suplex was so confusing even the ring announcer and Gordon Solie called it wrong.  Next up was Brian Adidas vs. Mr. Ito (Mystery Toe?), which had promising action but only went four minutes.

The first standout of the show was Jesse Barr vs. Mike Graham.  This was easily the best thing so far, and possibly the best match on the card.  Really strong mat wrestling and reversals, and Barr had some great heel moments like quick hair pulls and stepping on the ropes momentarily to gain leverage.  Barr won with a schoolboy while hooking the tights.

How was this not a four-star classic?

Top Ten Things: Beatles Albums, RANKED

Welcome to another Top Ten Things!  Today I'll be talking about one of the most celebrated, universally beloved bands of all time, The Beatles!

The Beatles were possibly the first music group I was ever introduced to as a kid.  My parents played me some of Sgt. Pepper and I was hooked instantly.  By sixth grade I began making mix tapes of their tunes (Yes, this was when mix tapes were still a thing), and thanks to the Compleat Beatles documentary I became an expert very quickly.  In 1987 my parents bought a CD player (I felt so ahead of the curve), and The Beatles' entire catalog was one of the first available in that format.  I devoured their music like crazy and for a couple years they were one of very few bands I listened to (until I discovered metal that is).  Their story is the subject of countless documentaries, some of which I feel compelled to watch every so often; I never get tired of hearing this saga.

Today, along with Metallica, The Beatles are my favorite band in the universe, and when I fire up one of their albums it's a ceremonious moment.  I tend to listen to their whole catalog front to back, over a period of several days.  Yeah I'm a dork.  Shut up.

Anyway, here are the albums of The Beatles, ranked.  I've limited this to the twelve full-length studio albums they recorded (original UK versions only), so no Yellow Submarine soundtrack (there are only a few unique tunes on side one, and side two consists of the film score), and none of the bastardized Capitol Records versions released in the US.

12. With the Beatles

Let me preface this by saying a) none of these albums are bad, and b) I absolutely love the cover art for this one - truly an iconic photo.  As an album however I consider With the Beatles the weakest entry.  The band was still developing their sound at this point, and unlike on Please Please Me they didn't include any of their big singles here.  You have to remember that in the early 60s the radio single was king, and when a band released an album it usually consisted of the "other" stuff that wasn't "good enough" to be a hit.  Thus With the Beatles plays more like a collection of lesser material mixed with a slew of cover songs.  No "She Loves You" or "From Me to You" or "I Want to Hold Your Hand."  Still you can't argue with standouts like "It Won't Be Long," "All My Loving," and Paul McCartney's saccharine cover of "Til There Was You." 

11. Please Please Me

One of the greatest debut albums of all time, Please Please Me would place pretty high in the catalog of a lesser band, but in the legendary pantheon of The Beatles it has to compete with so many groundbreaking works it only finishes eleventh for me.  Nonetheless, the band's inaugural opus took the UK by storm as a follow-up to their number one hit, the title track.  Recorded in an astonishing twelve hours or so, Please Please Me was essentially just a series of live performances captured on tape, designed to quickly capitalize on The Beatles' sudden success.  The track list also included their first single "Love Me Do," plus a bevy of great supporting originals and covers (the best and most famous of which is of course their iconic rendition of "Twist and Shout.").   Please Please Me was a watershed moment in rock n' roll history, the first major statement by a young band poised to take over the world. 

10. A Hard Day's Night

In 1964 The Beatles had conquered both the UK and the US, becoming such pop culture icons they were tapped to star in a feature film.  Directed by Richard Lester, A Hard Day's Night starred the Fab Four as themselves, in a "day in the life" kind of story.  The band travels by train to an auditorium where they'll perform for a live TV special, and in tow is Paul's troublemaker grandfather who tries to turn everyone against each other.  The soundtrack album featured numerous classic early Beatles songs, like the energetic title track, the bittersweet "If I Fell," the instantly catchy "I Should've Known Better," the bluesy "You Can't Do That," and the morose "Things We Said Today."  A Hard Day's Night followed up The Beatles' first two pop albums with slightly more mature content and showed a band beginning to temper their signature sound.

9. Magical Mystery Tour

The final album from The Beatles' psychedelic period, Magical Mystery Tour originated as the soundtrack to a television special, where the band gathered with friends for a wacky bus tour across the country.  The script was loosely constructed and they hoped an interesting story would emerge.  But it didn't; Magical Mystery Tour was an awkward, ponderous film consisting of several uninteresting episodes and skits interspersed with music videos.  Still the accompanying EP contained some fine songs, and the US version tacked on five excellent singles as the B-side.  The result was kind of a less compelling Sgt. Pepper sibling.  The main standout song from the film was of course John's surrealistic "I Am the Walrus," the lyrics of which are infamously peculiar and showcase his penchant for bizarre word combinations.  Side B contains the classic double-single "Strawberry Fields Forever" (another Lennon "word-imagery" song) and "Penny Lane," Paul's ode to his childhood.  The album closes with Lennon's anthemic "All You Need is Love," which remains as poignant today as it was in 1967.  Overall, while not as strong as its two predecessors, Magical Mystery Tour caps off a magnificent trilogy of psychedelic rock albums from the band who pioneered the genre.

8. Beatles for Sale

Beatles for Sale was the first album on which the Fab Four showed hints of cynicism.  The album's mood was much darker than on their first three records; from the jealousy-driven "No Reply" to the self-pitying "I'm a Loser," to the defeatist "Baby's in Black," the first few songs set a pretty gloomy tone.  This album was the first not to focus on themes of youthful romance and rock n' roll anthems, and aside from an excellent cover of Chuck Berry's "Rock and Roll Music," the lyrics are far more sardonic and self-reflective than anything they'd written previously.  Beatles for Sale in many ways foreshadowed the disillusionment the band would soon feel about playing live concerts and feeding the BeatleMania craze, and I consider it the best of their early records.

7. Help!

After the huge success of A Hard Day's Night, a second Beatles film was inevitable.  This time it would be a big-budget James Bond-inspired screwball comedy about a Far-East cult hunting down the band in the hopes of recovering a sacrificial ring mailed to Ringo.  The movie featured numerous action-comedy set pieces, plus seven brand new Beatles tunes.  Their music here showed a bit more depth and some instrument variation, and the album boasted the band's first major departure - a somber guitar ballad of Paul's called "Yesterday."  Paul was the only Beatle on the recording and would be accompanied by a string quartet, a first for the band.  Other highlights included the mellow waltz of "You've Got to Hide Your Love Away," the urgent "The Night Before," and the anxiously bouncy "I've Just Seen a Face."  Help! showed the band continuing to expand their musical range on their way to arguably the most creative period in their career.

6. Let It Be

Originally intended as a live concert film entitled Get Back, Let It Be eventually morphed into an album/documentary that showed The Beatles coming apart at the seams.  Their interpersonal relationships were in shambles and the live recording sessions were filled with palpable tension.  So unpleasant was the experience that the band opted to shelve the album and move on to Abbey Road, as a way to end their career on a high note.  As the band dissolved, producer Phil Spector was hired to sort through the dozens of songs and takes and whittle everything down to a concise record.  The result was a solid-if-inconsistent album that would serve as the band's denouement.  Side 1 is full of good-to-great songs, like John's strangely lyriced "Dig a Pony" and his existential ballad "Across the Universe," and Paul's iconic piano-driven title track.  Inexplicably Spector also included a one-minute snippet of "Dig It," a ponderous go-nowhere jam, and their brief take on the traditional ditty "Maggie Mae."  Side two's highlights were both contributions from Paul; the optimistic "I've Got a Feeling," and the energetic "Get Back."  Despite Spector's orchestral embellishments on songs like "The Long and Winding Road," Let It Be features a stripped-down, intimately live snapshot of The Beatles at their lowest point.  Yet even as the band crumbled they managed to churn out some undeniably great songs and cement their legacy as a transcendent rock group.

The History of NWA/WCW Starrcade (1983)

Hey there everyone.  Welcome to Enuffa.com, your home for pro wrestling, movies, music, and other life-altering forms of pop culture.  I know what you're thinking.  You're thinking, "Hey Justin, it's been a while since you posted the complete history of a beloved wrestling supercard.  Can ya help us out?"  You my friends are in luck, because without further ado, I'd like to present.....

The Enuffa.com Complete History of NWA/WCW Starrcade!!!

That's right, it's time to hop into the ol' DeLorean and travel back to 1983, when Jim Crockett Promotions envisioned a wrestling event so magnanimous it couldn't be just for the live crowd in attendance.  It had to be broadcast on closed-circuit television throughout the South!  Big wrestling events on Thanksgiving night had long been a tradition in the region, and Crockett correctly surmised that a supercard held on that date would draw big business.  Starrcade '83 is the real Granddaddy of Them All - the first wrestling event broadcast on closed-circuit, and the prototype for the modern PPV event.  The show was a tremendous success, famously causing massive traffic jams in downtown Greensboro, and JCP made Starrcade an annual tradition.  Quickly it became the promotion's flagship event, and by 1987 it was also carried on pay-per-view.  When Ted Turner bought out Jim Crockett in 1988 he kept the Starrcade brand but moved it to December to avoid having to compete with the WWF's Survivor Series, and that's where it stayed until WCW folded in 2001.

So let's look at the highs, lows and everything in between, of Starrcade!

Starrcade '83 - Greensboro Coliseum - 11.24.83

The inaugural Starrcade was by today's standards a very barebones production which featured quite a few obscure names from the early part of the decade.  It was a very uneven show with a pretty forgettable first half.  But it's the final three matches that make Starrcade '83, and they're all first-rate classics of the era. 

The NWA event lineups back then were different from the WWF approach, in that they stuck all the undercard bouts early on the card and saved the important ones for the second half - quite often the last four matches would all be for championships.  By contrast Vince would spread the big matches around to give each show peaks and valleys, often inserting "buffer matches" between some of the headliners.  There are pros and cons to both philosopies of course.

After three matches that could be considered throwaways (The Assassins vs. Rufus Jones & Bugsy McGraw; Kevin Sullivan & Mark Lewin vs. Scott McGhee & Johnny Weaver; and a brief Abdullah the Butcher-Carlos Colon showdown), the show began for real with a solid tag match: Bob Orton (Randy's dad) teamed with Dick Slater against Mark Youngblood and Wahoo McDaniel.  This was no five-star classic, but it was easily the best match thus far.

Next was a TV Title vs. Mask match between The Great Kabuki and Charlie Brown (actually the "suspended" Jimmy Valiant under a mask).  I've never been much of a Valiant fan, so for me there wasn't much to this, but it does stand as the first-ever championship match on a Starrcade show.
From here on out the show was pure gold.

I'd have tapped out right here.

The History of WWE Survivor Series (2024)

WWE Survivor Series: Watered Down WarGames III was basically exactly what I expected, a mediocre show with two overlong gimmick matches, and I do mean overlong.  The two WarGames bouts totaled eighty, EIGHTY minutes, most of which was pretty skippable.  I'll keep saying it till they listen: WWE WarGames needs to either go away or be a once-in-a-great-while event.  Both of the top-billed matches would've been infinitely better as elimination bouts.  If you're not gonna either reintroduce blood or create some truly unforgettable moments, don't try to recreate the magic of Dusty's brainchild.  There was some decent wrestling on this show but nothing worth going out of your way to see except maybe the Intercontinental Title match.

The opening match, the Women's WarGames, didn't officially start until 15 minutes into the show.  Bayley and Nia Jax, yes, the cosmically inept Nia Jax, started the match.  Nia and Bayley exchanged awkward sequences for a while until Bayley removed a leather sleeve she was wearing and started whipping Nia.  Nia took it away and whipped her right back.  Naomi entered to the rescue, bringing in a kendo stick and a toilet seat.  Sorry, why is a toilet seat under the ring?  Event security needs to be way more diligent leading up to showtime apparently.  Naomi beat Nia down with the stick and the babyfaces double-teamed Nia until Candice LaRae came in for the save, bringing in two chairs.  Nia grabbed one and clumsily whacked both faces with it.  The heels took out both of them.  Bianca entered next and brought in a trash can, a fire extinguisher, a table and a chair.  Does every entrant need to bring in multiple weapons?  And doesn't it undermine the urgency of saving your friends when you spend a minute and a half searching for shit under the ring?  Tiffany Stratton was next for the heels, and she brought in a trash can.  Tiffany cleaned house and then did some bad-looking tandem moves with Nia.  Iyo Sky was next and had to run to the opposite side of the ring to find a weapon, in this case a custom trash can with a rope attached so she could do her top-of-the-cage dive (if the implication is that Iyo placed that under the ring, why did she put it as far away from the entrance as possible?).  Candice cut her off and they set up a sunset flip bomb but Iyo lost her grip and they had to settle for a top rope dropkick.  Iyo beat everyone up with a chair until Nia knocked her down.  Raquel Rodriguez entered next and, you guessed it, stopped to find stuff to bring in with her, in this case a table, which she didn't even bring in.  She looked for something else but couldn't find it.  If you're gonna have everyone bring in a weapon shouldn't you also have them memorize where to look for it so they don't come off like idiots?  Nia and Raquel beat everyone up.  Rhea Ripley was the final entrant for her team and brought in the table Raquel pulled out, but got triple teamed.  But the babyfaces ran wild and Rhea whacked everyone with the toilet seat.  Liv Morgan was last, and hesitated because Rhea was the only woman standing.  Liv brought in a baseball bat.  Rhea removed the mask she was wearing to protect her injured orbital bone but the heels ganged up on her.  Liv beat her down with the bat.  Everyone took turns hitting moves on each other.  Iyo and Tiffany each climbed opposite corners so everyone else could get into position - uhh, shouldn't the climb be AFTER everyone's in position?  Did all the participants read the script?  Iyo hit her trademark trashcan moonsault on one side while Tiffany hit a swanton.  Tiffany pulled her Money in the Bank briefcase out of a trashcan and teased a cash-in but Iyo sprayed everyone with the fire extinguisher while Rhea handcuffed Raquel to the ropes.  Nia put Bianca on a table and teased a Vader Bomb but Bianca and Naomi powerbombed her through it.  Liv hit Oblivion on Bayley but Rhea made the save and the two rivals fought.  Liv went for Oblivion off the top rope but Rhea countered into a Riptide through the table for the win.  The last few minutes of this were entertaining but as usual this was sanitized, weapons-heavy and mostly devoid of a story.  It was about Rhea and Liv, who didn't enter until the end of the match.  And in what universe do you put Nia in for the whole thing??  

The History of WWE Survivor Series (2023)

WWE Survivor Series 2023 was....a show.  Neither bad, nor particularly good.  It was a series of competently worked matches that, like so many McDonald's meals, goes in one orifice and out another, without much joy or artistry.  The most memorable thing about this show was of course the return of CM Punk, but even that was just "famous guy comes out and stands there, crowd cheers."  And the followup to it two days later consisted of Punk cutting probably the least memorable promo of his entire career, as he stood in a WWE ring for the first time in a decade (a decade during which he repeatedly and vociferously attacked WWE and its product), and declared "I'm home."  Oh and "I missed you fans (even though I actually came back to wrestling two years ago and have spent plenty of time in your presence since then)."  Throughout the following year Punk would prove that his schtick doesn't at all work in Triple H's WWE, for the simple reason that WWE's audience LOVES Triple H's WWE, therefore there's nothing for Punk to rebel against.  And without that, Punk has no reason to exist as a character.  If Phil Brooks were more creative he'd find a way to reinvent himself for this era.  By going back to WWE in 2023, CM Punk discarded whatever was left of his cool factor.  He’s now totally on board with, as he put it when insulting The Miz in 2021, “sucking a blood money covered dick in Saudi Arabia.”  Voice of the Voiceless is dead and buried, Corporate Man Punk is a colossal bore.

But back to Survivor Series, WWE WarGames matches really do nothing for me.  They're a spectacle without any real substance.  Wrestlers take turns getting into the cage, some stuff happens, most of it involving kendo sticks (Can someone explain to me why this random Asian weapon has become WWE's favorite, and why there would ever be a slew of these damn things under the ring all the time?), and then someone gets pinned, so much tamer than one team torturing an opponent until they surrender, as was the original rule.  WarGames simply doesn't need to be an annual event, just like Hell in a Cell doesn't.  Both should be reserved for when a feud between two parties is so heated and bloodthirsty it can only be settled in this foreboding structure.  And there needs to be blood.  Sorry, that's just the reality of the situation.  If you want me to believe in the savagery of the WarGames gimmick, the participants need to look like they've been through a war.  AEW's Blood and Guts conveys this every time, because the matches are a bloody, violent car wreck.  When it's over I buy into the idea that these folks risked life and limb to settle a score.  After a WarGames match is over it's just business as usual.  The mat is pristine and everyone looks like they just finished a game of touch football.  You can't expect me to believe I've just witnessed the ultimate in pro wrestling barbarism.  I've said it before, but traditional elimination matches would suit this company and this event so much better than their feeble attempts at brutality.