AEW Double or Nothing 2023: Exploding Superkick!

Well as expected AEW's Double or Nothing 2023 wasn't the instant classic this year's Revolution was, but contrary to some of the hyperbolic reviews I've been hearing about it was still a pretty darn good show, boosted by a pair of excellent main events.

After a forgettable pre-show trios match that saw the Hardys and Hook decisively put away Ethan Page (and hopefully this neverending feud), the proper PPV kicked off with the Blackjack Battle Royal for the International Championship.  21 participants made their entrances during the Buy-In, but they gradually filtered into the actual ring.  This was an odd choice but it did allow for the action to be more intricate and dynamic.  Swerve Strickland and Brian Cage in particular stalled for a long time before finally entering the match.  Like a good battle royal should, this match featured nonstop action AND furthered numerous feuds; Ricky Starks interacted quite a bit with Jay White and Juice Robinson, eventually eliminating them both before they returned the favor; Swerve and Keith Lee finally went at it in an official match, with Swerve getting the better of his former tag partner.  Big Bill got plenty of time to shine, making it all the way to the final four.  Ultimately the match came down to Orange Cassidy and Swerve, and they got an extended sequence a la Shawn vs. Taker in the 2007 Royal Rumble, with tons of false finishes and near-eliminations.  Both men ended up on the ring apron and exchanged moves, but it was a lazy kick to Swerve's hand that broke his hold on the top rope and sent him crashing to the floor.  Cassidy retained in another great performance.  This was one of the company's best battle royals to date.  ****

Not faring nearly so well was the Adam Cole-Chris Jericho unsanctioned match, which felt lethargic and lacked the urgency it needed.  The two of them worked hard but somehow the match never got out of second gear after the initial burst of gang violence, and the crowd was pretty much ice cold throughout (The Vegas fans were uncharacteristically subdued for a lot of this show).  Not helping matters was the finish, which involved Cole mounting Jericho and raining down rather soft-looking punches before referee Aubrey Edwards stopped the fight (This was the same finish as Jericho vs. Shawn from 2008).  The one thing that made this look better was Jericho's eye, which had been busted open with a chain earlier in the match.  But the crowd hated the finish and actually booed it despite the babyface going over.  This match was always going to have an uphill battle being on the same card as the later Anarchy bout which it was obviously designed not to upstage, but it just didn't click for me.  **1/4

AEW Double or Nothing 2023 Preview & Predictions

This Sunday it's AEW's fifth(!!!!) edition of Double or Nothing!  Hard to believe this company has already completed high school....

Well it's been a tumultuous few months in the land of the Elite, with ups and downs and ups and downs.  On one hand they've amassed one of the largest crowds in wrestling history for their upcoming All In spectacular at Wembley Stadium (without a single match having been announced, mind you).  On the other hand their domestic ticket sales, including for this PPV, have been struggling.  One one hand they announced a second two-hour weekly show in Collision, centered around the returning CM Punk, on the other, the relationship between AEW and Punk continues to be one of hurdles and strained communication.  We'll see how that all plays out; my wife for one has set the over-under for Punk in AEW at one year, meaning he won't be used on television anymore by then.  I'm hoping for the best of course, but Phil's track record of remaining drama-free since All Out hasn't been great.

But enough about that, let's look at this lineup, which as usual is very strong on paper.  Not the strongest card they've ever assembled but there's plenty here to be excited for and this show should deliver some great matches as AEW's PPVs always do.

AEW Trios Championship: House of Black vs. The Acclaimed/Billy Gunn (presumed)

This hasn't been officially announced yet but they've been teasing it for weeks and I'd be surprised if they left it off the show.  House of Black is pretty much being booked just as I said they should be, as a dominant group of monster heels that doesn't need to cheat to win, hence they crush all competition like monster babyfaces.  A modern-day trio of Road Warriors essentially.  The Acclaimed are a good, over, fan favorite team to challenge them here and put up a really good fight with tons of hope spots.  But in the end HOB will retain, and should continue to do so for a good long while.

Pick: House of Black retains

Matt & Jeff Hardy/Hook vs. Ethan Page/The Gunns

I'd be fine if they bumped this one to the pre-show; not much going on here for me.  I do like the addition of Hook to Team Hardy though, and Jeff is still a star so I get why they felt the need to add him to the lineup.  I'm glad this is a nice easy match type for him - keep Jeff away from ladders and tables for the rest of his career.  Page and The Firm are unfortunately not a hot act at all right now; I'm not sure what they need to be seen as a threat again.  They split that group from MJF pretty damn quick.  Anyway this is really a showcase for the reunited Hardys and Hook, who should be moved into a title program very soon.  Kid's over and has the goods.

Pick: Hardys & Hook

Oscar Film Journal: How the West Was Won (1962)

Welcome to another entry in the Oscar Film Journal, here at Enuffa.com!

It's been a little while, as I took a break after this year's awards ceremony, but the warmer weather put me in the mood for a good ol' Western, in this case the Cinerama extravaganza How the West Was Won!  

One of only two dramatic features shot in the immersive three-camera format, HTWWW is an anthology piece inspired by a series of articles in Life Magazine, and boasting a who's-who of Hollywood stars from the 40s and 50s.  James Stewart, Debbie Reynolds, Karl Malden, Walter Brennan, Gregory Peck, Robert Preston, George Peppard, Harry Morgan, John Wayne, Henry Fonda, Eli Wallach, and narration by Spencer Tracy.  The film covers the early pioneer days through the Old West, depicting the American Expansion period through the eyes of a family of characters, each of the five segments taking place during a particular era.  Each chapter also takes great advantage of the Cinerama format by including an action-oriented set piece that plunges the viewer into the story.

Top Ten Things: Marx Brothers Films

Welcome to Top Ten Things, here at Enuffa.com, where I talk about things.  Ten things.  The top ten things.  See?

Today what's on my brain is the Marx Brothers.  You know 'em, you love 'em.  Groucho!  Chico!  Harpo!  Zeppo (sometimes)!  Born Julius, Leonard, Adolph (later Arthur), and Herbert, the Marxes (along with a fifth brother Gummo) honed their craft for years on the Vaudeville circuit before gaining notoriety with three Broadway hits, and from there they swept the nation as movie stars.  Boasting incredible onscreen chemistry fueled by Groucho's unparalleled wit, Chico's hilariously sleazy Italian con man persona, and Harpo's astonishing gift for pantomime, the Marx Brothers left an indelible mark on both cinema and comedy, with a 15-year film career that spawned numerous timeless classics.

Here are the Marx Brothers' ten best films, according to me....

10. The Big Store

The Marxes' intended final film was this 1941 farce set in a department store whose co-owner has hired private detectives (Groucho, Harpo & Chico) to investigate a plot by the store manager to murder her nephew.  It lacks the urgency and inventiveness of their prime years but does include its share of silly set pieces one would expect from a Marx Brothers movie.  The Marxes would come out of retirement to make A Night in Casablanca in 1947 (after Chico revealed he owed large gambling debts), but The Big Store was billed as their swan song.

9. Room Service

Based on a 1937 play, Room Service was the only Marx film not written specifically for the brothers.  It concerns a stage producer and his ragtag crew going to any lengths necessary not to be evicted from their hotel room before their play's opening performance, and while fairly screwball, features the Marx Brothers at their most restrained.  This was also the first Marx film to abandon the traditional character relationships between Groucho, Harpo and Chico.  In this film Harpo and Chico's characters work for Groucho and the three are in cahoots from the start; in this respect as much as any other, Room Service doesn't quite feel like a Marx film, but it does at least feature a little of their trademark onscreen mischief.

8. Monkey Business

The first Marx film not based on a play was their third overall, about four stowaways who run amok on a cruise ship and fall in with two separate warring gangs.  Monkey Business is a rather odd film, in that a story arc is put into place but multiple threads are left unresolved, such as the protagonists evading the authorities, Groucho's romance with Thelma Todd's character, the aftermath of the kidnapping and rescue of Joe's daughter, etc.  Also notable about this film is the lack of musical numbers other than Chico and Harpo's instrumental solos.  Monkey Business is definitely my least favorite of the Paramount movies and I can't help wondering why they didn't instead make a film version of I'll Say She Is, particularly given the way they shoehorned in the Maurice Chevaille bit from that play.  Still this movie isn't without its charm.

Movie Review: Guardians of the Galaxy Vol. 3

It's a rarity when the third part of a trilogy achieves the same level of greatness as the first and/or second, but James Gunn's Guardians of the Galaxy finale does just that, in some ways eclipsing aspects of his first two "volumes."  

For this third chapter, we catch up with our beloved gang of intergalactic misfits on their recently adopted homeworld of Knowhere (a makeshift space-city cobbled together inside the disembodied head of a god).  "Starlord" Peter Quill is still mourning the Endgame loss of Gamora, or at least the Gamora he knows and loves, as a past incarnation now exists in present day but of course remembers nothing of their relationship (The film has a lot of fun with this thread).  Suddenly Knowhere is attacked (out of....nowhere) by Adam Warlock, a genetic creation of the Sovereign (the prissy, easily offended golden folk from Guardians 2), who wreaks havoc on the city and nearly kills Rocket.  The Guardians are unable to use their "medpacks" to try and save his life, as they learn his heart contains a built-in killswitch activated by any attempt to heal it.  The team's primary mission is now to infiltrate the company that created Rocket and learn the override code so they can save him.

Top Ten Things: WrestleMania Followups

Welcome to another edition of Top Ten Things, here at Enuffa.com!

Today I'll be talking about some slightly-hidden gems given the unenviable task of directly following WrestleMania.  Every year 'Mania seems to play out like a season finale of sorts, with long-running angles and feuds being resolved, and new stories beginning.  But with no off-season, WWE marches right on to the next PPV (formerly In Your House and Backlash, now Extreme Rules) and has to assemble a show that could easily come off as anticlimactic given its position on the PPV calendar.  Some years though, the 'Mania followup PPV has actually outclassed The Show of Shows and presented one or more Match of the Year candidates.  Backlash 1999 and 2000 for example were far and away superior to 'Mania 15 and 16 respectively.  Ditto for Extreme Rules 2011 and 2012.  Not so much for Payback 2017....

Here now are the Top Ten Matches from Post-WrestleMania PPVs.

10. The Shield vs. Evolution - Extreme Rules 2014

This dream match of sorts was a wild, action-packed example of faction warfare.  The Shield had recently turned against The Authority, and Triple H retaliated by reassembling his most accomplished stable, now consisting of three former WWE/World Champions.  Now I had hoped for an 8-man WarGames-style match including Daniel Bryan and Kane, and I still think WWE dropped the ball by not booking that match after it was so perfectly set up the night after WM30.  That said though, this six-man delivered huge and further established The Shield as the most dominant faction in years.

9. John Cena vs. Brock Lesnar - Extreme Rules 2012

Brock Lesnar's WWE return was an absolutely huge deal.  After an eight-year hiatus Lesnar reappeared on RAW the night after WrestleMania 28 and left John Cena laying in a heap.  A No Holds Barred match was immediately signed for Extreme Rules, and would be the first signature "Brock Lesnar" match, where he employed both pro wrestling and MMA techniques to create a unique, big-fight atmosphere.  The match began with Lesnar brutally bloodying Cena with hard elbows to the forehead, marking the first WWE use of significant "color" in several years.  This groundbreaking fight showcased a dominant Lesnar performance until the very end, when Cena evened the playing field with a chain and got a shocking (and in retrospect terribly ill-advised) win over the returning Beast.  It took some time for WWE to properly use Lesnar during his post-UFC run (His record after one year back was 1-2!), but fortunately they soon remembered that Brock Lesnar is supposed to destroy everything in sight, and worked much harder to preserve his drawing power.

8. Mankind vs. Big Show - Backlash '99

After a tremendously disappointing first-time matchup at WrestleMania XV, Mankind and The Big Show redeemed themselves with this brutal Boiler Room Brawl.  The inaugural Backlash event one-upped 'Mania 15 in every way, and this match was everything the first encounter wasn't.  Mankind brought his typically high pain threshold, taking a brutal table spot and cutting his hand on a pane of glass before escaping the boiler room.  Not only did this match steal the show at Backlash '99 but I consider it the far better of the two Boiler Room Brawls.

7. Randy Orton vs. Cactus Jack - Backlash 2004

Another Foley classic, this time Mick donned the red & black flannel and trimmed way down to resurrect his original in-ring persona, Cactus Jack.  Randy Orton was just gaining traction as a future main event player, and Foley made sure he looked like a million bucks.  This outlandish, violent Street Fight featured barbed-wire bats, thumbtacks, falls off the stage, and buckets of blood.  The enduring image for me is of Orton taking a bump, barebacked, on a pile of thumbtacks.  Simply one of the most grisly moments I can recall in a wrestling match.

WWE Backlash 2023 Preview & Predictions

Back to business as usual with WWE these days since Vince more or less forced himself back into power.  Yeah I know Triple H is officially running Creative still, but the 78-year-old boss is still tearing up scripts he doesn't like and rewriting shows on the fly, mostly with nonsensical results.  Oh, this Saturday is Backlash...

Imagine how monumental the big match on this show would be if WrestleMania had had the correct finish.  Instead it's just a match with nothing really at stake.  Good news though, Cody Rhodes now gets to go after WWE's THIRD World Title!  Yay!  As Jim Cornette (who I almost never agree with) said, "What sense does it make to say 'Our champion is so good no one can beat him, so let's just introduce a new title?'"  This reintroduction of the World Title is so unfathomably stupid I can't even wrap my brain around it.  Not only are they saying no one else in this company is in Roman's league, but they're also saying "Even though Roman isn't around enough and you all deserve a fighting champion, we aren't going to vacate the title due to inactivity or split the two existing belts up again, we'll just make ANOTHER belt for everyone else to fight over while Roman stays home."  Pure, unadulterated idiocy.  Added to which, the new belt is ugly.  I mean real ugly.  Rather than just resurrect one of the most beloved belt designs of all time, they bastardized it and slapped a giant, honkin' WWE logo in the middle of it.  Does every belt in this company need the logo to be the biggest object on it?  I know other companies do that too, but they do it with some tastefulness.  WWE is incapable of subtlety in design.

Alright enough bitching about the meaningless title, let's look at this card....

Kevin Owens/Sami Zayn/Matt Riddle vs. The Usos & Solo Sikoa

Pretty darn good six-man to kick things off here (I have no idea if this'll be first but it should be) and continue the Tag Title feud.  The crowd should be very hot for this and Riddle will benefit from being involved with two of the company's most popular babyfaces.  This being WWE I suspect 50-50 booking will apply.

Pick: Bloodline

Smackdown Women's Championship: Rhea Ripley vs. Zelina Vega

First off, why does WWE keep having the two women's champs switch places AND BELTS in the Draft?  So stupid.  Rhea is now going to be on RAW but she's listed as the SD Champion for now.  Second, Zelina??  Really?  That's who you came up with for a challenger?  Christ...  Rhea wins, obviously.

Pick: Rhea retains

Top Ten Things: Metallica Songs (10-1)

Alright, here we go.  Metallica's Top 10 songs of all time.  The best of the best.  According to me anyway.....

Part 1

Part 2

Part 3

Part 4

10. Enter Sandman

Yeah I know, it's overplayed as shit.  It's everywhere.  You can't watch a single play in a football game without a snippet of this song blaring out afterwards.  It probably doesn't need to ever be on the radio again.  I don't care.  "Enter Sandman" is a fucking all-time great rock n' roll song.  From a simple tritone-based riff Kirk Hammett shat out at 3am one night, the band extrapolated an entire, world-changing song.  Think about it, "Sandman" is essentially the one riff, over and over, in various forms.  Yes there are little adornments and adjustments tacked on, but sweet Jesus did they get a lot of mileage out of very little content.  On top of its stunning economy of songwriting, this tune has one of the most instantly hooky choruses of the decade, some absolutely gorgeous vocal harmonies (that sadly didn't get pushed high enough in the mix), and just an infectiously heavy midtempo groove.  And holy shitballs that guitar tone....  "Enter Sandman" is the song that launched Metallica into metal godhood, and if not their best song it has to be considered their most culturally significant.

9. Frantic

The one true classic from what is universally considered Metallica's worst album, "Frantic" is an absolute monster of a song that set the tone for the visceral, ugly psychotherapy session put to music that was St. Anger.  The main riff is a devlishly clever single-string line that, like the "Sandman" riff, was ripe for variation.  Move that same riff up a couple strings and arpeggiate it, and you have the chorus.  James' vocals capture the nu-metal aesthetic better on this song than on any of the album's other tracks, and also include one of my favorite Metallica lyrics (also courtesy of Kirk), "My lifestyle determines my death style."  Time eventually makes victims of us all, the one predator we can't outrun.  If every St. Anger song had this kind of raw, brutal energy I think the album would've been much better received.  Alas, "Frantic" was a sort of lightning in a bottle, the one piece of this bizarre experiment that worked unequivocally. 

  

NJPW Wrestling Dontaku 2023 Preview & Predictions

Tomorrow is Wrestling Dontaku 2023, one of NJPW's lesser annual PPV-type shows, and as with most such shows it's comprised of about half important matches and half throwaway tags, so we'll just look at the main stuff.

There are a few promising bouts here, particularly the main event....

Strong Openweight Championship: Kenta vs. Hikuleo

Hikuleo is more or less fresh off running Jay White out of the country and it's landed him a shot at, ironically, one of the US-based championships.  Kenta won this title at Battle in the Valley and has only defended it twice.  I could see this going either way but I think Kenta needs to keep it for a while to help establish it.

Pick: Kenta retains

IWGP TV Championship: Zack Sabre Jr. vs. Jeff Cobb

This should be fantastic.  ZSJ and Cobb are always great, pretty much regardless of who their respective opponents are.  I could see Cobb capturing the title but it seems like ZSJ will hold onto it for a while to really make it feel special.  This one could even go to time limit.  He's the Lord Steven Regal of NJPW!  Possible show stealer right here.

Pick: ZSJ retains

Top Ten Things: Metallica Songs (20-11)

We're almost to the cream of the crop in the Metallica song catalog, here's the second tier of tunes!

Part 1

Part 2

Part 3

20. Fade to Black

Metallica's first "ballad" appeared on their second album, and also marked the earliest accusations of the band "selling out."  Yes, how dare a metal band write something melodic??  The idea!  Anyway, "Fade to Black" was inspired by an incident in Boston where most of the band's gear was stolen after a show, prompting James to pen the song's depression-themed lyrics.  The song alternates between shimmery, chill-inducing 12-string acoustic guitars and Metallica's signature blazing electric sound, and features some of Kirk's most ambitious solos up to that point.  This still holds up as a classic.

19. Orion

Cliff Burton's most significant songwriting contribution came in the form of this sprawling instrumental, one that featured the prodigious 24-year-old's four-string chops more than any song since "Anesthesia."  Cliff made use of his extensive music theory knowledge to lend the song absolutely gorgeous guitar and bass harmonies, and stole the show near the end of the classical-tinged waltz section with a beautiful harmony-laden solo.  Hearing his work on this song makes his untimely death that much more tragic; imagine what else he could've contributed to the band if he'd had more time.  "Orion" is one of the great rock instrumentals and a unique accomplishment in the Metallica catalog.

  

Top Ten Things: Metallica Songs (30-21)

We're at the halfway point of our big Metallica Top 50 countdown with the middle ten songs!

Part 1

Part 2

Here we go....

30. No Leaf Clover

One of two new songs introduced for the S&M live album, "No Leaf Clover" is by far the standout, an ominous midtempo dirge with a killer chorus melody.  Lyrically the song seems to be about taking shortcuts to success and paying the price for it later - ("Then it comes to be that the soothing light at the end of your tunnel/Was just a freight train coming your way").  The orchestra heightens both the splendor and emotion of this tune, giving it an epic, apocalyptic feel.  This was the last great song of the Jason Newsted era.

29. King Nothing

Probably the most Black Album-ish song on Load is this straightforward midtempo track, also about the dangers of seeking success at all costs.  "King Nothing" has one of the strongest chorus hooks on the entire album, with huge open power chords and lots of attitude in James' vocal - "Then it all crashes down/And you break your crown/And you point your finger but there's no one around" - and a super-infectious 4/4 groove.  Love the sense of schadenfreude in this song.

28. The Call of Ktulu

Metallica's first great instrumental track was largely written by ex-guitarist Dave Mustaine, who later repurposed parts of it for the classic Megadeth song "Hangar 18."  But "The Call of Ktulu" is an eight-minute opus with delicate ascending guitar arpeggios in the intro/outro and a huge tritone-based main riff that gives Cliff Burton space to show off his distorted wah bass fills.  There's an atmosphere of desolation that fits right in with the HP Lovecraft-inspired title, and this is a monumental way to close out Ride the Lightning.

  

Top Ten Things: Metallica Songs (40-31)

Welcome to Part 2 of our Top 50 countdown of Metallica songs!  In this segment we cover #40-31....  

Click for Part 1

Let's dive right in!

40. Bad Seed

Back to the Reload album, this midtempo chugger features a main riff that the band may or may not have inadvertently lifted from an old Soundgarden song called "Get On the Snake," which Chris Cornell's other band Audioslave then lifted for their tune "Your Time Has Come."  From there the guitars settle into a syncopated wah-enhanced groove over which James sings about the perils of greed, using the metaphor of a carnival barker preying on the gullible - "You bit more than you need/Now you're choking on the bad seed."  An overlooked deep cut from Metallica's experimental phase.

39. Until it Sleeps

The band pulled no punches when it announced the June 1996 release of their sixth album Load, leading off with a single very much out of left field.  Rather than going the safe and easy route with say "King Nothing," Metallica chose the moody, Chris Isaak-esque "Until it Sleeps" as the first single, informing the fans in no uncertain terms that their next album would not be what we were expecting to hear.  It was a ballsy move to say the least, but "Until it Sleeps" is a helluva piece of music, beginning with a fretless bass line and clean guitar with a rotary speaker effect, and featuring one of James' most sorrowful vocals.  Steeped in the abstract, the lyrics could be about trying to conquer addiction ("You feed it once and now it stays"), confronting one's destructive impulses ("So tear me open but beware/There's things inside without a care"), or simply falling on hard times ("So tell me why you've chosen me/Don't want your grip, don't want your greed").  Whatever your interpretation, "Until it Sleeps" is one of the band's most evocative songs, accompanied by one of their most visually striking videos, released during a time of unapologetic reinvention.

38. Carpe Diem Baby

Cheesy title aside, "Carpe Diem Baby" is one of my favorites on Reload, a slow, grungy song simply about seizing one's chance and throwing caution to the wind ("Bleed the day and break the rule").  Nothing thematically complex going on here, but this song boasts an infectious chorus hook and a fat, chunky guitar tone.  Loved it right away.

Top Ten Things: Metallica Songs (50-41)

Welcome to another special Metallica-related Top Ten Things, here at Enuffa.com!

Yup, I still have Metallica on the brain so I decided to expand and update my old Top 10 list of Metallica songs from 2015 or so, and since the band just dropped another 12 tunes courtesy of their new album 72 Seasons it's as good a time as any.  This list is very subjective and tough to pin down, and would probably change somewhat on a daily basis, but hell, let's give it a go.  

Side note: I'm only including original Metallica tunes and not the numerous covers they've done.  Why?  Just wanted to have more space for the originals I guess.  Maybe I'll write up a separate covers list.

Anyway, here's Part 1, covering songs 50-41.....

Part 2

50. Too Far Gone?

Right out of the gate we have one of the new tracks, "Too Far Gone?" which is a short, fast-paced banger with a memorable, hooky chorus.  The vocal harmonies remind me a bit of Misfits tunes like "Last Caress," while the lyrics more or less convey a desperate cry for help.  The middle section features some of those gorgeous, signature Metallica guitar harmonies that help make this song an 11th album highlight.

   

49. Hate Train

The Death Magnetic sessions yielded ten album tracks but also four leftovers, which the band released three years later as the Beyond Magnetic EP.  This roughly mixed quartet of tunes featured some very overlooked material, the best of which in my opinion is "Hate Train," another experiment in dynamics where the verse sections are heavy and the first two choruses bring it down with clean guitars and melodic vocals.  Then following the solo section the band explodes with a double-time, chugging chorus variation.  I actually find this song superior to a few of the DM album tracks and it's a shame it didn't make the cut.

48. Sweet Amber

St. Anger is pretty universally considered Metallica's weakest album, but that doesn't mean there aren't good songs on it.  One of the best for me is this addiction-themed piece that features a memorable galloping guitar riff and cleverly introspective lyrics like "She holds the pen that spells the end/She traces me and draws me in."  "Sweet Amber" is one of several later Metallica songs that resonates more as I get older.

Top Ten Things: Metallica Albums, RANKED

Welcome to another Top Ten Things, here at Enuffa.com!  Today I look at the catalog of the biggest metal band in history, the mighty Metallica!

Anyone who knows me at all knows I'm a dyed-in-the-wool Metallica aficionado, and if you've read Enuffa.com for any length of time you've probably gotten that sense as well.  For me the summit of Music Mountain is twofold - there's The Beatles and there's Metallica.  Everyone else is just trying to reach the top.

With the release of the band's eleventh album 72 Seasons, it's time to update the album ranking.  Enough yakkin', let's get to it!

11. St. Anger

Metallica's much-maligned "therapy" record and its accompanying film Some Kind of Monster were essentially a document of a band coming apart at the seams and ultimately stitching themselves back together.  Recording began in 2001 when internal relations within the group were at an all-time low, and departed bassist Jason Newsted had been temporarily replaced by producer Bob Rock.  The album's tone was ugly, messy and raw, reflecting many of the previously unspoken feelings floating around between the remaining band members.  St. Anger was met with much scorn from diehard Metallica fans at the time of its release, and in 2003 I considered it a pretty big disappointment.  But over the years I've come to appreciate it from a visceral, emotional standpoint.  It was the album the band needed to make in order to come back together and trudge forward.  The muddy lack of production, de-tuned guitars, and that awful pinging snare drum helped put to music the state of mind the band was in, illustrating what a bloated monster Metallica had become.  With St. Anger out of their system Metallica would now be free to find themselves again.

Key Tracks: Frantic, My World, Sweet Amber

10. ReLoad

The second half of Metallica's late-90s two-parter, this 76-minute collection featured some of the band's most experimental material.  A continuation of the alt-metal sound established with Load, this album took things a step further, somewhat eschewing Metallica's riff-driven roots for more textural guitar work and unusual instrumentation.  Songs like the country-tinged "Unforgiven II" and the Tom Waits-influenced "Low Man's Lyric" (featuring a hurdy-gurdy) pushed the boundaries of what constituted the Metallica sound.  ReLoad definitely includes some B-material ("Better Than You," "Attitude") and a few songs too reminiscent of those on Load ("Fixxer" is essentially "Outlaw Torn 2"), but it's got a few classics as well, like the driving opener "Fuel," still one of my all-time Metallica favorites.

Key Tracks: Fuel, Carpe Diem Baby, Bad Seed

9. Kill 'Em All

The album that kicked off one of the greatest musical careers of all-time, Kill 'Em All essentially invented the speed/thrash metal genre, boasting razor-sharp twin rhythm guitars and machine-gun drum blasts.  It was the prototype for modern metal records and introduced the world to Hetfield, Ulrich, Hammett and Burton.  In my estimation it's still one of the greatest-ever debut albums and certainly one of the most influential.  Despite its efficacy however this record hasn't aged as well for me as some of the others.  It often feels like Speed Metal 101, as it lacks some of the depth and sophistication Metallica would discover only a few years later.  Still there's no denying what a metal milestone Kill 'Em All proved to be.

Key Tracks: Hit the Lights, The Four Horsemen, Jump in the Fire

Music Review: Metallica - 72 Seasons

Welcome to a special album review piece here at Enuffa.com!  Now that the long-awaited 11th Metallica album 72 Seasons has dropped and my esteemed colleague Mike Drinan and I have had ten days to fully digest it, we thought we'd give it the same discussion treatment we gave Hardwired all those years ago!  Get ready for a deep dive...

JB: Michael, before we dig into the individual tracks, what are your high-level thoughts on 72 Seasons?

MD: It's a good, solid Metallica album that should satisfy fans of all eras of the band, whether you prefer their thrash style or the blues based rock of the Load era, it's all on this album. The production is really polished on this, James's vocals sound incredible and his lyrics seem to be more evocative and introspective, which I kind of felt was lacking on Hardwired. Rob's presence on this album is really at the forefront and I love what his playing brings to these songs. 

My biggest issue with this album that kept coming up was how they struggled with transitions and outros. There was a lot of starts and stops when going into a new section of the song, almost as if they didn't have any other ideas on how to bridge the sections together. The ending of the songs were even worse for me, especially on "Shadows Follow" where the song was over and they kept doing the same thing over and over and over until they finally ended the song. Those were my two biggest nitpicks. 

Other than that, I really enjoyed the album overall and felt it was exactly what I expected of the band at this stage of their career.

JB: I think this album is a big step up from Hardwired.  It continues that direction stylistically, bringing together elements from every era (minus St. Anger, though lyrically it harkens back to the early aughts as James worked through a recent bout with his personal demons).  But everything just sounds more confident on this album and it feels much more like a collaboration between all four members.  Kirk thankfully gets some songwriting credits again (the main riff of "72 Seasons" is probably his most front-and-center contribution, and it's a great one), and his soloing is the strongest it's been in probably 30 years.  His lead work is much more surefooted this time around and it's great to hear him playing to his strengths again after years of him just sorta being there.  Also like you said, Rob Trujillo's bass is very present on this one, featured more than anything they've released since Load/Reload and the songs are so much stronger for it.

Lars once again defies his age with laser-precision drumming and machine-gun double-kick parts on the fast stuff, and four-on-the-floor solid grooves on the Black Album-esque tunes.  He sure does love those snare fills.

As always James is the backbone of the band, supplying even more evidence why he's maybe the greatest rhythm guitarist of all time, while also pouring his heart out lyrically and making the songs much more relatable than on Hardwired, where they often felt at arm's length.  There's some really nice vocal production on here too that reminded me of the Bob Rock era.

The transition stuff you mentioned didn't bother me; I actually like some of the stop and start touches they added (the outro of "72 Seasons" for example - Lars' fingerprints are all over those bits I think.

Overall I consider 72 Seasons their strongest work in many years - it could've used maybe a bit more variety but they were obviously going for an exhausting, relentless metal journey and on those terms this is a really successful effort from where I sit.  There's a real maturity on display here, from a group of guys hitting their 60s (that just seems wrong to me), combined with early-era exuberance on some of the tunes.  It's an album that definitely rewards multiple listens, which is generally my favorite type of album.

What are the standout songs for you?

Top Ten Things: Shawn Michaels WrestleMania Matches

Welcome to another edition of Top Ten Things, here at Enuffa.com!  And welcome to yet another episode of my barely coherent ramblings about the phenomenon known as WrestleMania.  Today I'm talking about the ten greatest 'Mania appearances by my all-time favorite wrestler, The Heartbreak Kid himself, Shawn Michaels.

Many years ago people started referring to Shawn Michaels as "Mr. WrestleMania," and one doesn't need to look very hard to see why.  In terms of consistently delivering show stealing performances on the WWE's biggest stage, Shawn has no equal.  From 1994-1998, and again from 2003-2010, Michaels' WrestleMania match was generally considered either the best or second-best match on the show, and during those same years his 'Mania match won Pro Wrestling Illustrated's Match of the Year a staggering NINE times (plus he had two non-WrestleMania winners).

Look, I don't need to prattle on about what an incredible pro wrestler Michaels was, so let's just get to the list.  Here now are my ten picks for Shawn's greatest WrestleMania matches.

10. Diesel vs. Shawn Michaels - WrestleMania XI

What should have been main event of 'Mania 11 was also the only worthy match on the card, as former friends Diesel and Shawn Michaels battled for the WWF Title.  Diesel's abrupt main event push was the WWF's attempt to recreate the success of Hulk Hogan.  Sadly Kevin Nash had nowhere near the overwhelming fan support Hogan did, and the Hartford crowd actually ended up cheering the breathtaking athletic abilities of Shawn Michaels, despite his being the heel.  Even in losing the match, Shawn positioned himself as the next main event babyface and the most popular guy in the company.

9. Shawn Michaels vs. Ric Flair - WrestleMania XXIV

Shawn Michaels vs. Ric Flair was one of the most emotional matches I've ever seen.  Michaels obviously deserves a lot of the credit for making this match great, as he bumped around like crazy, per usual.  But Flair's storytelling was also off the charts and he emoted wonderfully, making the audience really care about his career-ending journey.  The final seconds of the match when Flair tearfully begged Shawn to hit the superkick, followed by the sorrow on Shawn's face, made for one of the most memorable of all 'Mania moments.  I given Flair's age at this point I had low expectations going into this, but two of the all-time greats stole the show with this memorable bit of storytelling.

Top Ten Things: Undertaker WrestleMania Matches

Welcome to another edition of Top Ten Things, here at Enuffa.com!  Today we're talking about The Phenom, The Deadman, The Conscience of WWE, and his greatest bouts at WWE's biggest PPV of the year, WrestleMania!

Probably the greatest streak in fake sports was the one held by The Undertaker, a winning streak at WrestleMania that lasted over two decades and led to one of the most shocking moments in wrestling history when it was broken.  What started as an organic bit of booking happenstance evolved into possibly the biggest perennial feature on The Showcase of the Immortals.  Suddenly there was a built-in long-term storyline for one of the top WrestleMania matches every year, and for quite a while Taker's match either stole the show or came damn close.  Even after The Streak was broken by Brock Lesnar, Taker's match would continue to be one of the top featured attractions.

But which of his 'Mania showings stand atop the others?  Here now are, in my estimation, The Undertaker's greatest WrestleMania bouts....

10. Undertaker vs. Kane - WrestleMania XIV

Taker's first great 'Mania bout didn't occur until he'd already established a six-match winning streak (Yes, his 1996 match with Diesel was solid, but aside from that his 'Mania outings up until this point were forgettable at best).  In 1997 Taker was involved in a long storyline arc wherein his former manager Paul Bearer revealed he had a long-lost half-brother named Kane (Ironically Kane was actually Taker's first name when he debuted).  The company built up Kane's first appearance for several months before he attacked Taker during the first Hell in a Cell match, and from then on he was established as an unstoppable monster.  Also to the company's credit, they held off giving away too much physical interaction between the Brothers of Destruction, so by the time this match finally took place it truly felt like Taker would be facing his ultimate adversary.  The match itself didn't disappoint; the two behemoths delivered a very physical fight that Taker was only able to win via three consecutive Tombstone piledrivers.  Even in a loss, Kane was set up as a major star.

9. Undertaker vs. Ric Flair - WrestleMania X8

The most unexpected hit from the 2002 'Mania was this amazingly brutal Street Fight.  Taker, then a heel, had assaulted Flair's son David and his best friend Arn Anderson, in an effort to goad the aging former Champion into a fight.  In Flair's first truly good match since his WWF return, he bumped and bled all over the place to make Taker look like a sadistic, unstoppable bully.  The highlight of this match for me was a top-rope superplex that looked as punishing as any I've ever seen.  Flair fought valiantly but eventually fell to BikerTaker, giving the latter his tenth WrestleMania win.

8. Undertaker vs. Randy Orton - WrestleMania 21

After a serious in-ring slump in 2003-04, Taker was able to return to form in this underrated match with the Legend Killer.  Orton had just finished a horribly failed babyface run in late 2004 and the company wisely turned him heel again, leading to Orton challenging Taker to a Legend vs. Legend Killer match.  These two worked extremely well together, delivering one of the better matches on the card that ended with Taker reversing an Orton Tombstone into his own for the win.  Taker and Orton would go on to have a series of strong matches throughout 2005, in a feud that helped re-elevate Orton.

7. Undertaker vs. Triple H - WrestleMania XXVII

In 2011 both The Undertaker and Triple H returned from a long hiatus.  Taker's return was teased ahead of time, but just as he was about to cut a promo the familiar strains of Motorhead filled the arena, announcing The Game.  The two veterans stared each other down before Hunter wordlessly made a challenge by turning his gaze to the WrestleMania 27 sign.  The match itself, while full of typical No-DQ frills, was a fairly epic, very dramatic WWE-style main event with some great gasp-inducing nearfalls.  Taker finally won with Hell's Gate but was so exhausted he had to be stretchered to the back on a forklift.  But these two would outdo each other one year later, both in terms of storytelling and action.

Top Ten Things: Women's WrestleMania Matches

Well it's been a while, but welcome to a brand new edition of Top Ten Things, here at Enuffa.com, where I make a list of ten things and put them in a certain order.  It sounds so arbitrary when I phrase it like that....

Today I'm talking about matches taking place at WrestleMania, specifically women's matches.  Say what you will about WWE's annual spring spectacular or its product in general - the quality is hit-or-miss at best nowadays, and we went from obscenely long five-plus-hour shows to a two-night WrestleMania weekend (which I much prefer over the former).  But one thing we seem to be able to count on in recent years is that at least one offering from the women's division will deliver in the clutch.  Said division has come a very long way from the Divas matches of old, usually sandwiched in between far more important bouts and only allotted 4-6 minutes, or worse, given the eye candy treatment of Bra & Panties matches, Playboy pillow fights, and other stupidity.  For every time Trish Stratus or Lita attempted to transcend back in the day there were upwards of a dozen other instances of the women being presented as either an afterthought or a debasement.  But now the women's division has become one of the featured attractions at the Showcase of the Immortals, sometimes in more than one bout.  Hell, there are times when they end up more or less saving the show.  Here now are the best women's matches in WrestleMania history (and for the purposes of this article I've included one mixed tag match).

HM: Becky Lynch vs. Shayna Baszler - WrestleMania 36

2020's WrestleMania was an odd one thanks to COVID restrictions preventing it taking place in front of an audience.  The two nights were taped the week before, with very mixed results.  One of a few mild Night 1 successes was this RAW Women's Title match, pitting the uber-popular Becky Lynch against the winner of that year's women's Elimination Chamber, Shayna Baszler.  Shayna had singlehandedly run through all her Chamber opponents on the way to 'Mania, and it was expected she'd steamroll Lynch on her way to main roster gold.  But odd booking prevailed and Becky countered a Kirafuda Clutch with a Bret Hart-style rollup to retain the title at 8:30.  Not a great match by any means, but a solid showing from both women, and to date Becky Lynch's last WrestleMania appearance, wherein she'd all but guaranteed reaching a full year as the champion.

HM: Bayley vs. Charlotte Flair vs. Sasha Banks vs. Nia Jax - WrestleMania 33

This Fatal 4-Way Elimination match came to be after Charlotte lost the RAW Women's Title to Bayley on an episode of RAW.  She then also lost in her bid to regain the belt at Fastlane (her first-ever loss on a main roster PPV).  Sasha meanwhile had been feuding with Nia, and both of them beat Bayley in non-title matches to earn a spot here.  This match was a step down from the WrestleMania 32 women's Triple Threat match but still featured some fun action.  Charlotte, Sasha and Bayley triple-teamed Nia Jax to get her eliminated first, Charlotte eliminated Banks with the help of an exposed turnbuckle, and Bayley quickly used the same turnbuckle to defeat Charlotte and retain.  This saga could've easily been better planned by having Bayley win the title from Charlotte at WrestleMania 33, thus ending her previously undefeated streak on PPV.  But aside from squandering a bigger moment this match was a pretty good showcase of the burgeoning RAW women's division.