5. The Social Network
Leave it to director David Fincher and screenwriter Aaron Sorkin to take a movie about the creation of a social media website and turn it into a riveting dramatic thriller. The (mostly) true story of the creation of Facebook and its founder Mark Zuckerberg's resulting legal troubles could've been a dull piece of techno-babble, but instead the filmmakers focused on Zuckerberg's personal relationships and his inability to relate to other people on a humanistic level. Star Jesse Eisenberg plays Mark almost as an Asperger's victim. He approaches every situation completely analytically and speaks to everyone in the most blunt terms possible, almost as though sugarcoating would be a waste of energy. This has the effect of alienating almost every one of his friends, and his business decisions result in lawsuits, both from his roommate and FB co-founder Eduardo Saverin, and from the Wiklevoss twins, who claim he stole their idea. The Social Network is presented as a tense, powerful, dialogue-driven pseudo-thriller, and the screenplay by the always excellent Sorkin moves along just fast enough to drive the story but not so fast we can't follow it. In lesser hands this story would have focused too much on the technical aspects and lost the characters, but Fincher and co. know exactly how to draw the audience in.
4. The Fighter
David O. Russell's true account of Lowell fighter Mickey Ward ranks right up with Rocky and Raging Bull as one of the best films about boxing. Ward's tale of an unlikely champion finally realizing his dream is a familiar one, but Russell uses hyperrealism for the fight scenes, emulating the look of a television broadcast capturing the action. The film features three amazing supporting performances, all of which garnered Oscar nods. Amy Adams plays Charlene, Ward's love interest and tough-as-nails local girl who isn't ashamed of who she is or where she came from. She is drawn to Ward's awkward shyness and feels for his bizarre family situation, aware that the people he loves most are holding him back. Melissa Leo won an Oscar for her performance as Mickey's mother/manager Alice. Alice is incapable of making a business decision that isn't driven by her own personal issues. She acts as much out of her own need for glory and gratification as for her son's well-being. The Oscar-winning show-stealer in the film though is Christian Bale as Mickey's half-brother Dicky Eklund, a former fighter who, despite being a hopeless crack addict, still thinks he's going to make a ring comeback. Like his mother, Eklund is a shaky-at-best hand guiding Mickey's boxing career and preventing him from succeeding. These three characters engage in a power struggle to win Mickey's trust. Charlene knows Mickey needs to distance himself from his dysfunctional family, while Alice and Dicky see Mickey as their meal ticket. Mark Wahlberg as Mickey wisely keeps his performance understated, knowing he can't compete with such huge characters. I've read some reviews stating Mickey was an unworthy protagonist who gets lost in the shuffle, but I found him easily identifiable as a quiet person surrounded by forceful personalities who are pulling him in different directions. Russell has made an extraordinary career of taking strange characters and making us sympathize with them. The Fighter is a showcase of superb acting, and one of the best of all boxing films.








































